Posts Tagged ‘poetry’

Kyoto Amore

Thursday, March 24th, 2011

(This article first appeared in the Anderson Valley Advertiser March 2011)

“But a whole school of lady koto players

Best kimono and Japanese hairdo

Perform on tatami platform underneath falling blossoms”

Philip Whalen

I’ll never forget the night in 1989 when we danced at Melarkey’s on Broadway in Sacramento, dancing for joy because in a free and fair election, for the first and only time in history, the majority voted to shut down an active nuclear power plant. And only a handful of people know that Ben Davis started the whole thing, and I, in the beginning, helped him keep the ball rolling.

Ben, an eccentric, stubborn, self-educated advocate for the public good, first tried to shut down the Rancho Seco Nuclear Power Facility by single-handedly taking SMUD (Sacramento Municipal Utility District) to court for not having an adequate emergency evacuation plan in the event of a catastrophe such as the multiple catastrophes ongoing in Japan today. The courts wouldn’t oblige Ben for the usual putrid reasons (putrid as in corrupt), though Ben had more than ample proof that SMUD, for all intents and purposes, had no evacuation plan at all.

Failing to overcome the entrenched putrescence of California’s so-called legal system, Ben thought he would get a proposition on the ballot and encourage the people of Sacramento to shut the plant down, since SMUD was a public utility owned by we, the people. With zeal and naiveté, (and before the advent of the internet) Ben and I thought we would use a pyramid scheme of friends to get enough signatures to qualify the measure for the ballot; and that is what we set out to do. Joining us in our endeavor were two others, Martha Ann Blackman and Melinda Brown. Ben wrote the ballot initiative and had a lawyer friend help him get the wording right, we had a couple strategy sessions at my house, and then we alerted the media.

When an article about us appeared in the Sacramento Bee, and we got a bit of radio coverage, all hell broke loose. To make a very long story short, our little organization was quickly joined and taken over by professional environmental peeps who got all the credit for getting an initiative on the ballot, passing the initiative, and shutting down the power plant. But I know that Ben Davis started the whole thing and got none of the credit. So what else is new? The important thing is that we, the people, shut down a piece-of-crap nuclear power plant that almost surely would have partially or entirely melted down by now and irradiated most of northern California had it been allowed to stay in operation.

How can I say such a thing? Because after I joined forces with Ben, I did a ton of research and learned more than I ever wanted to know about nuclear power plants, Rancho Seco in particular. And by the way, Rancho Seco is still home to piles of nuclear fuel rods that will remain murderously radioactive for tens of thousands of years. Those cancerous rods sit in that massive mausoleum of human stupidity because, oops, there’s no safe place on earth to store them.

Buckminster Fuller pointed out that Nature knew exactly how far from humans and other living things to site a nuclear facility: 93 million miles. He also suggested the only safe way to dispose of nuclear waste was to deliver that waste to our sun (93 million miles away) where said waste would be harmlessly incinerated. However, getting the poisonous radioactive guck to the sun without blowing up the planet in the process is seriously problematic, so forget about it. Instead, we must swiftly end all the needless wars, carefully dismantle every last nuclear power plant on earth, and spend the next half-million years safeguarding the poisonous guck and never making another drop of it.

“Autumn comes now triumph chrysanthemum harvest

Moon burnished persimmon plumed Suzuki grass

The spirit perishes when the season turns.”

Philip Whalen

Sick with sorrow about the devastation in Japan, I am also furious that amoral corporations in collusion with amoral governments have poisoned and continue to poison the planet with radioactive waste. The media coverage of the nuclear crisis in Japan has been, to me, most remarkable for the enormity of the lies and misinformation spewed forth by the offices of propaganda. The truth, alas, is in the isotopes, and they have been unleashed in quantities the nuclear overlords will never admit to. The next time you hear someone say nuclear power is safe, please know that they are either extremely stupid, morbidly ignorant, or insane.

“We have going to change it all.” Philip Whalen

When I was twelve, my mother went back to college to get a master’s degree in education. To replace her on the home front, she hired Doris Ishigawa to clean our house, do our laundry, and be on hand when my little brother came home from school. Never was our funky old house so deeply cleaned as when Doris cleaned it. The previously perpetually filthy windows became so clear the house seemed wholly new and better—flooded with light. Doris introduced us to salmon and bass sashimi, fresh-caught by her husband. She created exquisite flower arrangements using flowers and twigs and grasses she found in our largely neglected garden. She was, as I recall her, gentle and generous and kind.

