Lucinda, a breakfast waitress at the Backwoods Cafe in Yakima Washington, a roly-poly brunette in her forties, her hair in a bun, her nametag pinned to her black vest, saunters over to the window table where Gig Antonelli is having a muffin and coffee, refills his coffee cup, gives him a sparkly smile, and says in a friendly way, “Would you mind telling me how old you are?”
“I’m fifty,” says Gig, smiling sleepily at Lucinda because he is sleepy, having spent the night dozing fitfully in the driver’s seat of his faded bronze 2000 Camry parked on the side of a dirt road thirty miles north of Yakima. “May I ask why you want to know my age?”
Gig’s nose is slightly aquiline, his eyes are greenish brown, his voice is pleasantly gruff, and he always sounds a little stoned, though he hasn’t had a puff of pot in three years. For most of his life he was a beefy stoner with lots of extra beef and long hair, and now he is trim and muscular, his graying brown hair cut short for the first time since he was on the high school football team in Mountain Home Idaho.
Lucinda gives Gig a wrinkled-nose smile and says, “Sara and I… Sara’s the other waitress here… we had a little bet. She said you were one of those guys in his sixties who takes really good care of himself, and I bet you were fifty-three.” She shrugs. “Sorry.”
“No need to be sorry,” says Gig, sipping his coffee. “How much did you win?”
“A dollar,” says Lucinda, deciding to flirt with Gig. “You in town for long?”
“No, I’m on my way to Idaho,” says Gig, and just saying Idaho brings him close to tears.
∆
Gig rarely picks up male hitchhikers, but he always gives female hitchhikers rides because he worries about them being picked up by dangerous men. However, on this rainy day in March, he really wants to talk to somebody, needs to talk to somebody, so he stops for the scruffy blond guy with a wispy goatee standing at the south end of Yakima with a cardboard sign saying Boise.
“Thank you so much,” says the guy, getting in the car and holding his bulky black knapsack on his lap, his orange jacket badly frayed, his blue jeans about to tear at the knees. “Stood there all day yesterday and slept in a ditch last night.” He shrugs philosophically. “Not a bad ditch, but not one of your better ditches, and then just as I was falling asleep a couple coyotes came sniffing around so I hardly slept thinking they might come back with their pals and have a feast, not that there’s much on these bones to eat.”
“I’m Gig,” says Gig, offering the fellow his hand. “What’s your name?”
“Biz,” says the fellow, allowing Gig to grip his hand, but offering no resistance, no matching grip.
Gig releases Biz’s hand feeling mildly disappointed—the quality of a handshake important to him.
“You spell that B-I-Z?” asks Gig, looking at Biz’s knapsack. “You can throw that in the backseat if you want to. Long way to Boise.”
“Didn’t see much room back there,” says Biz, glancing back at the sum total of Gig’s earthly possessions, not counting the five guitars in the trunk.
“Oh it can ride on top of that stuff,” says Gig, waiting for Biz to get the knapsack situated before pulling back onto the highway. “Nothing breakable.”
“Thanks,” says Biz, settling into his seat and sighing with relief to be moving again. “So yeah, I spell it B-I-Z. Just one Z.”
“Short for business?” asks Gig, smiling curiously at Biz. “Which business would that be?”
“Show business,” says Biz, looking out the window at the passing scenery. “I was a regular on two TV shows and I was in nine movies. Long time ago.”
“Couldn’t have been that long,” says Gig, not believing him. “You’re what… twenty-eight? Twenty-nine?”
“Guess again,” says Biz, closing his eyes. “Man, this is a comfortable car.”
“Thirty?” says Gig, thinking Biz might be as young as twenty-seven and as old as thirty-five.
“I wish,” says Biz, keeping his eyes closed. “Try forty-seven.”
“No,” says Gig, making a disparaging face.
