Posts Tagged ‘Dreams’

Three Musketeers

Friday, August 5th, 2011

Photo by Marcia Sloane

(First published in the Anderson Valley Advertiser August 2011)

“Oh, the women, the women!” cried the old soldier. “I know them by their romantic imagination. Everything that savors of mystery charms them.” Alexandre Dumas

Last Thursday evening, as I was about to go to bed, I had a moment of panic because I had nothing to read. Yes, there are millions of books; and hundreds of new volumes flood the world every day; but I was hungry for a particular literary food I’ve cultivated a taste for over a lifetime, nothing else will do, and I wasn’t sure I had anything of the kind in the house I hadn’t too recently read. Alas, I am allergic to science fiction, murder mysteries (save for Conan Doyle’s Sherlock Holmes), fantasy, horror, mainstream fiction, exposés of the depredations of the oligarchic octopus, and odes to the coming collapse, thus new prose is, for the most part, of no use to me.

Stumbling into my cluttered office, I espied a volume recently procured from Daedalus Books, that goodly purveyor of publishers’ overstocks—a happily inexpensive Dover edition of the 167-year-old The Three Musketeers by Alexandre Dumas. I had attempted to read the book as a teenager and found the language too rich for my fledgling taste buds. I had seen a movie based loosely on the book (there have been more than twenty movies made from the novel) and I have always liked myths in which a group of characters compose a collective being, each character a distinct aspect of the whole—Robin Hood, Little John, Will Scarlet, and Friar Tuck; Groucho, Harpo, and Chico; D’Artagnan, Athos, Porthos, and Aramis. And so with hope in my heart, I lugged the ample paperback to bed, settled in for my customary bout of reading before sleep, and was relieved to find the first two chapters of The Three Musketeers exactly the food I craved.

“The intrigue grows tangled.” Alexandre Dumas

Three months before I began to read The Three Musketeers, I was inspired by various twists of fate to begin a series of large and colorful drawings (large for me, small for Picasso), 20 x 16 inches. I have been making pen and ink sketches since I was a child, but it was only two years ago at the age of fifty-nine that I went public for the first time with my artwork by introducing each chapter of my novel Under the Table Books with a pen and ink drawing. When these illustrations were mentioned favorably in reviews, I was emboldened to create seven zany black and white birthday cards (you can color them or not) that failed to cause a commercial ripple, much less a splash. Thereafter I contented myself with using the myriad scans of my drawings to decorate the instant stationery that computers and laser printers make possible.

What do my drawings have to do with The Three Musketeers?

“My heart is that of a musketeer; I feel it, Monsieur, and that impels me on.” Alexandre Dumas

Nine months ago I was invited to submit a short story to the Consumnes River Journal, a literary magazine of Consumnes Community College near Sacramento. I sent the editors a provocative story I was sure they would publish, but they disappointed my hopes. However, they were enamored of a drawing I included with the story, and to this drawing they dedicated an entire glossy page of their journal. Then about two months ago, shortly after the publication of the journal, I was contacted by a curator of an annual art show in Sacramento, a show of visual art created by writers, and this curator asked if I would like to present a few of my drawings in the next such show.

As it happened, the day I received the curator’s communiqué, I had just completed a series of three (large for me, small for Picasso) pieces I hoped to enter in a juried show at the Mendocino Art Center. However, I failed to have these beauties framed in time (they are still not framed) for the day of judgment, and so I will never know if I would have won a place in that show or not. Nevertheless, my sketching juices were flowing nicely when I received this invitation from Sacramento, and so there ensued a flurry of pen and ink inventions resulting in the birth of a family of colorful characters named Mr. and Mrs. Magician and their children Mystery, Mischief, and Merlin.