When Doris died of a stroke some years later (she was in her fifties when she died) her obituary revealed that she and her husband, prior to World War II, had been wealthy, successful, and revered members of their community. However, while the Ishigawa’s were incarcerated in an American concentration camp for the crime of being Japanese, their house and land and money and possessions were stolen from them by opportunistic crooks. And when our putrescent legal system negated the Ishigawa’s attempts to reclaim their stolen property, Doris became a cleaning lady, her husband a gardener; none of which I had known about because Doris never once spoke of her ordeal.

Gauzy emerald

goldfinch music

pleasure & delight

Philip Whalen

I have been punctuating this article with snippets from poems by Philip Whalen because he was a great lover of Japan, lived in Kyoto in the late 1960’s, and is one of my favorite poets. Whalen wrote funny lyrical insightful poems while in Japan, and thereafter about Japan. I experienced a profound transformation of how I saw myself in the world when I heard Whalen read his poetry in 1966, and I became a devoted reader of his work. I possess a handwritten note from him giving me permission to use one of his poems to begin my novel Ruby & Spear, and every now and then I’ll get the note out and feel amazed and grateful to see Philip’s scrawl. Here is the poem.

LATE AFTERNOON

I’m coming down from a walk to the top of Twin Peaks

A sparrowhawk balanced in a headwind suddenly dives off it:

An answer to my question of this morning

The Collected Poems of Philip Whalen, nearly eight-hundred pages, was published in 2007 by Wesleyan University Press, and though I had read most of Whalen’s poems several times before, I devoured every word in that fat volume from first poem to last, inspired anew by Whalen’s originality and musicality.

In my anguish about Japan and the madness of nuclear power—which I know is your anguish, too—I hear Whalen exhorting us to pay special attention to the present moment, to the joy and sorrow and miracle and mystery and humor and pathos of Now; for the past no longer exists, nor has the future yet arrived, so to dwell persistently in either is to miss the boat, miss the point, miss the present—to not receive the gift.

HOW MANY IS REAL

Whether we intended it or liked it or wanted it

We are part of a circle that stands beyond life and death

Happening whether we will or no

We can’t break it, we are seldom aware of it

And it looks clearest to people beyond its edge.

They are included in it

Whether or not they know

Philip Whalen

After Rain

Friday, December 24th, 2010

(This short story appeared in the Anderson Valley Advertiser Christmas 2010. I am grateful to Bruce Anderson and Mark Scaramella for giving me the space to share my fiction and non-fiction with their readers.)


After Rain

1

Who (what) are we when light from

our never-sleeping star wakes us?

“I think,” says Bob, scratching his scalp through his wiry white hair, “I was writing a poem in that dream.”

A slender man, Bob often thinks of his bowling ball of a beer drinker’s paunch as a tumor, ugly and discomfiting, yet benign. He is also handsome and remarkably graceful, yet wholly unconscious of those traits.

Bob consults his Gauguin calendar on the kitchen wall to confirm the moon will be full tonight, and here is Christmas three days in the future, Christmas reminding him of his son Daniel who he hasn’t spoken to in five years, and of his daughter Alice who calls him on his birthday in June to give him a rundown on how she’s doing, only she never gets very far before she starts taking other calls, and Bob grows weary of being put on hold so he hangs up and she doesn’t call him again until his next birthday.

His children remind him of his house in Sacramento that is no longer his house, and of his wife Andrea who is someone else’s wife now, which makes him think of the thirty-three years he worked for the state because he couldn’t imagine any other way to give Andrea and Daniel and Alice what he thought they wanted. Oh, how he hated that mind-numbing job of incessant phone calls and emails and senseless meetings to organize seminars on traffic abatement when all he ever wanted to be was a poet.

He recalls the bad air, the crowded malls, and the countless things he bought for his wife and children because he felt he had to buy them. He remembers Daniel and Susan tearing open their gifts, both starving for what was never there. He remembers sitting in church feeling cold and tired and bored and false.