Biz opens his eyes and looks at Gig. “I played high school kids until I was thirty-five, and when I couldn’t play high school kids anymore, nobody wanted me.” He closes his eyes again. “Cut to twelve years later. Biz, a former actor now a homeless recovering crack addict, waits two days at the south end of Yakima freezing his ass off until a guy named Gig mercifully gives him a ride.”
“I’m homeless, too,” says Gig, deciding to believe everything Biz tells him from now on. “Though I do have a mother with a nice house who says I can come live with her.” He nods to confirm this. “So now the only question is, can I get over my shame about being such a humongous failure and go back home with nothing.”
“I know of what you speak,” says Biz, nodding. “I have a sister in Ogden. That’s where I’m going. Hoping she’ll let me stay with her for a while.”
“In the meantime,” says Gig, rolling down his window and breathing deeply of the rain-washed air, “here we are.”
“Yeah,” whispers Biz. “Okay with you if I sleep for a while?”
“Sure,” says Gig, yawning. “I’m pretty tired, too, so don’t be surprised if I pull off the road for a snooze.”
“No worries,” murmurs Biz. “I trust you.”
∆
They stop for gas in Kennewick and Gig treats Biz to a couple hot dogs from the little grocery attached to the gas station; and because Biz hasn’t eaten anything in two days, the hot dogs and buns are gone before Gig can pay.
“You were hungry,” says Gig, unwrapping his granola bar when they get back to the car. “Guy in there told me about a good organic grocery store just up the road here. We’ll get foodstuffs for the rest of the day.”
“I don’t have any money,” says Biz, smiling painfully. “So you just get what you need for you.”
“No, no,” says Gig, shaking his head. “We’ll get food for both of us. I got enough for that.”
“Thank you,” says Biz, bowing his head. “Thank you so much.”
∆
Speeding along the interstate, a bulging bag of groceries onboard, Biz says, “So where you coming from Gig?”
“Tacoma,” says Gig, eager to talk, but not wanting to seem too eager. “My wife and I moved there from Idaho five years ago, moved into a beautiful house on Puget Sound, right on the water. I owned a big music store. Power House Music.” He glances at Biz. “You mind if I tell kind of a long story?”
“No, I don’t mind,” says Biz, gobbling fig bars. “Happy to listen.”
“I appreciate that,” says Gig, on the verge of tears. “So before I met my wife seven years ago, I had a three-bedroom house and a guitar shop in Mountain Home, and I owned a duplex I rented out, too. That’s where I grew up. Mountain Home. About an hour from Boise. You know it?”
“No,” says Biz, shaking his head, “but I’ll bet it’s beautiful with all those mountains. I assume there’s mountains if they call it Mountain Home.”
“Yeah, it’s beautiful, if you like small towns, which I do. Mountains all around. Some people say it’s too windy there, but I don’t mind the wind, so… I had a good life there. Lots of friends, my sister and her family and my mom nearby. My dad died when I was thirteen.” He clears his throat. “Anyway… I liked buying and selling guitars and giving lessons, but I was missing something. You know what I mean? I thought it was a woman, only I couldn’t find anybody who fit me. I went out with some nice gals, but they didn’t get me. You know what I mean?”
“I do,” says Biz, nodding. “Somebody who understands how you see things, and likes how you see things, and you understand them and like how they see things.”
“Yeah, exactly,” says Gig, near tears again. “So there I was, forty-three and thinking I’d never find anybody, and one day I’m picking out a watermelon at the farmers market, and this gorgeous Mexican gal wants to buy one, too, and she smiles at me and I nearly faint because nobody that beautiful has ever smiled at me like that, and she says, ‘You know how to pick a good one?’ And I say, ‘Yeah. You thump’em. And if they sound like a bass drum they’re probably pretty good.’ So she asks me to pick one out for her and I carry it to her car and get her number, and four months later we were married.”
“What was her name?” asks Biz, thinking of his first wife Alicia who was half-Mexican and half-Swiss.