“D’Artagnan was amazed to note by what fragile and unknown threads the destinies of nations and the lives of men are suspended.” Alexandre Dumas

The central hero (sometimes anti-hero) of The Three Musketeers is a daring young man named D’Artagnan. Whenever Dumas found himself at a cul-de-sac in the plot, he arranged for D’Artagnan to accidentally stumble upon an important someone or something to get the action moving again. These recurring “accidentals” are among my least favorite things about the novel, along with much of the final third of the mighty tome, though when I learned Dumas wrote the novel in serial form (The Three Musketeers was first published in a French magazine over the course of several months in 1844) I was more forgiving of these implausible plot twists, having myself authored a serial work of fiction for a Sacramento weekly in the 1980’s.

And, in fact, we do frequently stumble upon and over things that propel the plots of our lives, so in that sense D’Artagnan embodies the Sufi mystic who goes forth with an open heart and open mind to discover what the universe has to offer. As Paladin’s business card said Have Gun, Will Travel, so D’Artagnan’s card might have read Have Sword, Will Duel, and my card might say Have Pen, Will Make Large (for me, not for Picasso) Drawings.

Speaking of propelling the plot…lacking a studio I have commandeered the dining table for purposes of making my larger-than-usual drawings, and Marcia, my wife and boon companion these last five years, is now privy to my works-in-progress. To my great relief, she likes my drawings and even makes cogent suggestions about color choices and composition, all of which I strictly obey. (Not)

One recent evening Sandy Cosca came over and Marcia said to me, “Show Sandy your drawings,” which I did.

Sandy chuckled at the drawings (because they are funny) and asked, “Are these illustrations for a story?”

And though I heard myself say, “No,” I wondered if they were illustrations for a story. How long a story? A novella? A novel? A serial?

Two days later, Marion Crombie, freshly returned from England, viewed the drawings, smiled brightly, and asked, “Do these go with a story?”

So at last we come back to that fateful evening I alluded to in the first sentence of this article, when I, in a D’Artagnan-like moment of desperation, stumbled into my office, found The Three Musketeers, and began to feed upon that tale. Having gobbled the first two chapters, I fell asleep and had a vivid dream in which the Magician family came to life and revealed themselves to be a complicated and compelling collective being, each character a distinct aspect of a fantabulous whole. The dream, clearly, was the beginning of a story: Mr. and Mrs. Magician and their children Merlin, Mystery, and Mischief, though what the story is about and how long it turns out to be remain to be seen.

I have only written the first two chapters, and so far the tale seems less about dueling with the forces of evil ala D’Artagnan, and more about parents and children and their struggles to separate and individuate and ultimately come together again to take meaningful action against the larger forces of greed and avarice. The Magicians, though not great swordsmen or the darlings of wealthy queens and kings and cardinals, seem to be social activists of a most unusual kind, and they seem to pose the question: how will we, you and I, give aid to our friends and our communities in the face of the terrible and growing inequities engendered by a ruling class of narcissistic psychopaths hell bent on turning back the clock to feudal times when the likes of D’Artagnan and his fellow musketeers served a tiny minority of wealthy people whose pathological selfishness kept all but the luckiest few enslaved by poverty and fear?

You can view Todd’s zany birthday cards (and soon his Magician family drawings) at UnderTheTableBooks.com

Carma

Thursday, April 15th, 2010

(This article originally appeared in the Anderson Valley Advertiser: April 2010)

Yesterday a tree fell on our car. Fortunately no one was in the car when the wind snapped the top third off the pine tree and a thousand pounds of soon-to-be firewood fell twenty feet though the crystalline springtime air and smashed the roof, the windshield, and the hood of our dearly beloved cello-toting 1996 Toyota Corolla wagon.

We had just gone for a brief spin in our old pickup truck, eschewing the wagon because she was low on gas, and I had just said to Marcia regarding the formidable westerly winds, “This is a trees-falling-on-power-lines kind of day if I’ve ever seen one.” Upon our return from the spin, there was Zephyr (so named in a fit of poesy when I bought her five years ago) half-buried under the glossy needles and sappy timber of the former upper reaches of a quasi-stunted pine doing his best to survive in that nutrient-stingy soil known hereabouts as Pygmy. The bottom two-thirds of the still-living tree loomed over the wreckage; the scene only lacking a raven perched on the stub cawing, “Nevermore.”

