Andrew meets the same woman every few years and immediately recognizes her. She, however, never recognizes him as anyone she’s known before, though she is always pleased to meet him.
He met her for the first time in elementary school in 1955 when her name was Alice. The second time their paths crossed was during the summer of 1962 when they were both thirteen and her name was Sara.
As it happens, she is always his age.
∆
Andrew at seventeen has reached his full height of five-eleven. A basketball player and landscaper, he tips the scales at 170 pounds. The year is 1966, spring is in the air, and being a teenager living in the suburbs of San Francisco, Andrew has fallen under the spell of the counter culture movement that will one day be known as The Sixties.
This being his senior year at Woodberry High, and now that basketball season is over, Andrew lets his hair go untamed and takes to wearing loose-fitting trousers, T-shirts sporting leftwing political slogans such as Power To The People, sandals, and an old suede jacket.
He has taken Drama for three years now and has a big part in the spring musical Once Upon A Mattress. He has applied for admission to Yale because of their renowned Drama department, and to UC Santa Cruz because one of his two older sisters is going there and he has to get in somewhere because the Vietnam War is raging and he desperately wants a student deferment.
And for the first time in his life, Andrew has a girlfriend. Her name is Megan and she is a pompom girl with long blonde hair. Never in a million years would Andrew have pursued Megan. She is very rich, drives a new convertible Mustang, her parents are conservative Republicans, and she and Andrew have almost nothing in common except they are human and go to the same high school.
Megan set her sights on Andrew this past December when he became a starting guard on the Woodbury basketball team, and he was powerless to resist her. His friends are chagrined that Andrew is going with Megan, in small part because she cares more about fashion than civil rights, but largely because she is wholly disinterested in poetry, music, art, and protesting the war, all of which Andrew and his friends are passionate about.
What Andrew’s friends don’t understand is that he has never had any sort of girlfriend, not counting his twelve-day romance with Sara when he was thirteen. And though Megan is not a leftist, she is affectionate, insists Andrew drive her very cool car whenever they go anywhere together, leaves love notes and little gifts in his locker, usually chocolate, and takes him to lunch or dinner at a fancy restaurant almost every weekend.
Andrew’s father has a small landscaping business and Andrew’s mother works in a bakery. Until Andrew’s sisters left for college, he shared one of the three small bedrooms in their house with his younger brother. And until Megan took him to an upscale restaurant for the first time, the fanciest restaurant he had ever gone to was a pizza parlor.
∆
Once Upon A Mattress finishes its two-weekend run on a Saturday night exactly a week before the Senior Ball, which is a huge event in Megan’s life. She is chairperson of the Senior Ball Planning Committee and the frontrunner to be crowned queen of the ball. On the same Saturday as the Senior Ball there is an anti-war march and rally in San Francisco that Andrew and several of his friends are planning to go to.
The cast party for Once Upon A Mattress is held at the palatial Helzinger estate in Atherton, home of sixteen-year-old Marvin Helzinger who ran lights for the play and wants to be a movie producer. Megan wasn’t going to attend the party but changed her mind when Valerie Morris, the female lead, gave Andrew an amorous hug during the final curtain call and Andrew seemed delighted.
A half-hour after Megan and Andrew arrive at the party—Megan glued to Andrew as they makes the rounds of his fellow cast members—Andrew’s friend Cal mentions the upcoming anti-war march and asks Megan if she’s coming with them.
“When is it?” she asks to be polite.
The date revealed, Megan frowns at Andrew and says, “But honey that’s the day of the Senior Ball.”
“The march is in the morning,” he says, nodding assuredly. “We’ll be back in plenty of time.”
“Can I talk to you in private?” she says, smiling falsely at Cal. “Excuse us, please.”
She leads Andrew out the front door of the mansion and halfway down the wide walkway before she stops and says, “You are not going to an anti-war thing on the same day as the Senior Ball. You could get arrested or your old car might break down. You can’t go. I will not allow you to ruin the most important day of my life.”
“We’re taking the train,” says Andrew, stunned by this outburst from his previously easygoing girlfriend. “The march starts at nine in the morning. We’ll get to Kezar at eleven, listen to some speeches and music, catch the bus back to the train station and be home by three. We’re not rioting, Megan. We’re just marching. Mike and Cal are going, too, and they’re both going to the ball, so…”
“No,” she says, shaking her head. “I can’t risk this, Andrew. It’s too important to me. There will be lots of other marches, but there’s only one Senior Ball. You’ll just have to skip this one.”
Andrew has never had a conflict of any sort with Megan in the five months they’ve been going together. She has never been angry with him, nor has she ever insisted he do or not do something. He wants to please her, but he also wants to march against the war that is threatening his life and the lives of his friends, not to mention the lives of millions of Vietnamese and hundreds of thousands of American soldiers.