“Celia,” says Gig, taking a deep breath. “Celia Luisa Alvarez. Most beautiful woman I’ve ever seen. Hard to believe she would ever marry somebody like me. But she did.”
“Did she get you?” asks Biz, guessing she probably didn’t.
“Not even a little bit,” says Gig, laughing and shaking his head. “But I didn’t care because she was so beautiful and she let me love her, and we were madly in love. Or I was anyway.”
“Strong drug,” says Biz, speaking from experience. “Sex with a beautiful woman.” He forces a smile. “So were you happy?”
“For those four months before we got married I was happier than I’ve ever been,” says Gig, nodding. “Non-stop love. But then just a couple weeks after the wedding she got real moody and said she’d made a mistake and shouldn’t have married me, and I was just crushed. I mean… I loved her so much, and I thought she loved me, but she kept saying I wasn’t who she thought I was.”
“Who did she think you were?” asks Biz, frowning at Gig. “And who did you turn out to be?”
“She said she thought I was rich.” Gig frowns gravely. “But she knew what I had. We went over it a hundred times before we got married. I owned the guitar shop and the building it was in, and that was worth about three hundred thousand, though I sold the business and the building to Beckman for one-seventy-five. Beckman was a guy who worked for me. And I rented the other store in the building for eight hundred a month. I made about five hundred bucks a week selling guitars. My house was worth about three hundred thou, my duplex about two-fifty. Had about ten thousand in the bank. But Celia said she thought I was so rich she could quit her job. She was a cocktail waitress. Made huge tips. She was movie star stuff, if you know what I mean.”
“I do,” says Biz, wistfully. “Married two of that species myself.”
“They really are another species, aren’t they?” says Gig, thinking of Celia and how every time they made love he could hardly believe she was letting him inside her. “And I told her, ‘Well, you don’t have to work, honey, not if you don’t want to. We won’t live in luxury, but you don’t have to work,’ and we were planning to have kids anyway, so…”
“How old was she?” asks Biz, guessing twenty-something.
“Thirty-six. Seven years younger than me. But she looked about twenty-five.” Gig sighs. “And then she tells me she doesn’t want kids, which was totally bonkers because before we got married that’s all she talked about, how desperate she was to have kids, and I said I wanted them, too. Which was true.”
“No offense,” says Biz, scrunching up his cheeks, “but she sounds a little psycho.”
“Oh she was more than a little psycho,” says Gig, giving Biz a frightened look. “Turned out to be mega-psycho.”
“So you sold everything you owned,” says Biz, guessing the general plot of Gig’s story, “and you moved to Tacoma and gave her everything she said she wanted. But it wasn’t enough.”
“Seemed to be at first,” says Gig, wishing he could pinpoint the exact moment when everything fell apart, though he knows there was no exact moment, only a vast chasm between them from the beginning, a chasm bridged by his enormous desire to love her and be loved by her. “We had kind of a second honeymoon for a few months after we got there, and then…”
Biz looks out the window at a dense forest blurred by the speed of the car, and he thinks of his second wife Leslie, and how she tried to save their unsaveable marriage by booking the same honeymoon suite in the Las Vegas hotel where they honeymooned after their wedding and conceived their first child, and how he got tired of waiting for her to get dressed for dinner—she kept changing her outfit—so he snorted a few lines of coke and went down to the casino and had a few drinks and succumbed to a young woman who recognized him from Meet Ya After School, the sit-com in which Biz played Riley Caruthers, a likable idiot; and when he got back to the honeymoon suite the next morning, his wife was long gone.
“…she said the real problem was I was fat,” says Gig, going on with his story. “She said the problem had never been about money or where we lived, but about her not being attracted to me physically because I was fat and she’d been afraid to say anything about it.”
“But you’re not fat,” says Biz, looking at Gig. “You’re in great shape.”