All of which brings to mind the annual trip in bumper-to-bumper traffic from Sacramento to San Jose for Christmas eve and Christmas morning with Andrea’s parents, and gobbling breakfast while ripping open presents before jumping back in the car for that hellacious drive to San Luis Obispo for Christmas supper with his mother, the children squirming and miserable in the backseat, Andrea vowing for the millionth time, “Next year we make a choice,” but they never did.

Bob’s dog yips three times in quick succession.

“Sorry, pup,” says Bob, turning away from Gauguin’s portrait of brown-skinned women in paradise.

Boots, a yearling Malamute, huge and black, sits at the front door waiting as patiently as he can for Bob to let him outside to chase the delicious scents of deer and rabbit and coyote.

“Here you go,” says Bob, opening the door for Boots and letting in the sweet mountain air.

Bob has lived on String Creek for two years now, the nearest town Willits—a slow, bumpy, half-hour drive away. When he was a young man living in a garret and striving to write good poems, he dreamt of living in a fertile valley such as this, a valley surrounded by wilderness, but in those youthful dreams he was not yet bitter, nor was he so entirely alone.

He steps out onto the front porch and watches Boots race across the meadow and leap over the little stream that is String Creek, a tender flow not three-feet deep where salmon will soon be arriving at their journey’s end. Bob didn’t believe the realtor when she told him that salmon, big salmon, swam up the mountain every year to spawn in the tiny creek. “They swim hundreds of miles from the ocean,” she said matter-of-factly, “and climb two thousand feet to spawn right here in your own backyard. How’s that for a selling point?”

The idea of enormous fish finding their way to a stream that was no more than a trickle in September seemed so preposterous to Bob that he banished the thought until the week before Christmas last year. And then, after unceasing torrential rain kept him inside for six days, Bob braved the deluge and went out to walk his twenty acres; and there were the salmon, beaten and bloody, crowding the rain-swollen creek to birth their next generation.

And when he saw those salmon in the little creek, the wall around Bob’s heart came tumbling down. He wanted to shout and weep in amazement and grief and triumph, but no shouts or tears escaped him. Still, he wanted to weep, and this was enough to inspire a new poem, the first he’d written since the birth of his daughter thirty years ago.

But a few days later, Bob woke to find the wall around his heart rebuilt, and no more poems came to him. So he cursed himself for failing as a poet and for selling his soul for money and for being a terrible father and a rotten husband and a disgraceful human being, and he burned the new poem.

Boots returns to Bob, laughing in the silent way dogs laugh.

“Smells good out here,” says Bob, scratching the big pup’s head. “I’ll get my boots on Boots and meet you down the road.”

Reassured by Bob’s voice and touch, Boots races away to sniff the myriad traces of animal news.

2

Are we expressions of dreams?

Bob walks north on the valley road, moving slowly until exertion lessens his stiffness. The air is icy, the sky void of clouds, the sun an hour away from cresting the ridge.

“Gonna finally have some blue sky,” he murmurs, smiling in anticipation of meeting Boots along the way, their day officially begun when they return home together, Boots to come and go as he pleases, Bob to spend time in his woodshop making beautiful little boxes, and in his living room sitting by the woodstove reading history and short stories and poetry. And after supper, Bob will play Scrabble and chess with himself at the kitchen table before moving into the living room to practice Bach For Beginners on an old teak upright piano until he’s good and tired and ready for bed.

Afraid the pup would run away and be eaten by coyotes, Bob kept Boots inside all day and on a leash whenever they went out until Boots was five months old. But now that the dog is so huge, Bob’s fear has largely subsided, though he still worries when Boots is gone for more than an hour or so; and he keeps him inside at night.

3

Are we flesh and bone bagpipes

to be filled with air and played?

There are eight homes on String Creek, and everybody knows everybody else, except for Bob, who made it perfectly clear from the outset he wasn’t interested in making friends with anyone. Indeed, to this day he never waves when he drives past other people coming and going in their cars and trucks, nor does he wave to people working in their orchards or out chopping wood or walking their dogs. He is a recluse and his neighbors leave him alone.

As he approaches the house of his nearest neighbor, a modest one-story home watched over by five colossal oaks, Bob is surprised to see a woman in the road. She is wielding an axe and striking ineffectually at a tangle of enormous oak limbs that have fallen across her drive and trapped her car. Small and pretty with gray hair in a ponytail, she’s wearing brown boots, black jeans, and a black Giants sweatshirt—a strong, healthy woman, but no match for the massive branches.

