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What Are Dreams?

what are dreams?

On a rainy morning in November, Alberto Puerto Vallarta, Paul Windsor, and Herschel Steinberg share a table in Mona’s, the one and only bakery/café in Carmeline Creek, a small town on the far north coast of California.

Alberto is seventy-four, a performance artist with wavy black hair turning gray, Paul Windsor is fifty-nine, a writer and musician with short wiry gray hair, and Herschel Steinberg is seventy-two, a dream interpreter with spiky gray hair.

Alberto: I was walking the dogs on the beach yesterday and it came to me that maybe the purpose of dreams is to balance the mundane with the fantastic, the fantastic with the mundane.

Paul: Not sure what you mean.

Alberto: If you have a boring life, your dreams will be exciting. If you have an exciting life, your dreams will be about feeding your cat or doing the dishes. Maybe the psyche needs to maintain an equilibrium of…

Herschel: Excitement and mundanity?

Paul: I would think just the opposite, that an exciting life would give rise to exciting dreams, a dull life to dull dreams.

Herschel: It’s an interesting idea. Psychic equilibrium. After all, we need the right amount of salt to function properly. Not too much, not too little. The same is true of sugar, exercise, affection. Maybe dreams provide psychic sustenance, and different kinds of dreams provide different kinds of stimulation for proper neural functioning.

Paul: I think dreaming is the way our subconscious tells our conscious mind the truth, tells us things we’re unwilling to accept when we’re awake.

Herschel: Are we unwilling to accept them or simply unaware of them?

Paul: Might seem like we’re unaware, but we’re really unwilling.

Alberto: Which might be another way the mind is attempting to reach psychic equilibrium.

Herschel: I think dreams are the way we tell stories to ourselves, stories with messages that can help us if only we can decipher what those messages are.

Alberto: Are all dreams symbolic?

Herschel: Not necessarily. I have one client who has dreams he says are indistinguishable from his waking life.

Paul: Maybe he’s attained a perfect equilibrium between the fantastic and the mundane.

Alberto: I wonder if his waking life is both fantastic and mundane.

Herschel: Well… in a way everyone’s life is both fantastic and mundane, and depending on our state of mind, the mundane can be fantastic.

Alberto: So true.

Paul: I often dream I’m trying to get somewhere, but I never quite reach my goal. And by often, I mean almost all my dreams are about being diverted or obstructed from some destination, and yet I don’t feel I’m being obstructed in my waking life.

Alberto: Are people obstructing you in your dreams or is it things getting in your way?

Paul: Usually people. I’m often trying to reach a stage so I can perform. Tell a story or play the piano. But I don’t ever reach the stage because there’s always someone in the way who wants to talk to me or show me something, or there’s a huge mob blocking my way.

Alberto: I used to have those kinds of dreams before I began performing regularly. When did you last perform?

Paul: Three years ago.

Alberto: Aha.

Herschel: Aha what?

Alberto: Perhaps these dreams spring from his subconscious desire to perform, and his conscious self is the obstruction. As long as he doesn’t perform, his dreams will be about not being able to.

Paul: But I have no desire to perform again.

Alberto: Or so you think when you’re awake.

Herschel: A client once recounted to me an incredible dream that she had over the course of several consecutive nights, a saga of epic proportions involving huge battles and complicated love affairs and long journeys and countless brushes with death, all of which she remembered in fantastic detail. And at the end of this monumental odyssey, she arrived at an animal shelter where she chose two kittens and took them home.

Alberto: So did she go in her waking life to an animal shelter and get two kittens?

Herschel: Two kittens and a puppy.

Paul: And was that the end of her epic dreams?

Herschel: No, but ever after in her dreams, she was accompanied by two lions and a wolf.

Alberto: She found spirit allies to accompany her in both the dream world and the waking world.

Herschel: I think so.

Paul: Last night I dreamt I was at a party trying to get to a table laden with guacamole and chips and shrimp on skewers, but I could never get to the table because I was waylaid by one person after another.