“Yeah, but I was fat,” says Gig, nodding. “So I gave up sweets and fatty foods and started working out every day, and voila… I became the Adonis you see before you. But then she said the problem was that I smoked dope. So I stopped smoking dope. And then it was beer. So I stopped drinking beer.”
“When did it finally dawn on you that it didn’t matter what you did?” asks Biz, remembering his favorite rehab counselor, an ex-con who would proclaim Catch-22 whenever Biz elucidated one of his many dilemmas from which there was no escape because every escape route brought him back to the cause of the dilemma. “When did you realize she was the problem, and not you?”
“Nine months ago,” says Gig, recalling that critical moment as if watching a crystal-clear movie. “We go out to dinner and I try to pay with a credit card and the waitress comes back with the bill and the card and says, ‘Sorry but your card was rejected.’ So I give her another card, and that one’s no good either. So I give her a third card, and that’s kaput, too. Luckily, I have enough cash to pay the bill, and on the way home, Celia says, ‘You need to get us another card or get us more credit. It’s embarrassing when the cards get rejected.’ And I say, ‘Honey, these cards have twenty-five thousand dollar limits. Are you telling me you knew they were full? We don’t have seventy-five thousand dollars in play money. What’s going on?’ And she says, ‘I don’t want to talk about it right now. I’m too upset. I hate it when you yell at me.’ And I say, ‘But we have to talk about it right now. We’re in a very delicate financial position. The business is finally starting to make some real money and I can’t default on my loans or…’ and she shouts, ‘I don’t care about your fucking business. I want a divorce.’ And when we get home she jumps in her car and goes to her sister’s house and when I get home from work the next day the house is empty. She came with movers and took everything. And then I find out she got three more credit cards in my name without telling me and maxed them out getting cash, and she’s been getting cash from our cards ever since we moved to Tacoma. And then I find out she bought a fuckin’ condo with her sister. And before I can stop the bleeding I default on the big loan carrying my business and I lose everything. Everything!”
“You should pull over,” says Biz, speaking quietly. “You’re pretty upset, Gig. Pull over for a little while until you calm down.”
∆
When they get to Pendleton Oregon mid-afternoon, Gig says to Biz, “I can’t drive any more today. I need to sleep. I’m gonna get a motel room. If you want to share it with me, I’ll get a room with two beds. But if you’re not comfortable with that, you’re welcome to sleep in the car and I’ll take you to Boise tomorrow.”
“A motel room sounds great,” says Biz, looking out at the rain. “Be nice to take a shower and get some sleep. Sounds great.”
“If I had a cell phone I could find the cheapest place,” says Gig, pulling into a gas station. “But in lieu of that, I’ll ask a human being.”
∆
They are directed to a Motel 6 where Gig pays cash for a room with two single beds, and while Biz takes a shower, Gig sits cross-legged on the bed furthest from the bathroom, his back against the headboard, and calls the front desk.
“Hi, this is Gig Antonelli in Room 26. I don’t have a cell phone and I want to call Mountain Home Idaho. That’s not a local call, and since I didn’t put this room on a card I can’t make that call from this phone, so what do I have to do to make a long distance call from here?”
“You can come to the office and use my phone,” says the desk clerk. “Five bucks?”
“Okay,” says Gig, embarrassed not to have his own phone. “What’s your name?”
“Greg,” says the man. “Anything else?”
“No, that’s it,” says Gig, clearing his throat. “I might see you down there.”
Gig hangs up and closes his eyes, and he is so weary he falls asleep sitting up and doesn’t wake when Biz comes out of the shower and gets into the other bed and falls asleep the moment his head hits the pillow.
∆
After an hour of sleeping sitting up, Gig wakes with a crick in his neck, takes off his clothes, and crawls under the covers.
