Posts Tagged ‘fawns’

Critters

Monday, July 9th, 2018

Ganesh's Bowl

Ganesh’s Bowl photo by Todd

Two years ago our big gray cat Django got hit by a car and died, and we were sad for a time and thought about getting a couple of kittens, but we didn’t. Then some months after Django died, I was having a cup of tea in the dining room and looked out the window and saw a gang of chickadees foraging in the ferns and flowers just fifteen feet away from me, and I realized that when Django was alive, those birds would never have foraged there.

Fast forward to a few mornings ago: I was sitting on the deck watching a mob of chickadees and finches and tits rampaging in the nearby shrubbery, when along came an alligator lizard, a beautiful being Django would have toyed with and killed. But instead of dying a terrible death, the lizard paused to look at me and show me his shiny new skin before he moved off into the ferns to hunt for insects.

The next day I saw a gorgeous garter snake slither through the vegetable patch, and I knew Django would have killed him, too.

Then yesterday I stepped out of my office to play guitar in the morning sun and our resident chipmunk scampered along the deck to have a drink of water from the white bowl in front of the statue of Ganesh, a bowl we keep filled with water for the many birds and critters who share this land with us. Having slaked his thirst, the chipmunk found a lovely old weed going to seed, and while I strummed and sang, the chipmunk dined—a most enjoyable tête-à-tête that never would have happened were Django still with us.

If we had a cat or a dog, the mother skunk and her adorable baby would not come to drink from Ganesh’s bowl as they do at dusk every day, and a dog would keep the deer away, too, the deer we love to watch from our office windows—fawns appearing with their mothers throughout the summer.

And though I’d like to have a cat and a dog, for now I will forego that pleasure because I so enjoy having all these wild critters close at hand.

I recently caught a glimpse of a fox trotting through the woods on his way to our orchard, and I was thrilled to see the splendid fellow. We named our place Fox Hollow after the mother fox and her kits who entertained us so grandly for the first two years we lived here.

We might have called our place Ravenswood for the many ravens who live hereabouts. I recently had a long conversation with a raven. He cawed three times; I cawed three times. He cawed twice; I cawed twice. He cawed four times; I cawed four times. Then there was a pause, so I cawed twice, and he cawed twice. Then I cawed four times, and he cawed four times. Then I cawed but once, and he cawed but once. I fell silent and he cawed three times, so I cawed three times. This might have gone on indefinitely, but I was getting hoarse, so I quit. I’m not sure what we were talking about, but we certainly agreed on how many times to caw, which I consider a great achievement in inter-species communication.

We are also situated directly below the flight path of a robust population of wild pigeons and a pair of regal Red-tailed hawks. And we have vultures and possums and a big silver gray squirrel and gophers and…

In Django’s absence our neighbor’s big tabby has commandeered the orchard at the far southwest corner of our property, the gophers of special interest to her. I dissuade her from coming any nearer to our house because I don’t want her assuming Django’s role visa-à-vis the chipmunk and lizards and snakes and birds and the big silver gray squirrel. However, a dent in the orchard gopher population would not be a bad thing.

Speaking of critters, here at the start of July, the local population of mosquitoes is exploding, so much so that working outside of late has been a continuous swat fest, but that should change as summer progresses and the ground becomes perilously dry. Meanwhile, the swallows and bats are thrilled with the abundance of the little biting buggers.

female trio

And then there are human critters, a fascinating species, especially the colorful and emotive females. The music festival is underway, so Abi and Marion, both British female human musicians, have joined Marcia, the resident American female human musician, in our little neck of the woods, and the three of them are great fun to observe and interact with.

Human females, for my taste, are much more interesting than human males, at least the human males abounding in America; but then I’ve always been keen on humans who share their feelings and laugh easily and like to talk about food and dreams and what they just realized about themselves and life and so forth. Then, too, I spent the first several years of my life enthralled with my two older sisters until they grew weary of me and became less enthralling. But by then my admiration for more than the physical potentialities of female humans was well established and continues to this day.