Bob has met this woman twice before. The first time was on his third day in the valley when she came to his house to welcome him with a bottle of red wine and a bouquet of yellow roses. He declined her gifts, saying he didn’t drink wine, which was a lie, and that he was allergic to roses, which was an even greater lie since roses are his favorite flowers. And the second time he met her was a few months ago when she walked Boots home after the pup spent the morning playing with her dog. On that day, she caught Bob out chopping wood and managed to tell him a little bit about herself before he escaped. She is German, a therapist of some sort, lives alone, has children and grandchildren, and is exactly Bob’s age: sixty-six.

“Do you have a chainsaw?” asks Bob, surprising himself by asking. “I can clear a path for you to get your car out.”

“Oh, thank you,” she says, her blue eyes sparkling. “I have one in my tool shed. Would you mind? I’m picking up my friend in town. She came all the way from Switzerland to celebrate the solstice with me.”

“But first I need to get my dog,” he says, hurrying past her. “I’ll be back in a little while.”

“Oh, I’ll send Lily to get him,” she says, looking toward her house. “She and Boots are good friends.”

Bob is about to decline her offer when a big wolfish white dog appears beside the woman and gazes at Bob with her big brown eyes.

“Go find Boots,” says the woman, touching Lily’s head. “Bring him home for snacks.”

Lily sings a high musical note and runs away.

“Are you sure she knows what you mean?” asks Bob, suddenly aware of the musical burbling of String Creek.

“Oh, yes,” says the woman, beckoning him to follow her. “She knows exactly what I mean. And she knows my feelings, too.”

“I had a cat,” says Bob, recalling his long ago life when his greatest joy was to be writing a poem he thought might be good. “A big orange tabby. And she always knew when I was sad.”

“What would she do when you were sad?” asks the woman, turning to look at him.

“She’d come to me and mew until I picked her up and held her.” He smiles wistfully. “But only when I was sad. Her name was Athena.”

“I had a wonderful cat, too,” says the woman, sighing. “A gray tabby named Omar, after the baseball player. But she killed so many birds and then a coyote killed her so I never got another one.”

Bob blushes. “Forgive me, but I’ve forgotten your name.”

“Irene,” she says, bowing in a sweetly clownish way. “Irene Weintraub.”

“Bob,” he says, bowing a little, too. “Bob Webster.”

“So how do you like living so far from town?” she asks, her accent beguiling. “We’ve all been wondering about you.”

“Oh, really?” he says, oddly flattered. “What have you been wondering? Whether I grow pot or not? I don’t.”

“No, it’s just that most people who come to live on the creek only keep to themselves for a year or so before joining in or running away, so…”

“I’m not going anywhere,” he says, shaking his head. “I’m here to the bitter end.”

“Why so grim?” she asks, pouting sympathetically. “When the air is so sweet.”

4

hungry animals

Irene’s chainsaw is out of gas and in need of oiling. She finds some oil, but her gas can is empty.

“Do you have a length of hose?” asks Bob, glaring at the funky old chainsaw. “For siphoning gas from your car?”

“My car is electric,” she says, apologetically. “The man who cuts my wood brings his own fuel.”

“I’ll be back in ten minutes,” says Bob, turning to go. “I’ve got a much better saw and plenty of gas.”

“Great!” she says, calling after him. “You’re a prince, Bob.”

5

desperate criminals

Bob likes Irene. He admits this as he jogs back to his house. And he likes that she needs his help, which reminds him of how he met Andrea.

He was shooting hoops at McKinley Park in Sacramento when Andrea walked by disconsolately pushing her flat-tired bike. Bob had a pump on his bike and offered to fill Andrea’s tire so she could ride a bit further before having to walk again. He ended up riding with her and pumping up her tire every few blocks until they got to her house.

6

lost children

Bob eats two bananas and three big handfuls of almonds to give him energy for the work ahead. Now he loads his saw and axe and toolbox and gas can into his pickup; and as he is about to get into his truck, he realizes that he is happy. So he stands still for a long moment and enjoys the rare sensation of being eager to help someone.

7

visionary geniuses

Irene comes out of her house as Bob is inserting his earplugs.