We were in shock. When we got married two plus years ago we not only exchanged rings, we exchanged cars. I needed a pickup for pruning jobs and toting manure, Marcia needed a zippy little car for the aforementioned cello toting and friend toting in all sorts of weather. Now Zephyr was totaled. Marcia immediately called AAA and within the hour we were on our way to Fort Bragg to pick up her rental car so the cello toting could continue unabated. Say what you will about the decline and fall of the American Empire, if one has comprehensive auto insurance, the system will seamlessly keep you rolling along. Now if only health insurance would work so seamlessly when trees, as it were, fall on your health.

What does it mean when a tree falls on your car? Well, the most mundane interpretation is that a tree falling on your car means that a tree has fallen on your car. But why did that particular tree fall on that particular car at that particular moment in our lives? Is this a sign? An omen? A message? Was this an act of divine intervention or an attack by the forces of evil? We will almost certainly never know. However, when things like this happen to me, I like to interpret them as I would interpret a dream. What for? Fun, of course.

I’ve read numerous books about dreams and dreaming, countless articles both scientific and fanciful, and I’ve even taken a dream interpretation class, which is the only class of any sort I’ve taken since dropping out of college forty-some years ago. My father was a Freudian psychoanalyst and cursorily introduced me to dream interpretation when I was twelve by giving me a copy of Freud’s The Interpretation of Dreams, a tome I found to be largely useless for my adolescent purposes. But what really got me interested in dreams and dream research was/were beagles.

I was a freshman Anthropology major at the University of California Santa Cruz in 1967, the campus just beginning to spread its concrete tentacles over the former cattle ranch and throughout the third and fourth-growth redwood groves. One of my favorite extracurricular activities was to head off into the largely unexplored woods and hope to get lost, so that in trying to find my way home I would have an adventure. This was a free and fairly safe way to experience the thrill of being lost, because going downhill from anywhere on the campus eventually brought me to a road; and I knew all the roads in that watershed.

So one sunny day I got lost in the forest, had a splendiferous daydream by a sun-dappled pool in a grotto of ferns, and at day’s end I headed downhill. I emerged from the forest in a place unknown to me and espied a cluster of a one-story buildings and a cyclone-fenced enclosure containing several dozen beagles. Curious about this remote installation, I made my way thither. The dogs saw me and charged en masse to the cyclone fence to bark at me. But their barking made no sound. I could see they were barking, but no noise was emanating from their mouths. So, yes, I thought I had gone deaf if not mad.

Totally freaked out (to use a popular expression of that era), I continued my approach and when I was within twenty feet of the pen, several of the hysterical dogs hurled themselves against the cyclone fencing, and I heard the noises their bodies made striking the fence, though nary a sound emerged from their furiously barking mouths. At which moment, a man emerged from one of the buildings, deduced I was the cause of the commotion, and said to me, “Looking for something?”

“I’m lost,” I said. “What is this place?”

“Dream research,” he explained. “We’re using the dogs to map sleep patterns, REM sleep and…”

“What’s REM sleep?”

“Rapid eye movement. Indicates dreaming.”

“What’s wrong with the dogs? Why can’t they bark?”

“We snip their vocal cords,” he said, inadvertently touching his throat. “Impossible to work with the constant din of their barking.”

“Oh,” I said, aghast at his nonchalance about taking away the dogs’ voices. “Why not use humans?”

“We’re laying the groundwork for that,” he said, somewhat condescendingly. “Establishing baselines. Things you probably wouldn’t understand.”

My reports of this canine gulag failed to incite my classmates to storm the lab and rescue the dogs, but something about that encounter and the dreamlike experience of coming upon a pack of silently barking hounds got me reading about sleep and dreams, which took me to Jung and back to Freud and eventually back to Jung, with my simultaneous readings in anthropology leading me to the Dreamtime of the Australian Aboriginals and the Bushmen of the Kalahari who believed there is a dream dreaming us.