Maybe human males in other cultures are not as stiff and stoic and emotionally guarded and narrow-minded as most American male humans are. I don’t know. What I do know is that emotional openness and generosity and curiosity about other people has everything to do with nurture and not much to do with nature. I say this because I am fortunate to know a handful of American male humans who enjoy sharing their feelings and laugh easily and like to talk about food and dreams and what they just realized about themselves and life and so forth.

Unfortunately, most of these unusual male humans don’t live around here; but at least we know each other, so we do not feel as bereft as we might otherwise.

Ah, I see our chipmunk is ensconced in the big flowerpot on the deck and has some sort of snack in hand. Maybe he’d like to hear a song while he eats.

Summertime

Monday, July 2nd, 2018

summertime

Summertime photo by Todd

Marcia and I walked into town via the beach on Saturday, the most summery day of the 2018 Mendocino summer so far, warm and sunny with only a slight breeze blowing in from the ocean. We live a mile inland, and it was already quite warm by Mendocino standards, mid-seventies, when we set off for the coast at 10:30 in the morning. Halfway to the ocean, the air was much cooler—upper fifties.

Judging by the millions of blossoms we saw along our way, this will be an epic year for blackberries and huckleberries, and we are already seeing irrefutable proof of a super duper apple harvest. This is also the time of year when we avail ourselves of the Fort Bragg Fruit Group and buy lugs of peaches and nectarines trucked in from the warmer climes and sold at 1980s prices.

After a brief sojourn on Big River Beach, otherwise known as Dogs Galore, we climbed the stairs to the headlands trail that carried us through lush stands of wild pink roses to the Presbyterian church and Preston Hall wherein the music festival chorus was rehearsing their part for the festival finale: John Rutter’s Magnificat.

The big music festival tent was standing majestically on the headlands opposite the Mendocino Hotel, the fanciful tent always adding an ineffable classiness to the little town. Marcia and the local cello and viola players have been rehearsing at our house two days a week and will soon join the superb out-of-town players rounding out the festival orchestra.

And, of course, the town was jammed with tourists from all over the world, mobs of people ambling along the few streets of the town, looking for stuff to eat and things to buy. The character of the town changes significantly in the summer, when most locals run their errands in the morning before the place is awash in visitors, and many locals avoid the town entirely on weekends. These are the months when local businesses make their largest profits, and we are grateful for the infusions of cash into the local economy, however bizarre the outsider energy.

What do I mean by outsider energy? Well, first of all, outsiders tend to drive crazy fast in town compared to locals. Considering the town is traversable in every direction in about a minute if you’re going five miles an hour, driving thirty on a two-block street to nowhere strikes me as bizarre. However, if one is accustomed to the madcap traffic of Santa Monica or San Francisco, I suppose speeding becomes one’s habit, so…

Outsiders these days also tend to be hyper phone-centric. By that I mean, they do not, in general, look around so much as they look into their phones to learn where to go and what to do. This may help them find their way in a big city, but in Mendocino phone gazing misses the point of being here, which is to look around at the sky and ocean and old buildings and roses on the headlands and other human beings. There really isn’t much else to do, once you’ve had something to eat and bought a thing or two.

Home again, exhausted from our longish trek, I espied the big healthy young doe and her two fast-growing fawns munching greens on the fringes of the forest. The two other much smaller fawns we’ve been keeping tabs on have not made an appearance lately, though we have seen their elderly mother foraging without them, which makes me think her fawns did not survive.

In other summertime news, I am four hundred pages into my latest novel, and I’m experiencing the necessary delusion that I’m writing another masterwork. I say necessary delusion because, delusion or not, it is necessary to think I’ve written something marvelous or I would not continue slogging away for hours every day for months and years if I thought the opus was poo poo.

The long days of summer are especially good for me when it comes to working on a novel because my writing energy only lasts five or six hours a day, and in the winter, five hours of writing eats up a large fraction of the daylight hours, whereas in June, five hours of writing still leaves hours and hours of daylight for walking around and chopping wood and watering the apple trees and going to town.