He dreams he still owns Gig Music, the guitar shop he used to own in Mountain Home. He is standing behind the counter of the cluttered shop, unable to get the cash register open. His sole employee, Beckman, a very tall slender man, is sitting on one of the two ratty sofas playing The Beatles’ song ‘Blackbird’ on a small Martin guitar while Gig’s mother Sophia, wearing her red party dress and her faux diamond necklace, her long gray hair in a braid, sings the words. Her voice, usually high and quavering, sounds exactly like Paul McCartney.
Gig comes out from behind the counter and sings harmony with his mother, and as they sing together, his mother becomes a young African American woman and the song turns into ‘Moon River’ and Gig takes the young woman in his arms and they dance to the old love song until they begin to sink into the floor that turns into a deep pool of water and Gig begins to drown and wakes with a shout, gasping for breath.
∆
At midnight, Biz and Gig dine on avocadoes and goat cheese and olives and seed bread and green protein drinks.
“So where were you coming from when I picked you up?” asks Gig, enjoying Biz’s company and appreciating his candor.
“Seattle,” says Biz, relieved to be gone from that crazy city. “Lived there for nine months. I was staying with a guy I went through rehab with, but I couldn’t find a job and he needed a roommate who could help with the rent so… here I am.”
“Where were you before Seattle?” asks Gig, never having given much thought to how homeless people survive until he became homeless a few months ago.
“Portland for a year,” says Biz, loving the food. “Worked in a pizza parlor. Slept in a little trailer behind the place. Me and two other guys. Juan from El Salvador and Diego from Mexico. They were both sending money home to their wives and parents, but I couldn’t save a dime. I like to go to movies and out for coffee and pastries and Mexican food and Chinese food and… Portland is food heaven if you’ve got money. But Juan and Diego made do with crappy pizza and never went anywhere, except Diego went to a massage parlor for sex every couple weeks.”
“And before Portland?” asks Gig, wondering what Biz does for sex, wondering if he’s ambidextrous, as Gig’s mother likes to call bisexuals.
“Santa Fe,” says Biz, sighing. “Lived with a woman I met in rehab. Diana.” He nods, remembering. “For two years. She lived in a little cottage behind her daughter’s mansion. Her daughter was a socialite married to a hedge fund guy.” Biz grins. “Diana’s in her sixties, but man, talk about a sexual dynamo. Fucked me silly.”
“Why’d you leave?” asks Gig, never having had sex with a woman older than he.
“What’s that expression?” says Biz, yawning. “Smothered with love?” He nods. “That’s how I felt with Diana. Couldn’t hardly breathe after a while.”
“Did you have a job?” asks Gig, thinking about looking for work in Mountain Home if he can get up the nerve to go back.
“Kind of,” says Biz, smiling wistfully. “I was writing screenplays. Hoping for a big break.” He raises his green protein drink. “Here’s to the gods of Hollywood. You never know what might happen.”
∆
After their midnight feast, Biz falls asleep again, but Gig is wide awake, so he goes for a long walk, the night cold and clear.
When he gets back to the motel, he sees the motel office brightly-lit, a woman standing behind the counter, so he goes into the office, identifies himself, and says he wants to make a phone call in the morning and wonders if he can make an arrangement with her similar to the one he had with Paul.
“I’m here until eight and I have unlimited calling on my phone,” says the woman. She has a small nose and gray blue eyes and short blonde hair. She’s wearing a blue down jacket over a black Portland Trailblazers T-shirt, and Gig guesses she’s thirty-seven and descended from Scandinavians. “But you don’t have to pay me anything. And then Justin comes on after me and I’m sure he’ll let you use his phone for free.” She shakes her head. “That Greg. Never misses a chance to make a little extra. Can’t blame him, but… yeah, you get here before eight, no problem.”
“May I know your name?” asks Gig, liking her.
“Florence,” she says, reddening at the intimacy of telling him her name. “But everybody calls me Flo.” She arches an eyebrow. “What’s Gig short for?”