Meanwhile, my pal Rico was en route to becoming a psychotherapist, and he, too, was fascinated with dreams and dream interpretation. It was Rico who taught me to recount my dreams out loud in the present tense, which technique invariably improved my recall of important and otherwise overlooked details of the dreams.

Eons later, I would enroll in a ten-week dream interpretation class taught by a brilliant man who was not keen on interpretations that deviated from his, so we butted heads, though I learned many things from him and appreciated the consistency and clarity of his system. And what I especially loved about his class was that we got to act out our dreams, with my fellow students and I taking parts of people and things in each other’s dreams, which enactments often exposed hidden emotions underpinning the dreams.

Then some years ago I caught the end of a radio program featuring a wonderfully articulate woman taking callers’ questions about dreams. A man called to say he wished he had a dream for her to interpret, but that he had never in his life remembered even the tiniest fragment of a dream. And the articulate woman said, “Then tell me what happened to you today and I will interpret that as a dream.”

I don’t remember much else about their interaction, but I have ever since interpreted puzzling and momentous events in my life as I would interpret dreams, from which many groovy insights have emerged. Thus I recommend the practice to you.

Here is the dream version of the tree falling on our car.

Marcia and I emerge from the house we rent and walk toward the Corolla (definition of corolla: the inner envelope of floral leaves of a flower).

“Oh,” says Marcia, “can we take the truck? The wagon’s low on gas.”

“Sure,” I say, noting the Corolla is parked in a place where we almost never park it.

So we take the truck and wend our way along a winding road through the forest, the spring day gorgeous and sunny. The next thing I know we are parking the truck on the side of the road and walking down a wooded driveway to a beautiful house set in a lovely park of old trees and verdant meadows. We pass the house and come to a vast barn-like structure, a fabulous studio on the shores of a lovely lake. In other words, paradise.

“If only this were ours,” we say and think and feel.

We get back in the truck and drive home, each of us lost in fantasies of such a paradise belonging to us. And as we arrive home, we find that a tree has crushed our car.

In short (and drawing from a variety of interpretive schemata): the car (low on gas) represents the means by which the ego navigates the outside world. The tree represents the intelligence and power of Nature. To acquire a house (self) so much larger and more magnificent than our current house (self) and to own (control our destiny) rather than rent (accede control to others) such a grand home (self) would require an entirely different way of conveying our egos in the outside world.

So the question is: do we get another wagon or a sedan? Another Toyota or a Honda? We’re thinking something around three grand.

Todd’s web site is UndertheTableBooks.com.

Transformation

Thursday, April 8th, 2010

(This memoir first appeared in the Anderson Valley Advertiser April 2010: photo by Marcia Sloane)

I have read a great deal about dreams and dreaming, and whether you believe dreams are communications from the astral plane or meaningless imagery resulting from cerebral out gassing, they can certainly remind us of people and places and things we have successfully avoided thinking about for the longest time.

I recently dreamt of being in high school again, and of a transformative moment in my less than excellent adventure there. My dream was a fair enactment of the event from my junior year, though the dream ended differently than the so-called real event.

I was a disinterested student suffering from the sudden onset of chronic pain in my lower back that ended my official athletic career in a heartbreaking twinkling. Verbally precocious, I was enrolled in Advanced English wherein my teachers persistently failed to see the genius behind my sloppy prose. In class discussions I invariably scored points with my classmates for wit and irony and double entendre while merely annoying my sadly average instructors on whom subtly and originality were invariably lost. Or so it seemed to my arrogant teenager’s mind.

My English teacher for my third year of incarceration was a very sad woman who never relaxed. Not in our presence. Ever. I will call her Mrs. R. She trembled when she spoke, as if she feared lightning would strike her for pontificating about things she clearly knew nothing about. She was not inherently stupid, but her anxiety rendered her so. Had she not so obviously disliked me, I might have been more compassionate toward her, but she anointed me her adversary from day one, and so we frequently did battle.