Summertime is also good for playing the guitar outside. I like to walk around barefoot and give concerts to the surrounding forest and the curious ravens who sometimes make sounds like castanets to accompany my playing. You think I’m kidding? I have one song I used to perform as a slow ballad, but when the ravens started making their castanet sounds during the song, I was inspired to pick up the pace, which resulted in a peppy “Malagueña”-meets-“Smooth Operator” tune I’m sure will become a viral hit, speaking of delusional. I’ll let you know when the song is available for downloading, streaming, and implanting in your prefrontal cortex.

Speaking of chopping wood, summer is the season for seasoning firewood, and by seasoning I mean drying the wood through and through for fall and winter fires in our woodstove, fires that make the long winters tolerable and even delightful, though not quite as delightful as long summer days when the blackberries are ripening and the apples are swelling and I can walk around barefoot outside singing to the redwoods and inspiring castanet sounds from ravens.

Summertime for me is also about baseball. I listen to my Giants on a little silver Sony transistor radio, Jon Miller my favorite announcer of all time, his sidekicks Dave Flemming and Duane Kuiper excellent play-by-play guys, too. I chop wood and pull weeds when listening to day games, and I do dishes and yoga when listening to night games.

We have just reached the halfway point of the baseball season, and for the first time since we won the World Series in 2014, I think we could win it all this year. We’re that good. However, and it’s a huge however given the predilections of our manager, we must radically recast our end-of-game pitching scenario by getting rid of Strickland, who is currently out with an injury, and we must demote Melancon and Dyson to unimportant situational pitching. Watson should pitch the eighth as often as possible and Will Smith should close.

Do I think management will heed my imperatives? Not likely. But the summer is long and hope springs eternal until we are mathematically eliminated.

Rebirth

Monday, June 25th, 2018

lunch break

Outside My Office Window

A few weeks ago, the large four-year-old doe with a nest in a remote corner of our property sauntered by the house followed by her two fawns—our first glimpse of her babies. Nature makes baby mammals extra cute for some reason, or humans think baby mammals are cute for some reason. In any case, the baby deer struck me as ultra-cute. And small. I marveled at their smallness.

Then at dusk a few days later, I looked up from my desk and saw two fawns running by, only they seemed much smaller and cuter than I remembered them being. These were micro fawns. Or was I mistaken? Were these the same fawns appearing smaller in the last light of day, or different fawns? And were they cuter or just smaller? Is cuteness a function of smallness?

Another day passed, the young doe paraded by, and coming along behind her were two enormous fawns, enormous compared to those micro fawns I thought I’d seen. And then that afternoon, the mystery was solved. The oldest doe hereabouts, a deer at least nine-years-old with a badly deformed mouth, trudged by followed by those two micro fawns, and I realized that their smallness and ultra-cuteness were probably due to the old doe not being as viable a mother as the big healthy young doe, which means these tiny fawns might not make it through the summer for lack of nourishment and being easy prey for predators.

But maybe the micro fawns will survive the summer and winter and mature into small deer who live for ten or twelve years until the natural ends of their lives, just as there are small humans and small banana slugs and small heads of lettuce and small carrots. Sometimes things come out smaller than the same kinds of things that come out larger.

In any case, we currently have four super cute fawns gamboling around the property these days, and every time I see them, I marvel at their cuteness and their obvious delight in being alive.

getting the drop

Speaking of rebirth, we recently had a visit from the piano technician Michael Hagen. He came all the way from Rohnert Park to Mendocino and spent thirteen hours over two days regulating and voicing the fifty-year-old grand piano we bought from our friend Carolyn. I spent most of those thirteen hours watching Michael work on the piano, and I marveled at his mastery of the complex process. The result of his mastery, which I am tempted to call wizardry, is the rebirth of our piano.