“I promise I’ll be home by three,” he says, reaching out to take her hand.
“No,” she says, snatching her hand away. “You will not go to that thing. I won’t be able to sleep knowing you might miss the ball. I’ve never asked you for anything, Andrew, but now I’m begging you. Please don’t go to that march. Promise me you’ll stay home next Saturday and take me to the ball and go to the hotel with me afterwards and we’ll make love for the first time in our lives. Like we’ve been planning for weeks. Please. Don’t ruin this for me. Please.”
“Megan…”
“No,” she says sternly. “If you won’t promise me right now that you won’t go to that march I’m breaking up with you.”
And this is the moment Andrew makes his leap into adulthood. Not having gone through any formal transition from childhood to adulthood, he has been suspended in the netherworld of extended adolescence since he was thirteen.
But now he experiences a thrilling clarity of mind and says to Megan, “Then we’re breaking up. Because going on that march is ten thousand times more important to me than going to the Senior Ball.”
“Then you can go to hell,” she says, hurrying away to her car.
“No,” he says, amazed by this sudden turn of events, “I think I’ll go back to the party.”
∆
As Andrew re-enters the spacious living room filled with happy vibes of triumphant teenaged thespians, Mona Wilson, who did Andrew’s makeup for the play, beckons to Andrew and he hastens to her side.
“Andrew,” says Mona, beaming at him, “this is my friend Laura. Laura this is Andrew.”
Turning to Mona’s friend, Andrew gapes at the lovely young woman and blurts, “Sara? Sara Banducci? Oh my God. I can’t believe you’re here. Did you see the play? I was in that play because of you. Oh my God. This is incredible. How are you?”
“I’m fine,” says Laura, her long brown hair in a braid festooned with white carnations. “Only my name is Laura, not Sara. And though I love the name Banducci, my last name is Rosenstein.”
Andrew looks from Laura to Mona and back to Laura. “I’m so sorry. You look just like a person I used to know.” He gazes at her in wonder. “You could be her identical twin. Down to your dimples when you smile.”
“You liked her, I think,” says Laura, arching her eyebrow. “Didn’t you?”
“Yes,” he says, nodding. “More than anyone I’ve ever known. I mean… we only knew each other for a couple weeks but… and then I wrote to her for a long time but…”
“She didn’t write back,” says Laura, pouting exactly as Sara pouted. “But eventually you got over her and now you have a beautiful girlfriend. So alls well that ends well.”
“Actually I just broke up with my girlfriend,” says Andrew, laughing. “So of course in the next moment I would meet you again, only not really again because you’re not Sara, you’re Laura and… where do you live?”
“San Francisco,” she says, looking into Andrew’s eyes. “Why? Do you want to come live with me?”
“Probably,” he says, reddening. “Do you have room for me?”
“Yeah,” she says, nodding. “By the way, you were great tonight. The whole play was wonderful, but you definitely stole the show.”
“I think he’s gonna be a big star,” says Mona, giving Andrew a hug. “And I’ll do his makeup for his entire career. Won’t I, Andrew?”
“I’ll insist,” says Andrew, gazing longingly at Laura. “It will be in all my contracts that only Mona does my makeup.”
∆
A half-hour later, Laura and Andrew are standing on the patio sharing a forbidden glass of wine and looking into the living room where a mob of happy teenagers are loudly reprising all the songs from Once Upon A Mattress.
“What did you mean?” asks Laura, standing close to Andrew, “when you said Sara was why you were in the play? Was she an actress?”
“She wanted to be,” says Andrew, remembering sitting with Sara at the end of a little pier jutting out into Lake Tahoe. “Whereas I had never really thought about what I wanted to be or wanted to try to be. I was just going along working for my father and going to school and playing basketball. But when she said she wanted to be an actress, I suddenly had a vision of myself I’d never had before, though it must have been there all along in my subconscious. Or my unconscious. Do you know what I mean? It was like the idea of being an actor was just waiting to be awakened. Or awoken. I’m never sure which is right.”
“They both work,” says Laura, taking the wine from him and having a sip.
“What about you?” he asks, entranced by her. “What do you want to be?”
“I’d like to be an actor,” she says, nodding. “I’ve been in a few plays. And I love to write, so maybe I’ll be a writer. Maybe I’ll write a play for you to star in.” She laughs. “Do you smoke pot?”
“I never have,” he says, taking the wine from her and having a long drink. “You?”
“A little,” she says, nodding. “My mom smokes weed on the weekends. She’s a social worker. I have a few puffs now and then, but I don’t want to get in the habit until I’m done with high school. I love getting stoned, but it’s just so sensual, you know, there’s no way I can do anything very linear when I’m stoned, and getting good grades is all about linear thinking.”