Alberto: What finally happened?

Paul: I woke up, went to the kitchen, ate a banana, and went back to bed.

Alberto: I would have made guacamole.

Paul: We had no avocados.

Herschel: Dreams are often full of things we want and things we don’t want. Things we have and things we don’t have. Much like life.

Alberto: I think dreams are every bit as real as so-called waking reality.

Herschel: Yes, and isn’t it wonderful how often we dream of being in this lovely café together?

Paul: Shall I order us some guacamole and chips and a plate of spicy prawns?

Alberto: So sayeth your dream. And should anyone obstruct you on your way to place the order, I will come to your aid.

Herschel: I will too, Paul. In this dream no one will stop you from attaining your heart’s desire.

fin

 

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The Dream Interpreter

dream wine

Leona Mozart, forty-nine, wearing a baggy gray dress and clunky brown shoes, her long brown hair gathered and compressed into a tight bun, her face masked by large black-framed glasses, the lenses tinted gray, hesitates to knock on the door of the little white house, the voices in her head chorusing, “You stupid desperate fool.”

But misery prevails, she knocks, a dog barks from within, and a moment later she is settling into a high-backed armchair facing another high-backed armchair across a coffee table in a cozy den, a fire crackling in the hearth, a scruffy Golden Retriever sprawled on the floor at her feet, a sleek gray cat sharing the windowsill with seven potted cacti.

“Tea or coffee or water or wine?” asks Leona’s host, Herschel Steinberg, a stocky fellow in his early seventies: spiky gray hair, round-framed red glasses, brown corduroy trousers, purple sweater, green T-shirt, bare feet. “I’m having black tea.”

“I guess I won’t have anything,” says Leona, though she’d love some tea.

“Shout if you change your mind,” says Herschel, heading for the kitchen. “I won’t be long.”

Leona puts her head back, closes her eyes, and grows drowsy in the delicious warmth—the windy winter day having chilled her to the bone.

Herschel takes his own sweet time in the kitchen and returns to the cozy den with a tray bearing a blue teapot and two white mugs. He sets the tray on the coffee table and Leona opens her eyes, embarrassed to have fallen asleep.

“Sorry,” she says, blushing. “I haven’t slept very well for the last few weeks and I got cold on the walk over and your house is so toasty I… sorry.”

“Who doesn’t like a good cat nap?” says Herschel, sitting opposite her. “I brought an extra mug in case my delight in the Darjeeling makes you want some.”

“I actually would like some tea,” she says, smiling shyly at him. “Thanks.”

He meets her gaze and she looks away.

“Needs another minute or so,” he says, lifting the lid of the teapot to inspect the brew. “So… Elisha referred you. I’ve never seen you at Mona’s. How do you know Elisha?”

“Her daughter and my daughter are friends. They’re both being home-schooled and…”

“Is your daughter the marvelous Sylvia?” asks Herschel, beaming at Leona. “Now I see the resemblance. As you probably know, she and Alexandra are making a movie in which I play… wait for it… a dream interpreter.”

“You’re in one of their movies?” says Leona, frowning. “Would you please not mention to them that I came to see you?”

“I will not mention it to anyone,” says Herschel, pouring the tea. “I keep everything about my dreamers strictly confidential.”

“It’s just… I wouldn’t mind if Sylvia knew, but if she told her father…” She clears her throat. “He… it would be better if he didn’t know.”

“I understand,” says Herschel, sipping his tea. “So… you had a dream or dreams you’d like help making sense of.”

“Yes,” she says, taking a deep breath. “Dreams.”

“Well I’d love to hear them, but first I want to give you my brief disclaimer.” He arches his eyebrow. “Ready?”

“Ready,” she says, laughing at his comic expression.

“I am not a psychotherapist and I do not charge for this work. What I think a particular dream means may not be what somebody else thinks the dream means. Or put another way, what you will get from me is my personal response to what you give me. I hope I help you, but I make no promises.”

“Do you need my personal history?” asks Leona, her voice trembling. “To give you a context for the dreams?”