When I first sat down to play our newly regulated and expertly voiced beauty, I was wholly unprepared for how easy she was to play and how gorgeous she sounded. The keys no longer impinged on each other, the overly bright jangly tones were gone, and gone was the resistance to my light touch. I stopped playing after just a few minutes because my brain was having a hard time reconciling this mellow nuanced instrument with the obstreperous old cranky thing I’d been trying to get used to.

earth is round

In other rebirth news, to celebrate the Summer Solstice, I walked to town via Big River Beach and found the beach completely different than it was just a few days before the solstice. Well, not completely. The far inland reaches of the sand will remain unchanged until next winter’s storm surfs reach those inland expanses and shift the many massive logs around, carry some logs away, and add new ones to the collection.

But the bulk of the beach was transformed. This is the glorious nature of our beach—a swiftly flowing tidal river conspiring with the high and low tides to reshape millions of tons of sand every twenty-four hours—a creative fun fest for the forces of nature. As of today, the river has carved two distinct routes to the sea, this split of the outflow and inflow causing all sorts of new shifts in the sand mass—a brand new landscape every day.

Speaking of brand new, having recently taken up the guitar again after a ten-year hiatus, I find myself playing several seriously groovy songs I wrote long ago and never recorded, and I’m so curious about why I didn’t record these groovalicious tunes when I was so zealously recording songs ten years ago.

My current theory is that I didn’t record these catchy tunes because the time was not right. Is the time right now? Or has the window of viability closed for my songs composed in the 1970s, 80s, 90s, and early 2000s? Isn’t a great song or book or movie or play timeless? Maybe not. Maybe there is Art of the Moment and Art For A Generation and Art To Last Three Generations and Art To Last A Thousand Years.

What if artists are merely pawns of the unseen creative forces of universe? What if these groovy songs were given to me to record, but only when the universe wants them recorded? What if the universe is waiting for me to be whoever I am at the moment of the recording, if that recording ever happens? Why do we do the things we do when we do them?

Speaking of when we do things, we recently watched the movie Big Night again, one of my all-time favorite movies, and not having seen Big Night since 2006, I worried the opus might have fallen into the Art of the Moment category and would fail to pass the test of time.

But I’m happy to report that for my taste Big Night is better and more pertinent today than it was when it came out in 1996. To say they don’t make movies like Big Night in America anymore is a humongous understatement. This is a classic European film made by Americans in America—the pace, the dialogue, and the unfolding of the story and relationships languid and lovely and astute and complex—a rare dramatic comedy.

When I lived in Berkeley circa 2001, I was introduced to a woman at a party, we liked each other immediately, and when a fellow came by with a tray of hors d’oeuvres—scallops in mint sauce—we each took one. Delighted by the delicious comestible, I couldn’t help referencing a scene from Big Night by saying with my best Italian accent, “That was so good, I have to kill myself.”

“My favorite movie,” said the woman, gasping in delight. “I’ve watched Big Night dozens of times with my kids. We know every line by heart. We act out the scenes when we cook dinner and breakfast. And next year we’re going to Italy on our Big Night tour.”

“A Big Night tour? What’s the itinerary?”

“Bologna, of course,” she said, her eyes aglow. “Where the food is so good you have to kill yourself, Rome, and…”

I don’t remember what else she said, but I will never forget her wild joy.

Twins

Monday, August 7th, 2017

fawns 2017

Twins photo by Todd

We were visited this morning by the twin fawns who share these woods with us, and today our coming to the window to look at them did not scare them away, but precipitated a pleasant staring game that went on long enough for me to get my camera and take a picture. The deer hereabouts are quite hungry now in early August and are eating things they don’t bother to eat when their preferred foods are more abundant. When we see deer going up on their hind legs to eat camellia leaves, we know pickings are slim for the local ungulates.

We just saw the excellent and upsetting movie Incendies by Denis Villeneuve based on the play of the same name by Wajdi Mouawad. If you are squeamish about violence as I am, this is not a movie for you. Had I known what the movie was about beyond what I saw in the trailer, I would not have watched the film. Yet I think Incendies is an important work of art and a brilliant illumination of the religious and cultural madness gripping the Middle East and much of the world today. The movie involves twins, a man and a woman, attempting to unravel the secrets of their deceased mother’s past.