“Good news,” she says, smiling warmly. “My friend, her bus is delayed, so we have extra time to clear things.”

“Extra time,” says Bob, daring to return her smile. “What a concept.”

“All the time in the world,” she says, laughing. “In no time at all.”

“I should have this cleared by then, I think,” says Bob, putting on his work gloves. “I hope.”

“You’re an angel,” she says, gazing fondly at him. “My savior.”

He pulls the cord and his saw roars to life.

Irene covers her ears and retreats into her house.

Bob lowers the whirring blades onto the bough and braces himself as the teeth bite into the wood.

8

earthworms

Eleven months ago, on a rainy day in January, Bob was driving into Willits to buy his suicide kit—a gun and bullets. On a hairpin turn halfway to town he came upon a little girl, barefoot and filthy, carrying a cardboard box.

Bob stopped to see if he could help her, and she said, “My dad wants to drown them so I’m going to Safeway in Willits and give them away.”

There were four pups in the box, three dead, Boots barely alive.

Bob steps back as the blade comes through the bottom of the bough, his seventh cut complete. He shuts off the motor and sets the saw down. His heart is pounding, his shirt soaked with sweat, his beard and face and hair covered with sawdust.

Irene brings him a big glass of water. “Boots and Lily are in the kitchen,” she says, speaking loudly so he can hear through his plugs. “I think I will keep them inside so they don’t run off. Lily hates chainsaws.”

“Thanks,” he says, gulping the water. “Big old tree. Too bad so much had to come down.”

“Yes,” says Irene, taking his empty glass. “But I can use the firewood, and now I will have more light in winter.”

“The benefits of tragedy,” he says, laughing self-consciously.

“The opportunities of crisis,” she says, dancing away.

9

indigenous hominids

Bob has been working for three hours and is exhausted, the driveway not yet clear.

“Help me,” he whispers, speaking to God. “Help me do this.”

He tries to lift the saw to start the next cut, but his arms are too tired. So he kills the motor and sits down on the last bough he has yet to clear, the largest of them all, and recalls the last time he saw his son.

Five years ago. Sacramento. Bob arrives at Daniel’s house in River Park to visit Elise, his beloved grandchild. She is four years old, Bob’s only certain joy in those terrible days of his horrid divorce and the nightmarish selling of his house and the humiliation of training his replacement for that insipid job that defined him for thirty years.

After a few beers, Bob begins disparaging Andrea.

Daniel interrupts and asks to speak to Bob outside.

On the front lawn, the Gingko leaves turning yellow, Daniel says, “I don’t want you saying bad things about Mom in front of Elise. It isn’t fair. She wants to love you both. Needs to, Dad. She needs to love you both.”

“Fair?” says Bob, trembling with rage. “Was it fair that bitch used me for thirty years and dumped me like so much garbage?”

“That isn’t true,” says Daniel, shaking his head. “You used her as much as she used you.”

Bob explodes—blasting his son with cruel obscenities.

Daniel goes inside and closes the door.

Bob lifts his head as a big brown United Parcel Service truck comes around the bend and stops a few yards from Bob’s pickup.

Now a beautiful man with creamy brown skin hops down from the truck and says, “Sorry to bother you, but could you move your truck? I have a package for Bob Webster. Last house on the road.”

“I’m Bob Webster,” he says wearily. “Trying to clear this tree so Irene can get out.”

“You want some help? I’m Alfredo Lopez. Brought you a million books from Amazon. I wondered if I’d ever get a look at you.”

“I hide whenever you come,” says Bob, laughing at how silly he has been for so much of his life. “But now I’m too tired to hide.”

“I’ll get my earplugs,” says Alfredo, hopping back into his truck. “You lend me your gloves, I’ll get that last limb for you.”

“You’re a prince,” says Bob, slowly rising to his feet. “Thank you.”

10

goldfinches diving out of the sky

Driving home from Irene’s, Boots beside him in the cab, Bob begins to shiver violently.

Too exhausted to bring in his tools, Bob barely has the strength to open his front door.

His heart beating erratically, Bob somehow manages to take a shower and crawl into bed.

11

angels descending with wings extended

Bob and Alfredo hover in the air over String Creek, the tender flow dammed with logs and debris. Below the dam, hundreds of salmon lay gasping for oxygen in the dry beds.