“No,” says Herschel, wishing she’d take off her glasses. “But I’d like to know anything you want to tell me.”

Leona squints at Herschel. “You don’t want to know about my childhood or my marriage or my… sexual history?”

“Only if you want to tell me. Your voice and how you tell your dream and the dream itself will give me plenty of information to work with.”

Leona looks at her hands. “I’m afraid to tell you my dreams.”

“So maybe this isn’t something you want to do,” says Herschel, nodding. “Or maybe we need to have a few more visits before you decide whether you want to tell me your dreams or not.”

“You mean just… visit?” She looks at him, fighting her tears. “Just… have tea and talk?”

“Yeah,” says Herschel, nodding. “Tea and talk.”

So that’s what they do. They drink tea and talk about the weather and gardening and Leona’s daughter Sylvia and cats and Leona’s job editing doctoral theses and what brought Leona and her parents to Carmeline Creek thirty-five years ago when Leona was fourteen.

And after a pleasant hour of such talk, Leona takes off her glasses and curls up in her armchair and asks, “How did you become a dream interpreter?”

“Long story,” says Herschel, getting up to put a log on the fire. “Shall I start at the beginning or cut to the chase?”

“The beginning,” she whispers, liking him more and more.

Herschel resumes his chair. “I was born in Los Angeles in 1948, Herschel Moses Steinberg, the middle of three children. My mother Naomi was a seamstress, my father David a bookkeeper. My younger brother Larry and my older sister Ruth were both excellent students and both became successful academics. I might have been an excellent student, too, except I was obsessed with playing baseball and basketball, so that’s where I put most of my energy.”

He pours himself a bit more tea. “However, despite my thousands of hours of playing those games, I did not make the basketball or baseball teams in high school, which was a source of great sorrow to me because I didn’t care about much else. Then a week before my senior year, I fell in love with Myra Liebowitz, a gorgeous brainy gal who aspired to be an actress, and my infatuation with her was so strong, I signed up for a Drama class just to be near her, and lo and behold I turned out to be a pretty good actor. I was in two plays with Myra, and miracle of miracles she fell in love with me. We got married two years after high school, had two kids, and lived unhappily together for nineteen years. We divorced when we were both thirty-eight. She remarried a year later, I remarried seven years later, divorced again after three years, married one more time after I moved here, that lasted four years, and I have been single with occasional girlfriends for seventeen years now.”

“Are you still in touch with Myra?” asks Leona, her eyes full of tears.

“Oh yes,” says Herschel, wistfully. “The children and grandchildren keep us connected. Otherwise I’m fairly certain Myra wouldn’t have anything to do with me.”

“Did she become an actress?”

“No,” says Herschel, shaking his head. “She became a legal secretary.”

“And what did you become?”

“I became many things,” he says, thinking of the dozens of jobs he’s had over the course of his life. “All preparation for becoming an interpreter of dreams.”

Leona smiles bravely and says, “Speaking of which, I’d like to tell you my dream now.”

“Please,” he says, closing his eyes to listen.

I am standing beside a fast-flowing river. I’m wearing a luxurious brown fur coat that nearly touches the ground, and my hair is down. I am neither sad nor afraid, yet I’m about to jump in the river and drown.

Now a raven wings by and makes a sound I hear as Sylvia, so I turn away from the river and go in search of her.

I enter a palace and stand at the entrance to a large ballroom where couples are waltzing to a live orchestra, the women wearing ball gowns, the men fancy suits. Now someone touches my left shoulder and I turn in that direction and behold a handsome man wearing an elegant white suit.

He bows to me and says, “May I have this dance?”

And I reply, “I cannot dance with you because I’m wearing nothing under this coat, and I cannot dance in this coat.”

“Then let’s dance naked,” he says, offering me his hand.