“Not really short for anything,” says Gig, remembering when he was next in line to cross the stage of the Mountain Home High School multi-purpose room to receive his diploma, and how when Mr. Frederickson leaned close to the microphone and said Lawrence Antonelli, Gig didn’t recognize his given name and just stood there waiting to hear Gig until Glenna Barnes shoved him from behind and hissed, ‘That’s you, Gig. Go!’
“Where you traveling to?” asks Flo, something in her voice suggesting to Gig that she would rather not be having this conversation.
“Mountain Home,” says Gig, stepping back from the counter. “I appreciate the future use of your phone. I’ll try to get down here before eight.”
“You want some tea?” she asks, nodding hopefully. “I was just about to make some black tea for me, but I could make you some chamomile. Help you sleep.”
“That’s very kind of you,” says Gig, smiling at the inaccuracy of his intuition. “I would love a cup of chamomile tea.”
So Flo makes their tea and Gig sits on a not-very-comfortable armchair, and Flo rolls her office chair out from behind the counter and sits a few feet away from him.
“The hardest thing about this job,” says Flo, glad to have someone to talk to, “is I’m so not a night person. As soon as Justin or Greg quits, I’ll get an earlier shift and get my life back.”
“How long have you been working graveyard?” asks Gig, noting her wedding ring.
“Almost two years,” she says, nodding wearily. “I keep thinking I’m gonna get used to it, but I never do. I get home at eight-fifteen and go to bed and sleep for a few hours. If I’m lucky. Then I get up around noon, my kids come home from school at three-thirty, we have dinner at six, I do the dishes and watch television and go to bed about eight, get up three hours later, leave the house at eleven-forty, and I’m here from midnight to eight. My days off I just drag around and try to catch up on shopping and housework and… I can’t wait for somebody to quit or get fired, but Justin’s not going anywhere and Greg keeps saying he’s moving to Portland, but he never does, so I don’t know.” She shrugs. “It’s a job. Better than no job, that’s for sure.”
“What does your husband do?” asks Gig, starting to feel the relaxing effects of the chamomile. “Assuming that’s a wedding ring on the official finger.”
“He works in a hardware store,” says Flo, her voice full of sadness. “We’ve been separated for two years. He says he wants to get back together, but I don’t. He’s a horrible pessimist. The world is out to get him. Everybody’s a crook except him. Everybody’s out to get him. I can’t live like that.”
“How old are your kids?” asks Gig, feeling a kinship with her.
“Fourteen and twelve,” she says, smiling at the thought of her children. “Boy and a girl. Aaron and Sheila.”
“Fourteen and twelve,” says Gig, feeling something shift inside him, something being released, a recalcitrant knot unfurling. “That can’t be easy. Puberty times two.”
She laughs. “They’re good kids. Thank goodness they’re smart and healthy and… but, yeah, it’s one thing after another at that age. Never a dull moment. That’s why I wish I could get on a day shift and be there for them more.”
“I believe in you, Flo,” says Gig, looking into her eyes. “And I thank you for this tea and your company. I’ll be back around seven-thirty.”
“Okay,” she says, getting up with him. “Thanks for helping me pass the time.”
“My pleasure,” he says, handing her his mug.
“Mine, too,” she says, blushing. “You’re a good person, Gig.”
∆
Biz is sleeping soundly when Gig gets back to their room and undresses and crawls into bed.
And though Gig fears he won’t be able to sleep, he drifts into a dream of playing frisbee with Beckman in an orchard of newly planted apple trees, their exuberant game a celebration of the planting. Beckman throws the frisbee way over Gig’s head, and as Gig turns to chase the whirling disk, he realizes the frisbee is destined to slow as it meets the oncoming breeze and return to exactly where Gig is standing. With this in mind, he relaxes and waits for the disk to come to him, and as he waits, he hears his mother calling from afar, “Gee-ig. Gee-ig. Time for supper.”