Bob and Alfredo attack the dam with huge electric carving knives.

The dam gives way and Bob runs down a wooden tunnel into the living room of his old house in Sacramento where Daniel and Alice are hiding behind an unadorned Christmas tree.

Bob sings to his children, “Come out, come out, wherever you are.”

And here under the tree, presented on a red pillow, is the package Alfredo brought.


12

and golden slippers touching down beside the river

Having slept through the night and most of this next day, Bob wakes to the slow steady beating of his heart.

He gets out of bed, his arms and legs aching from yesterday’s labor—dusk giving way to moonlight. He feeds Boots, starts a fire in his woodstove, and runs a hot bath.

And as he watches the water tumble from the spigot into the tub, he conceives the letter he will write to Daniel and Susan and Andrea.

Greetings from String Creek

I hope you’re sitting down when you read this so you don’t fall over in amazement and hurt yourself. Ahem. As you know, I have been a self-righteous, self-loathing, self-pitying jerk for a very long time, and you have suffered greatly because of my actions toward you. I don’t expect you to forgive me for being so unkind to you, or to believe me when I say I have changed, but I want to invite you back into my life, however that may manifest. Maybe we could write to each other. Or maybe you could come and visit me. And should you invite me to Sacramento, I will come in peace as a friend.

From now on I am going to make a conscious effort to live my life with an open heart and an open mind, and do my best to eschew (gesundheit) blame and shame and judgment. I want to love you, nothing more.


13

we kneel to kiss the lucid flow

Lying in his hot bath, Bob weeps for the first time in three decades, and when he is done weeping, he laughs.

14

and imbibe the divine infusion

Bob goes out naked into the moonlight, his body steaming, and immerses himself in String Creek.

Now he hears splashing downstream—the salmon coming home.

15

clarity after rain

Bob shaves off his beard and dresses warmly for the walk to Irene’s. But before he and Boots leave the house, Bob opens the package delivered by Alfredo, a package from Bob’s granddaughter Elise who is nine-years-old now.

Her gift to Bob is a turquoise T-shirt, turquoise being Bob’s favorite color. Across the chest in purple thread she has carefully embroidered

I  AM

ELISE’S GRANDFATHER


16

After Rain

Who (what) are we when light from

our never-sleeping star wakes us?

Are we expressions of dreams or

flesh and bone bagpipes to be filled

with air and played or hungry

animals or desperate criminals or

lost children or visionary geniuses

or earthworms or indigenous

hominids or goldfinches diving out

of the sky or angels descending with

wings extended and golden slippers

touching down beside the river

where we kneel to kiss the lucid

flow and imbibe the divine infusion

of clarity after rain?

(Photo by Marcia Sloane)

Q

Saturday, May 15th, 2010

Our dear friend Quinton Duval died last week at the age of sixty-one, and the world lost a most generous soul and a marvelous poet. Q, as we called him, was a quiet person and a quiet poet, thus he was little known outside of Sacramento. I regret that I could not afford to publish an elegant volume of the collected poems of Quinton Duval while Q was still alive, but it’s at the top of my list of Things I’ll Do If I Ever Strike It Rich.

There is a funny story by Mark Twain entitled Captain Stormfield’s Visit To Heaven in which a Twain-like explorer hitches a ride on Haley’s Comet to heaven and reports on what he finds there. At the height of Stormfield’s visit, excitement ensues as word spreads that the greatest writer of all time has just died and will soon be arriving at the pearly gates. Indeed, so paramount is this writer that luminaries such as Shakespeare and Homer, not seen among the common angels for hundreds of years, descend from their places on high to greet this unsurpassed genius.

Captain Stormfield, a cultured man, wonders who among the most famous writers on earth has died; but the incomparable genius turns out to be an unknown young fellow who only managed to write a poem or two before he was tarred and feathered and murdered by an ignorant mob who found him intolerably odd.

Quinton’s death reminds me of this story, not because I think Q was the greatest poet who ever lived, but because he was, in my estimation, deserving of a much larger audience than he was able to achieve through the careful crafting of his beautiful poems.