“I’m a solid B student,” says Andrew, handing her the wine. “Which is why I probably won’t get into Yale. So fingers crossed for Santa Cruz.”
“Or San Francisco State,” she says, nodding. “That’s where I’m going. We don’t want you getting drafted, Andrew. Absolutely not.”
“No,” he says, shaking his head. “We don’t want me getting drafted.” He takes a deep breath. “What we want is to kiss you. Is that something we could arrange?”
“Yes,” she says, stepping into his arms.
After their first long kiss he declares, “You are by far the best kisser I’ve ever kissed.”
And after their second kiss she whispers, “Would you like to come visit me at my house? Make love?”
“I… yeah, but… I’m… I’ve never made love before so you’d have to teach me.” He nods to affirm this. “If you want to.”
“I do,” she says, dimpling profoundly. “I would love to teach you.”
∆
On the Monday morning following the cast party, Andrew finds a note from Megan in his locker saying she’s changed her mind, he can go to the march and take her to the Senior Ball, she was just caught off guard and upset when she learned the march and the ball were happening on the same day, but she’s over that now and loves him so much she never wants to break up with him. Never.
Her note, however, comes too late to pull Andrew back into his previous life, so he doesn’t meet her for lunch at their usual spot on the patio outside the multi-purpose room, which means Megan has to seek him out near the water fountain adjacent to the library where he is having lunch with his Drama pals.
“Andrew,” she says, interrupting his conversation with Mona and Cal, “can I talk to you?”
“Sure,” he says, walking with her to a place in the sun out of earshot of his pals.
“Did you get my note?” she asks urgently.
“Yeah, I did but… I think it’s good we broke up. I mean… I think you’re a great person, Megan, but we live in different worlds. I’m… I’m really sorry to inconvenience you, but I’m not going to the ball.”
She squints at him. “Did you hook up with Valerie after I left the party?”
“No,” he says, thinking of Laura. “I did not hook up with Valerie.”
“Oh Andrew,” she says, her eyes filling with tears. “I made a mistake. I was wrong. Won’t you forgive me? You can do whatever you want. I don’t want to own you. I just want to be with you.”
Hearing her say this, Andrew knows without a doubt that he would have resumed his relationship with her, would have gone to the ball, and would have lost his virginity with her in some big bed in some posh hotel and been miserably entangled with her for months and possibly years if he hadn’t met Laura and arranged to see her again.
But I did meet Laura.
“I’m sorry, Megan. I… no.”
“What if I go on the march with you?” she says, her jaw trembling. “And we don’t go to the ball? Then will you take me back?”
“Oh Megan,” he says, pained to see her suffering so. “This isn’t about that. This is about who we are and what’s important to us. You know almost nothing about my life, and I know almost nothing about yours. We went on dates and you were very sweet to me and I tried to be sweet to you, but…”
“You met somebody else,” she says, glaring at him. “I know you, Andrew. You wouldn’t dump me otherwise.”
“I did not dump you,” he says, his anger obliterating his sympathy for her. “You did the dumping. Remember? You dumped me.”
∆
On the morning of the march, Andrew and Cal and Mike and Jeremy and Cecily and Beth and Mona catch the train from Redwood City to San Francisco, detrain at Fourth and Townsend, catch a bus up to Market Street, and join the growing throng at 8:30.
At quarter to nine someone taps Andrew on the shoulder and he turns to behold Laura looking great in a purple paisley shirt and blue jeans and carrying a big sign saying Out of Vietnam Now!
“Hey,” says Andrew, embracing her.
“Hey,” she says, blushing. “Come meet my mom.”
She leads him through the crowd to a knot of middle-aged men and women, her mother a pretty gal with curly black hair and large-framed glasses and a New York accent.
“Mom this is Andrew,” says Laura, blushing a little. “Andrew this is my mother Janet.”
“Hello,” says Janet, grinning at Andrew as she shakes his hand. “No wonder she fell for you. You’re only seventeen? You look twenty-two. A handsome twenty-two. You’re coming to visit after?”
“Yes,” he says, nodding. “If that’s okay.”
“Of course it’s okay,” she says, letting go of Andrew’s hand. “We’ll see you at the flat.”
“I’m gonna march with Andrew, okay?” says Laura, giving her mom a quick kiss. “See you at home.”
They make their way back to Cal and Mike and Jeremy and Cecily and Beth and Mona just as the great crowd begins to move forward, the first chant to be taken up en masse End the War Now! Bring the Troops Home! End the War Now! Bring the Troops Home!
∆
Five hours later, Laura and Andrew leave the hubbub at Kezar Stadium and walk across Golden Gate Park to an old three-story building two blocks off the park where Laura and her mother live in the ground floor flat.
Elated and exhausted, Andrew and Laura revive themselves with guacamole and chips and Laura says, “Shall we go shopping? For some crucial supplies?”