Some years ago, I read several articles about twins. One of the articles suggested that many more twins are conceived than ever come to full term; and most left-handed people are the surviving twin of identical twins, one of whom did not survive the first weeks in utero. For some reason, that tidbit, which may or may not be true, has stayed with me.

One of my favorite stories regarding twins is about an equatorial African society visited by Portuguese explorers in the 1400s. The explorers left behind a missionary who introduced the Africans to myths about Jesus. Many generations then came and went before Europeans made contact with that particular African society again. When Europeans did visit again, they discovered these people were extremely fond of the story of Jesus being born in a manger. In their places of worship the people had constructed elaborate manger scenes. But instead of just one white baby Jesus in the manger, there were twin black babies, for in the original creation myths of these people, the two most important gods were twins—one male, one female.

This afternoon we took a walk along the headlands and came upon two ravens standing close together and facing each other with the tips of their beaks touching. When we stopped to look at them, they turned away from each other to look at us for a moment, and then they resumed their beak touching. They stood completely still as they connected with each other in this way. Waves crashed in the near distance, and I imagined this touching of beaks was not so much a courtship ritual as a reunion.

I love it when animals and birds and lizards look at me. Yesterday, just as I was about to water some succulents growing in a rock garden on the west side of our house, an alligator lizard came out from a crevasse between two large rocks and looked up at me. I squatted down and looked at the lizard. We were about seven-feet apart. She was ten inches long, including her tail, and I wondered what she was seeing as she looked in my direction. Were my form and features clear and distinct to her, or was I a big blurry blob?

I said to her, “Well, I’m going to water the rock garden now. I will endeavor not to flood your crevasse.”

The lizard cocked her head, perhaps to get a different view of me, and then disappeared into the crevasse.

I once had a cat with whom I had conversations. I would say something, pause, and my cat would meow a time or two. I would say something more, pause again, and she would meow somewhat differently than the previous time. Our most animated conversations took place in the minutes right before her suppertime. Her replies to my musings grew more and more emphatic as the official serving time was upon us.

Feed a cat every day at exactly five o’clock for a few weeks, and thereafter you can set your clock by that cat letting you know it’s five o’clock.

I sent a picture of the two fawns to my friend Max in New Hampshire. He wrote back, “I wonder what they see when they see you. Do they have thoughts like, “His hair is perfect”?

Possibly. My hair has been looking particularly good lately, good in the sense of asymmetrically unruly—a frozen filigreed fountain of grays and whites and a few vestigial browns going every which way. But seriously, I do wonder why the fawns were so unafraid of me today. Perhaps their uncharacteristic boldness has something to do with our neighbor who feeds the deer, combined with the apparent shortage of deer food available hereabouts. Perhaps the twins thought we might be more of those two-legged animals that give them food sometimes.

For my sixth birthday, I was given a puppy from a litter of mutts. That pup became my best non-human friend for the next twelve years. I named her Cozy. She was a wonderful not-very-obedient dog, extremely affectionate, and we would frequently gaze at each other for minutes on end. I believed she could hear my thoughts, and she confirmed my belief with her habit of seeking me out when I was feeling sad and commiserating with me by sitting right beside me and looking at my face until I looked at her.

Hundreds of times over the course of our twelve years together, Cozy pulled me out of my gloom with her devotion and kindness, and by being so darn happy to be alive.

Late Spring

Wednesday, June 10th, 2015

36 and Counting site

36 & COUNTING painting by Nolan Winkler

(This article appeared in the Anderson Valley Advertiser June 2015)

“No winter lasts forever; no spring skips its turn.” Hal Borland

Nature brought us a treat two weeks ago, a young doe, resident to these woods we own a small part of, sauntered by the north-facing windows followed by two tiny fawns, their smallness amplifying their cuteness. Since then, the doe and her fawns have returned several times, the two babies larger each time, their movements ever more graceful and assured.

A couple days ago, I went strolling in our woods and unwittingly surprised the doe and fawns, the little ones leaping away with astonishing agility and speed, their mother standing between me and them and giving me a look that said, “My nest is near, please don’t come any closer.”