The contest, of course, was unfair. Mrs. R controlled the podium, so to speak, while I had all but a few of my fellow sufferers predisposed to my point of view. And I suppose if Mrs. R had merely been a dogmatic nervous Nellie, I wouldn’t have kept up the fight as long as I did; but she had a pet named V who was the grandest thorn in my high school side. Thus when I fought Mrs. R, I also fought V.

Why was V a thorn? Because she was my least favorite sort of sycophant: a perfect parrot, and she loved Mrs. R with a passion verging on the erotic, their heads being often together as they poured over books and poems and V’s insufferable essays that Mrs. R always deemed the best of the bunch so we always had to listen to V read her putrid prose aloud. And to make matters lethal for the miserable likes of me, V was gorgeous and sultry and possessed of a honeyed voice; and she would only date really good-looking college boys.

That is the context. Here is the event recalled by the dream.

Mrs. R stands before us, her outfit annoyingly salmon. She is, as always, trembling, a false smile pasted on her lips. “I was very disappointed in your essays on the first forty pages of The Scarlet Letter. Only a few of you correctly identified the primary recurring symbolism.” She smiles adoringly at V who is posed alluringly in the front row.

“Is it possible,” I say, speaking from my desk at the back of the room and neglecting to raise my hand, “that Nate just wrote the story without any symbolism in mind?”

A ripple of chuckles rolls around the deathly fluorescent chamber. Mrs. R grimaces. “I will remind you again to raise your hand when you wish to speak. I’ll take questions after V reads her essay.”

V rises to read, her slinky garb igniting our libidinous imaginations. She is totally at ease in her body, in stark contrast to Mrs. R, this being the raison d’etre of V’s life: to demonstrate her vast superiority over all us dunderheads. “Color,” she intones, sounding very much like Dusty Springfield singing The Look of Love, “is Hawthorne’s secret weapon; red, rust, and crimson his antidotes to Puritan gray.”

I gaze in open-mouthed contempt at V, for she has essentially quoted Mrs. R verbatim, only rendered the words in gooey singsong. I am tempted to say, “I may puke,” but something stays me, for the best is yet to come.

V takes us on a fourteen-page romp through those first forty pages of The Scarlet Letter, pointing out every word that either is or can be construed to be a variant on red until I and my fellow sufferers are driven to the brink of insanity, with Mrs. R and V exchanging simpering smiles with each crimson revelation.

Now comes the denouement. Deeply moved by V’s regurgitation, Mrs. R says, “Yes, yes, yes. The Scarlet Letter is unquestionably the greatest novel ever written.”

There it is: the ultimate challenge to the likes of me. A proclamation of such incomparable wrongness and badness and inanity, that I gaze around at my friends in disbelief that none have yet cried foul. Thus it is left to me.

“You can’t be serious,” I declaim. “The greatest novel ever written? Puh-leez. Moby Dick? A Tale of Two Cities? Zorba the Greek? All Quiet On the Western Front? To name a few.”

“I will see you after class and again after school, Mr. Walton.”

Here is where dream diverges from history.

In the dream I am simply no longer in the classroom or in high school, but in a bedroom with a woman who might be V, though she is older and rounder and not even slightly concerned about the symbolism in the first forty pages of The Scarlet Letter.

“I just want to relax you, honey,” she says, slipping her arms around me.

And hearing the word relax, I do relax; and that’s the end of the dream.

What happened in so-called reality was that I had to sit in Mrs. R’s classroom for an hour after school for the next three days and watch her and V and a few other pets enacting what I came to realize was a love ritual—sharing favorite poems, working on college application essays, having a sweet, feminine, confidence-boosting time that ultimately convinced me there was no point in fighting them. We were from entirely different universes and would travel through entirely different wormholes to get wherever we got.

And there is also this. I would have forgiven them entirely for everything if only V had given me the time of day.

Todd’s web site is UndertheTableBooks.com.