You have undoubtedly heard of Poetry Slams. They are all the rage these days among pseudo-educators and extremely extroverted wannabe poets. Slams are poetry competitions (a deeply repugnant idea) in which so-called poets try to upstage and beat their opponents by outrageous dress, comportment, choreography, and vocal pyrotechnics. The poems themselves are largely irrelevant to the proceedings, though the more shocking and nasty and shoutable the lines, the better the chances the so-called poet has of winning the contest. Yuck. If you are a lover of poetry, a lover of the words themselves, a lover of the tender truth of a good poem, do not attend a poetry slam. When teenagers slam, the experience is merely pathetic. When older folks undertake such travesties, it is repulsive.

I think of Q’s poems as diamonds in the sludge of our American-Idolized culture, everything become a contest, a special effect, a showy narcissistic puff of nothing, and I want to stop people on the street and say, “Turn off your cell phones and listen to this. A poem by the late great much missed Quinton Duval.”

Dinner Music

The things in this dish have each been touched

by your fingers. The dough has marks in it

where you shaped it out round and white

and rising slowly. I remember all this

as I begin to eat. It is exciting

in the light given off by the oil lamp

on the table. I smell the kerosene,

your perfume, and the scent of the food you made.

I am touched by the wonder of it all. I mean

your hands are in my mouth even as I eat

what you have made, like other things you make.

After dinner your lips open quietly to the dark

passage down inside you. What is all this,

this odd food we give away? We eat each other’s

love and feel amazed and full.

Todd’s web site is UnderTheTableBooks.com

Enough Already

Thursday, March 25th, 2010

(This essay appeared originally in the Anderson Valley Advertiser March 2010)

Many of us traveling into late middle age have by now laid our parents to rest and/or moved them in with us or into transitional facilities. In so doing we have come face-to-face with the detritus of their lifetimes, and having disposed of their stuff (or, heaven forbid, added their stuff to our stuff) we are seized with new ambitions: to downsize and streamline and free ourselves of the burden of so many things we used to think we couldn’t live without. We have learned again what we already knew: things, cumulatively speaking, are a pain in the ass.

Carl Jung in his old age was convinced that all things, including pots and pans and knives and books and shoes and stones, were animate entities and demanded our attention and energy. It is said that when the elder Carl entered his kitchen he would politely greet the knives and pans and forks, and ask them to be kind to him so he might successfully brew his tea and scramble his eggs. He was convinced that by acknowledging the aliveness of these allies they would be less likely to jump from his hands or fall to the floor. Thus his cooking would be a delight rather than a danger.

Indigenous North Americans, dubbed Indians by their irrational conquerors, believed, as Jung did, that spirit animated all things. Stones, water, wind, trees, stars, clouds, and fire were alive, so it was common practice (not crazy) for a person to address a tree or a rock or the sky as brother or sister or friend. Would we want to possess and keep captive hundreds and thousands of things if we felt each was our relation and possessed a soul? I doubt it.

When my mother began her Alzheimer’s adventure, she developed a grave concern about her things. How did they get here? What were they called? And what were they for? I would soon learn that Alzheimerians cannot learn. They only unlearn. But before I gained this awareness, I would patiently explain to my mother that she had bought the things called bowls and books and vases, and they were for putting things in or for reading or for holding flowers. She would nod, see another thing, frown, and ask, “What’s that?”

“That is a teapot?”

“How did it get there?”

“You put it there.”

“Why?”

“Well, because it looks nice there and you can reach it easily when you want tea?”

“But I don’t want tea. I want coffee.”

“Fine. I’ll make some.”

My father was a pack rat of psychotic dimensions. I theorize his junk was the main thing that drove my mother crazy, along with his incessant cruelty. Long before the onset of her Alzheimer’s, my mother would go into rages about the ever growing stacks of magazines and newspapers and junk mail and just plain junk, none of which my father would allow her to throw away. For some years he collected electric motors, though he never did anything with them. When I cleaned out his garage the year before he died, I found fifty-seven little electric motors in various stages of disintegration, thousands of rotting magazines, and over five thousand books, none of which had been looked at in decades.

My father went off to work every day and left my mother alone in a big house full of useless junk. When she would leave the house to visit friends or shop or do volunteer work, or for the ten years she practiced law, she was an entirely different person than the person she was in her dysfunctional house. I’m talking Dr. Jekyll and Mr. Hyde different. Away from the massive jumble of things she was brilliant, competent, funny, and happy. Then she’d come home and become helpless, befuddled, humorless, and miserable.