Now I am standing by the river again, my beautiful robe turned to rags, and I am about to throw myself into the torrent when I hear laughter and turn to see a man and woman sitting at a table under a flowering cherry tree. The woman has short brown hair and is dressed as a toreador. The man has long brown hair and is wearing a scarlet evening gown. They are drinking wine and eating grapes and talking and laughing.

The man gives me a quizzical smiles and says, “You realize, don’t you, that nothing they’ve ever told you is true.”

The woman nods in agreement and says, “Took me the longest time, but once I stopped believing them, I was free.”

“But what made you stop believing they would kill you if you tried to leave?” I ask, falling to my knees.

“Oh that’s not what I stopped believing,” says the woman, helping me to my feet. “I stopped believing I was weak and helpless and stupid, and discovered I was strong and resourceful and brilliant, and everything followed from that.”

Now I’m wading across the river, determined to reach the other side.

Herschel opens his eyes and gazes at Leona.

“I know what my dream means,” she says, unknotting her bun and giving her head a shake to loose her long brown hair. “Pretty obvious, huh? I guess I just needed to tell someone.”

“How quickly you found me out,” says Herschel, his eyes twinkling.

“May I have a glass of wine?” she asks, meeting his gaze.

“Of course,” he says, delighted she no longer fears him. “Red or white?”

“Red, please,” she says, seeing herself on the other side of the river, raising her arms to the sky.

https://www.youtube.com/watch?v=09Egsdp9DXw&list=PL7A2gJzg9TABWCexjtnwCuCksuLuxI6ma

fin

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The Brick Wall

the brick wall

An avowed atheist, James is sixty-seven and has lived in Seattle for fifty years. A fastidious dresser and vain of his appearance, James bristles whenever he hears the words spiritual, astrology, mystical, God, karma or anything suggesting life might be more than a purely mechanistic crapshoot.

James’s first marriage produced Andrew, forty two, a massage therapist. Andrew’s mother Claire divorced James when Andrew was five, and James didn’t see much of Andrew after the divorce until Andrew moved to nearby Vashon Island fifteen years ago. Thereafter James visited Andrew and his wife Cecily and their children Zeke and Maru several times a year until three years ago when James called Andrew the worst sort of idiot.

James was visiting Andrew and Cecily and Zeke and Maru at their house on Vashon Island, and Andrew was showing James the large labyrinth they created at the heart of their two-acre orchard and garden—the labyrinth’s path, based on the famous labyrinth at Chartres, delineated by large rocks and perennial herbs.

Andrew told James that since he began walking the winding path to the center of the labyrinth every day, he no longer suffered from the excruciating headaches that had plagued him since childhood. That was when James called Andrew the worst sort of idiot, after which Andrew decided to stop making an effort to connect with his father.

Three months into his second marriage, when James’s wife Rose was pregnant with Electra, who is now thirty-six, Rose told James she’d dreamt their child was a girl and believed the dream prophetic.

To which James responded, “You can’t be serious.”

“Of course I’m serious,” said Rose, frowning at him. “Why wouldn’t I be?”

“Because,” said James, snarling at her, “anyone who believes a dream is prophetic is dangerously delusional. Prophecies are wishful-thinking nonsense.”

From that moment on, Rose no longer trusted James and they divorced when Electra was two. James has only seen Electra twice since then, both times for lunch when Electra came to Seattle for conferences having to do with dance therapy, a field in which she is well-known. Electra sends James a Christmas card every year, which prompts James to send her a check for five hundred dollars, which inevitably brings an effusive letter from Electra; and that is where James always ends the back-and-forth because he knows Electra is a Buddhist, which he considers a form of organized idiocy, and he doesn’t want to put himself in a position where he will feel compelled to tell Electra what he thinks of her religious affiliation.

After divorcing Rose, James did not marry again for thirty years, though he did have several short-lived entanglements, none of which produced children. He has been married to his current wife, Leslie, for eleven months. Leslie is fifty-eight and an ardent atheist. She delights in finding articles and videos that she and James categorize as spiritual balderdash; and until recently she would seek James out several times a day to share the latest proof she’d found of how incredibly ignorant and misguided most other people are.