I think I know where her nest is, in a dense copse of thirty-year-old redwoods on the edge of our property, but I will not go looking there and risk permanently scaring her away. We made a decision when we bought this place to leave the land on the north side of our house as wild as can be so the deer and other critters will want to hang out there, and so far that seems to be the case.

“You can cut all the flowers but you cannot keep spring from coming.” Pablo Neruda

On the same day we first saw the fawns, I was sitting in my very high chair at my very high desk at which I sometimes stand to work, when something out my south-facing window caught the corner of my eye, and before I could turn to see what it was my brain fired off the word kitten, for the thing was small and gray and moving with the uneven gait of a baby cat just learning to trot. However, the thing was not a baby cat, but a baby opossum, and though I would not call the adult version of that animal cute, this baby was hella cute, compact and fluffy, the nose already Durante-like in proportion to the body, the tail just getting going in its growth to becoming long and thick, the little animal still more kitten-like than rat-like as are the adults, rat-like in a Dr. Seuss sort of way.

My enjoyment at seeing the baby opossum immediately turned to fear for the baby because our cat Django is a large, persistently hungry, skilled and ruthless killer of baby mammals, especially baby rabbits and baby rats, and I imagined this tiny marsupial would be just Django’s cup of tea, so to speak. So I leapt from my chair and dashed into the living room where I found the voracious beast sound asleep on his tuffet, and I breathed a sigh of relief, though the fact is opossum are a scourge of my vegetable garden, rooting as they do for earthworms in the well-nurtured soil. Go get him, Django!

“Spring being a tough act to follow, God created June.” Al Bernstein

We had a foggy cold May, germination in my vegetable garden pathetic, the baby plants remaining nascent and wimpy for weeks on end from lack of sunlight and warmth—neighbors and friends pale and gloomy and cranky and depressed. Humans, clearly, are solar-powered. Don’t forget to take your Vitamin D.

On the first of June I flipped the pages on our two wall calendars, and as if the weather spirits had been waiting for the name of the month to change, the fog vanished and the sun came out and has been out every day since then—our baby vegetables waking from their suspended animation and stretching their fog-beleaguered limbs to the great giver of life to say, “What took you so long?”

Now every day is like waking to the next frame of a time-lapse nature movie, tomato plants doubling in size overnight, dormant perennials bursting forth with colorful blooms, hummingbirds zipping around the garden in blissful hysteria, zealous bees working the clover, everybody making up for lost time— neighbors and friends rosy and cheerful and kind and effervescent, the gals in the post office giggling, the bank tellers ebullient, the high school girls half-naked again after a month of suffering under hoodies and leggings.

“Behold, my friends, the spring is come; the earth has gladly received the embraces of the sun, and we shall soon see the results of their love!” Sitting Bull

We denizens of Mendocino are used to fog and long stretches of foggy days, but May is not usually a foggy month here, not in the nine years I’ve lived here, and not in the experience of several old timers I queried about the odd weather. But one longtime resident, a student of redwood ecology, suggested that our especially foggy May was a reaction to the continuing drought and extreme heat gripping inland California.

To paraphrase him: there have been many droughts in the last several thousand years, some lasting decades and possibly centuries, yet the redwood forests survived. How did they do that without much rain? They survived because of fog, which is what occurs vastly and persistently when hot dry inland air meets the cooler moister ocean air. Redwoods steep in the fog that refreshes their thirsty foliage and coalesces into drops that fall into the spongy duff or trickle down the trunks into the root masses.

Does this mean many more foggy days lie ahead, more than usual? Will May be a foggy month again next year as the great drought persists? We shall see. In the meantime, June is doing a splendid imitation of May, the blackberry bushes between here and town are so dense with blossoms I can already taste the blackberry jam we’ll make from the bounty, and the apple trees seem to have enjoyed cool foggy May, their branches full of young fruit. Still, the ground is perilously dry and we will want to water our younger fruit trees deeply a couple times this summer if we can possibly spare the water.