And isn’t it true, as Perry Mason liked to say, that when you get away from your accumulated things you feel lighter and, dare I say, happier? Why are vacations so refreshing? Certainly because we’re seeing new sights, breathing new air, and breaking free of ossified behavior patterns; but I contend we feel most refreshed because we are free of those myriad animate things, each demanding a share of our psychic energy.

Reading interviews with people who lost their homes and possessions in the Oakland firestorm of 1991 in which nearly four thousand homes were destroyed, I was amazed to discover that after their initial shock wore off, many of the survivors said they were greatly relieved to be free of their accumulated stuff and to be “getting a fresh start.” Which reminds me of cost analyses proving the average American spends a much larger portion of her income providing life support for her things than for herself.

When my first marriage ended, I went from being a home-owning car-owning person to being a room-renting bicyclist pedestrian, and I felt, literally, fifty thousand pounds lighter. Some of this lightness came from escaping an unhappy emotional life, but some of it was unquestionably the result of being freed from the psychic responsibility for a house and a car and the ten thousand attendant things.

My Jewish grandmother, poor from birth until thirty, wealthy from thirty to sixty, and poor again until she died at eighty, told me she was happiest when singing or reading poetry, no matter her financial state. And it is from that perspective I prefer to judge the current economic collapse: the failure of a thing-based economic and social order, but not necessarily the end of happiness.

The mainstream pundits and politicos and economic puppeteers keep telling us that the much-ballyhooed (but essentially non-existent) recovery is mere moments away if only people will resume buying things they don’t need. Never mind that all fifty states are bankrupt and their citizenry bankrupt with them, people have got to roll up their sleeves and start stimulating the economy. Come on! What are you waiting for? A job? Money? Yet despite historically low interest rates, people are saving money as never before, if they have any money to save. People are driving less, shopping less, and needing less than they used to think they needed.

So wouldn’t it be great if this meltdown turns out not to be a meltdown, but a turning point, an awakening? The death of the parent equals the death of the old economic paradigm. In cleaning up the parental junk, we come to terms with the futility of hanging on to huge piles of stuff. In picking up and reforming the economic pieces, we leave out the making and getting of piles of junk. If we aspire to possess anything, it will be a few high quality things we lovingly care for as opposed to crap we stack up and eventually throw away or leave to our children to throw away for us.

I know. I’m waxing utopia here, but maybe, just maybe, there are good times ahead and they won’t look anything like the previous good times but rather more elegant and spacious and egalitarian. There will be less judging people by what they own and more celebrating people for how uniquely they jitterbug, how kind they are, and how fun they are to hang out with.

Todd Walton’s web site is UnderTheTableBooks.com.

I Will Play Chico

Thursday, June 18th, 2009

I Will Play Chico

a cinematic poem

I want to make a movie, a modern variant of the Marx Brothers.

My brother will play Groucho, you will play Harpo, and I will

play Chico. The movie is a classic comedy mystery chase love

story. We race around being ourselves in myriad situations—

basketball games, delicatessens, hardware stores, museums

pizza parlors, schools, post offices, gas stations, taquerias,

coffee houses, traffic jams, ice cream parlors, prisons,

art galleries, trains, psychotherapists’ offices, hotels

noodle joints, laundromats, sporting goods stores,

bistros, police stations, zoos, churches, houses,

hotels, corporate headquarters, jungles—

and everywhere we go we encounter

men who are so outraged by our

being ourselves they will stop

at nothing to try to kill us.

Now and then during the movie we take time out from being

pursued by these outraged men to perform for gleeful

audiences of women and children and a few unusual

men who are not enraged by our being ourselves;

and during these breaks in the chase, I play

the piano, you play the harp, and my

brother strums a ukulele. We read

poems, sing soulful songs, tell

funny, poignant stories, and

paint lovely pictures of a

tender new society free

of cruelty and jealousy.

In the end we are captured and jailed and charged with

the crime of being ourselves. The trial takes place in a

spooky courtroom presided over by a judge wearing

a mask and hood. We are sentenced to death and

are about to be executed when all the women

and children and a few unusual men we’ve

met along our way rise up to save us.

And in a fabulous song and dance

finale, the men who wanted to kill

us for being ourselves wake from

their trances and understand

that without us they would

have nothing to hope for.

Todd Walton