Leslie and James married shortly after they both retired—Leslie an accountant, James a lawyer—and they are quite wealthy. They live in a large old house they bought in an upscale neighborhood in Seattle and have spent much of their brief marriage travelling around Europe celebrating the ends of the careers they never enjoyed. And everywhere they went in Europe, they visited cathedrals and temples and holy places they contemptuously referred to as relics of mass ignorance.

Sadly, since returning from Europe a month ago, James and Leslie have entered a new phase of their relationship, one in which they do not enjoy each other’s company and spend most of their time in separate rooms—Leslie smoking pot and drinking bourbon and playing online Scrabble, James drinking wine and watching brainy British games shows on YouTube.

At the height of their marital discord, James has a lucid dream in which an old man with long white hair and wearing a sackcloth robe tells James that there is an ancient doorway in the basement leading to a mystical labyrinth.

The morning after, James finds Leslie in the kitchen and says to her, “I had a vivid blast of brain gibberish last night. This old man, a kind of Socrates, said there’s a doorway in the basement leading to a labyrinth and…”

“Oh that’s just mental garbage,” says Leslie, making strong coffee to combat her hangover. “About your stupid son dumping you because you exposed the idiocy of his fantasy that his hippie dippy labyrinth was curing his headaches.”

James winces. “I wish you wouldn’t call Andrew stupid. You’ve never even met him.”

“You call him stupid all the time,” says Leslie, glaring at James. “And I haven’t met him because he doesn’t want to have anything to do with you because you called him an idiot for thinking his stupid labyrinth cured his headaches. I’m only quoting you, so if you don’t want me calling him stupid, you stop calling him stupid, though why you suddenly feel the need to defend a magical-thinking moron, I can’t imagine?”

“No, no, you’re right,” says James, nodding emphatically. “Delusional dreamer raised by his delusional mother.”

Which might have been the end of James thinking about his dream except he can’t resist doing what the old man in the dream told him to do, which is go down into the basement and examine the brick wall adjacent to the furnace, where, according to the old man, he will discern a continuous crack in the mortar of the bricks, a crack delineating the shape of a large door.

How the old man in James’s dream knew about this crack is an irritating mystery to James because he, James, knew nothing about a crack delineating a door. So how, James wonders, did that knowledge get into his brain to be translated into brain gibberish?

James had only been in the basement two times prior to having the dream, once when he and Leslie were considering buying the place, and once when he peeked in while a plumber was installing a new hot water heater. Neither time did he notice there was a brick wall adjacent to the furnace, but when he went down to see if the dream information might be true, he found there is a brick wall and there is a continuous crack in the mortar outlining what may or may not be a hidden door.

So now what? The old man in the dream said, “Remove the bricks and reveal the ancient door needing no key to open. Upon passing through this portal you will enter a mystical labyrinth guiding you to what you’ve been seeking your whole life.”

James wishes he could talk to someone about his dream, someone who could explain the meaning of the dream and why the dream was so incredibly vivid and real seeming. He doesn’t believe the dream could possibly be prophetic, though the door-delineating crack in the mortar is definitely there.

The truth is, James has no friends; and Leslie, he is certain, will think he’s a complete idiot for giving the dream a second thought, so…

James barely sleeps for the next two days, after which he and Leslie have a horrific screaming fight and she decides to go visit her mother in Palm Springs for a couple weeks. She packs four suitcases, which seems excessive to James, says she’ll be in touch, and takes a cab to the airport.

That night James falls into a sodden sleep that lasts until late morning when he has another dream in which the old white-haired man appears and says, “The labyrinth awaits you, James. The time is now. Remove the bricks and reveal the door.”

James wakes from the dream shaking with fright.

“What is this shit?” he growls, flinging back the covers and getting out of bed. “I don’t believe in this shit.”

He’s in the kitchen making a pot of coffee when the phone rings.

Thinking this must be Leslie calling to apologize for accusing him of being a heartless misanthrope, James picks up the phone and says gruffly, “Hello.”