“Aren’t you gonna show me your bedroom first?” says Andrew, taking her in his arms and kissing her.
“Not until we procure the crucial supplies,” she says, pulling away from him and picking up her purse.
“Just what are these crucial supplies?” he asks, following her out the door.
“Food for supper,” she says, locking the door. “I told Mom we’d cook tonight. Spaghetti and meatballs, vegetables, and something yummy from the bakery for dessert. She’s got three friends coming. Oh. And we need to get condoms. Heard of those?”
“I have,” he says, lowering his voice. “In fact I brought some.”
“How many?” she asks, dimpling provocatively.
“Three,” he says, laughing self-consciously. “Cal gave them to me.”
“We’ll need more than three,” she says, taking his hand. “And we’ll get the kind I like.”
∆
Groceries and pie and condoms purchased, they return to the flat and find Laura’s mother and two of her women friends in the kitchen drinking wine and eating crackers and cheese.
“We’ll start making supper in a couple hours,” says Laura, unpacking the groceries. “But first I’m gonna show Andrew my etchings.”
The women laugh appreciatively and Laura’s mother says, “I’ll cook tonight, sweetie. Take your time. We’ll call you when the pasta is perfecto.”
“Thanks Mom,” says Laura, giving her mother a kiss. “I owe you.”
“So much,” says her mother, laughing.
∆
Laura leads Andrew down a long hallway to a bedroom at the opposite end of the flat from the kitchen, a bedroom with a bed not quite as big as a queen but nearly so.
She closes the door and they kiss hungrily as they undress.
And when they are naked and lying down together Laura says, “Now be honest with me, my darling Andrew. How much do you know about a woman’s body?”
“Well,” he says, taking a moment to catch his breath, “I have two older sisters, so I’ve seen the naked female.”
“Yes, but do you know what lies beneath her surface?” she asks, guiding his hand to her sex.
“Not really,” he says, on the verge of his orgasm.
“Oh honey,” she says, caressing his sex and sending him past the point of no return.
“Sorry about that,” he says tearfully. “I… there was nothing I could do. Except let it happen.”
“Don’t ever be sorry for being sexy,” she says, kissing him. “Now here’s what we’re going to do. You’re going to explore my body with your hands and your eyes and your mouth, with me as your guide. Okay?”
“Yes,” he says, surrendering entirely to her wisdom and kindness.
∆
Before they sit down to supper, Andrew calls his parents to tell them he’s okay, and when his mother asks to speak to Laura’s mother, Andrew hands the phone to Janet and the mothers talk and laugh.
∆
After supper, Laura and Andrew do the dishes and go for a walk around the block in the cool night air before returning to the flat to resume Andrew’s lesson.
And as they lie in each other’s arms, resting, Andrew says, “Tonight was the Senior Ball. I’m so glad I missed it.”
“Tonight was mine, too,” says Laura, sitting up to look at Andrew. “Guess how many boys asked me to go with them to the ball?”
“A hundred?” says Andrew, feeling so finished with high school he can’t imagine sitting through another six weeks of classes.
“Four,” says Laura, getting out of bed. “I’m starving. Come to the kitchen with me.”
“Shouldn’t we get dressed?”
“If you want to, but my mom sleeps like a log, so…”
∆
Andrew in his underwear, Laura in a skimpy robe, they sit in the kitchen eating cold spaghetti and drinking wine and feeling marvelous.
“Tell me, darling,” says Andrew, affecting a credible British accent. “Have there been many before me?”
“More than five and less than seven,” she says, clinking her glass with his. “One was very good, one was not bad, four were not very good, and I didn’t love any of them, but I liked them, so…”
“That makes me number seven,” he says, feeling jealous of her former lovers, though not very. “Was I good?”
“The best of all,” she says, setting her wine glass down and putting her arms around him. “Because I love you and because you’re strong and beautiful and you get better and better the more we practice.”
“You make me happier than I’ve ever been,” he says, kissing her.
“You know what I think?” she says, closing her eyes.
“Tell me,” he says, loving the sight and the sound and the scent of her.
“I think we should get married in seven years. And if we lose touch before then, we’ll find each other again and be writers and actors together and have two children and a dog and cats and a big garden. Say yes.”
“Yes,” he says, though he knows if they lose touch he may never see her again.
∆
And they do lose touch, though not until they spend a glorious summer together, a summer made of many weekends in her San Francisco flat, and a fall full of amorous visits, he enrolled at UC Santa Cruz, she at San Francisco State.
But then she meets Don, a graduate student from Bristol, seven years her senior, and she is so smitten with him that when Don returns to England, she goes with him.
This time, though, she is the one who writes to Andrew every week for months and months, but he is so hurt by her choosing another over him that he cannot write her back and she eventually stops writing to him and he lives on without her.
fin