“Hey Dad, it’s Andrew. Are you okay?”

“Yeah, I’m fine,” he says, derisively. “Why do you ask? After three years of not talking to me.”

“I had a dream about you this morning,” says Andrew, speaking softly. “You were stuck somewhere. In a basement or a cave and I thought… maybe you needed help with something or…”

“You think your dream was real?” says James, gritting his teeth to keep from shouting.

“I don’t know,” says Andrew, pausing. “Maybe it was just my subconscious prodding me to call you. I’ve been thinking about you lately and…”

“About what a rotten asshole I am?”

“No, I was thinking about how I wish you could spend some time with the kids. Zeke is fourteen and Maru is twelve going on seventeen and… they ask about you all the time.”

“You still have that stupid labyrinth?” says James, unable to quell his vitriol.

“Yes, we still have the labyrinth,” says Andrew, sighing. “I won’t keep you any longer, Dad.”

“Wait, wait.” James clears his throat. “Um… there actually is something you could help me with.”

“What’s that?” asks Andrew, his voice full of kindness.

“Well… it’s funny you should mention a basement because I’ve got kind of a mystery going on in mine, and… maybe you could help me solve it.”

“Is it plumbing or…”

“No, it’s, uh… I think there might be a door behind the brick wall down there, and I’m… I… I’d like to find out.”

“Sounds fun,” says Andrew, laughing. “Can I bring the kids?”

“If you want,” says James, shrugging painfully. “Um… when would you like to come?”

“How about this afternoon? We’ll catch the next ferry and… maybe we could spend the night if you have room or…”

“Yeah, fine. We’ll get pizza or something.”

They stand before the brick wall in the basement—James, Andrew, Zeke, and Maru.

“What makes you think there’s a door behind there?” asks Zeke, his deep voice revealing traces of his mother’s British accent.

Zeke’s reddish brown hair falls to his broad shoulders and he is dressed similarly to his father and sister—a denim shirt and jeans and sneakers.

“The crack in the mortar,” says James, squinting at the bricks. “See it? Delineates the shape of a door.”

“Wow,” says Maru, nearly as tall as her brother, her blonde hair in a long braid. “How did you even see it?” She practically puts her nose on the bricks to study the crack. “You have great eyes, Grandpa.”

“I had a dream,” says James, his throat constricting, “in which an old man told me it was there. So I came and looked and there it was.”

“Really?” says Zeke, beaming at his grandfather. “That’s like Maru dreaming about going to visit the Andersons, which we never used to do, and they…” He looks at his sister. “You tell.”

“So in my dream,” says Maru, smiling rapturously at James, “I rode my bike over to Mrs. Anderson’s farm, though in real life Mrs. Anderson used to yell at us not to pick the blackberries on the road in front of her farm. But in my dream she invited me in for pie and said she wanted to give me a present, and when I told Mom the dream she said I should go over there in case the dream was prophetic even though I’ve always been afraid of Mrs. Anderson and they have this huge Black Lab who barks ferociously, but Zeke said he’d come with me, so we rode our bikes over there and their dog was totally friendly and Mrs. Anderson invited us in only she didn’t give us pie but tea and cookies and then she asked if we were looking for a puppy, which we were, and her dog had just had a litter and we got two of them. Tillie and Molly. Half-Labs, half-Golden Retrievers, and they’re the best dogs ever.”

“What a fortunate coincidence,” says James, forcing a smile.

“Just like the crack in the mortar,” says Zeke, tapping the brick wall. “A fortunate coincidence.”

“Why is the crack fortunate?” asks James, glowering at Zeke.

“Because it got you to invite us to come visit,” says Zeke, smiling at his grandfather. “Right?”

“I suggest,” says Andrew, winking at Zeke, “that we remove a few of these bricks, see if we find anything resembling a door, and if not, we put the bricks back. But if there is a door, we’ll remove the rest of the bricks. To that end, I’ve brought a ceramic-cutting blade for my saw, so if you will all now don your earplugs I’ll have a go at this.”

Earplugs inserted, James and Zeke and Maru stand back and watch Andrew expertly cut around a block of eight bricks that may or may not be concealing an ancient door.

The cut completed, Zeke and Maru wield chisels and hammers and pry bars, and a section of an old wooden door is revealed.

“That’s definitely a door,” says Andrew, nodding. “Shall we continue?”

“Wait,” says James, his heart aching. “How could it lead anywhere? The outer basement wall is only four feet away. Even if the door opens, there would just be a little gap and then we’d come to the wall. Right?”

“Unless there’s a stairway,” says Maru, nodding eagerly. “Leading down to a room full of treasure.”

“Did the old man in your dream say anything else?” asks Andrew, smiling quizzically at his father.

“Yes,” says James, feeling more vulnerable than he can ever remember feeling. “He said this was a doorway to a labyrinth.”

“Really?” says Andrew, arching his eyebrow. “Did he say if it was a stupid labyrinth or a smart labyrinth?”

“I’m sorry I said that to you,” says James, gazing earnestly at his son. “Will you forgive me?”

“I have,” says Andrew, nodding. “That’s why we’re here.”

“So shall we take away the rest of the bricks?” asks Maru, looking from her father to her grandfather. “See if we find a labyrinth?”

“He said it was a mystical labyrinth,” says James, smiling through his tears at his grandchildren. “Whatever that is.”

They remove the rest of the bricks and open the ancient door that needs no key, and sure enough there is a stairway descending into darkness.

So down they go, flashlights blazing.

fin

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The Angel

angels

On an early morning in August, Derek drives to the beach at the mouth of Big River for the very low tide. He wades across the wide shallow river to the sandbar and crosses the vast expanse of sand to the edge of the sea; and as he’s watching the breakers crash onto the sand, a man appears beside him. The man is about Derek’s age, late sixties, dressed as Derek is in shorts and a T-shirt, stubbly beard, shining eyes, sweet smile.

“Hey,” says the man, speaking quietly. “How you doing?”

“Hanging in there,” says Derek, which is how he’s been feeling for a long time now, hanging by a thread.

“I hear you,” says the man, nodding. “Can I tell you something?”

“Sure,” says Derek, wondering if the man is going to talk about Jesus or ask for money.

The man takes a deep breath and says, “You’re a healer. Maybe you already knew that, but I thought it might help you if I said it to you. You’re a healer. You heal yourself and you heal others.”

Derek laughs in surprise and says, “Oh I’ll bet you say that to everybody.”

“I don’t, actually,” says the man, laughing, too. “I think that about everybody, but I rarely say it out loud. But when I saw you…” He shrugs. “I just had to. It’s true, you know.”

“I believe you,” says Derek, looking way. “I mean… I want to believe you.”

“But why not believe me? What’s in the way of believing you’re a healer?”

“Well… I’ve been feeling pretty fucked up for a long time now, and by fucked up I mean… not much good to anybody including myself.”

“I know how you feel,” says the man, nodding sympathetically. “I felt that way for years. Decades. But when I realized I was a healer, and I mean when I really accepted that I was a healer and not just hoping to be one, I saw that feeling fucked up was something I could work with, something I could dig down into and find what I needed to heal myself.”

“This is my quest,” says Derek, starting to cry.

The man puts his hand on Derek’s shoulder and keeps it there until Derek stops crying.

You’re the healer,” says Derek, looking at him.

“You and me both, buddy.”

Time passes and they part ways and Derek gets lost in his thoughts and when he finally comes back to the present, the sand bar is shrinking fast and he has to swim across the river to reach the shore.

Back at his truck, Derek is wiping the sand off his feet when a woman and her young son walk by and the boy looks at Derek and asks, “Did you see any whales out there?”

“No whales,” says Derek, smiling at the boy. “But the clouds are spectacular today.”

And the boy looks up at the sky, and his eyes grow wide, and he says, “Oh wow. They are.”

fin