∆
At seven-thirty that morning, Gig goes to the office and Flo lends him her phone. He steps outside the office, the day dawning sunny, and after hesitating for a moment, he enters his mother’s phone number and listens to the dial tone until Sophia answers in her usual way. “Antonelli’s. Who’s calling, please?”
“It’s your erstwhile son,” says Gig, his eyes filling with tears. “Wondering if…” He can’t continue, his urge to cry too strong.
“I had a dream about you last night,” says Sophia, knowing Gig is crying. “When will you be here?”
“Mid-afternoon,” says Gig, struggling to speak. “You… you sure it’s still okay?”
“Don’t be silly, Gig,” she says, trying not to cry, too. “I’m making chicken and potatoes and salad.”
“Might bring a friend,” says Gig, thinking of Biz. “Nice guy I met. Maybe not, but…”
“That’s fine, honey. Drive safely. See you when you get here.”
Gig tries to say I love you, Mom, but he can’t stop sobbing.
∆
He takes Biz out to breakfast at the Main Street Diner and Biz has a mushroom omelet, a stack of buttermilk pancakes, and a fruit smoothie. Gig has two eggs over easy with sausage and hash browns, and gives his toast to Biz.
“So this guy Beckman was in both your dreams,” says Biz, sipping his coffee and feeling pretty damn good. “Must be an important person in your life.”
“Yeah, he was,” says Gig, nodding. “We worked together six days a week for sixteen years, and we liked each other. He was quiet and friendly and a great guitar player. I can’t remember him ever missing a day of work. I used to get sick three or four times a year, but he never did. And you know what I just realized? Along with my mother and my sister, he was the only constant person in my life. The only constant man for sure.”
“And you’ll be seeing him soon,” says Biz, never having had a constant man in his life.
“I guess I will,” says Gig, imagining going into Gig Music again for the first time in five years. “Unless he’s not there anymore. We didn’t stay in touch so… we’ll see.”
“I think your first dream was about the past,” says Biz, nodding to the waitress as she comes to refill his coffee cup. “And I think your second dream was a prophecy of the future. A new beginning that’s coming to you.”
∆
They reach the northern outskirts of Boise in the early afternoon, and Gig says, “So Biz, would you like to meet my mom? Hang out in Mountain Home for a few days? I asked her if that would be okay and she said it was fine with her.”
Biz forces a smile. “That’s really kind of you to offer, Gig, but my sister is expecting me, and with good luck I’ll get to Ogden tonight, and with bad luck I’ll get there tomorrow or the next day. I appreciate everything you did for me.”
“I’d like to stay in touch,” says Gig, nodding hopefully. “If you want to.”
“Yeah, I do,” says Biz, with little force. “I’ll see how things go in Ogden and then… I’ll give you a call. Your mother in the phone book?”
“Only Antonelli in town,” says Gig, feeling pretty sure he’ll never hear from Biz again. “Well, listen, now that I know I’ve got a place to live and I don’t have to worry so much about running out of money, how about I give you a little something? Get you to Ogden without starving to death.”
“That would be wonderful,” says Biz, sighing with relief. “You may not know it, Gig, but you’re some kind of angel.”
∆
Gig drives by Gig Music on his way to his mother’s house and is startled to see the old Gig Music sign, big blocky black capital letters on a dirty white background, replaced by a much classier Gig Music sign, burgundy cursive, all lower case letters on a peach background, the new sign half the size of the old, yet much more eye-catching and intriguing.
Indeed, Gig finds the new sign so eye-catching and intriguing, he can’t resist parking in front of the shop, getting one of his guitars out of the trunk to sell for some quick cash, and hurrying to see what other changes have been made.
The front door is new, the funky glass door now solid wood painted the same burgundy as the cursive letters in the sign. And before Gig can reach out to turn the doorknob, the door opens inward automatically, a most convenient innovation for people who might be carrying guitars.
But these exterior changes are nothing compared to what awaits within. The old dark wood floor, treacherously warped, has been replaced by sunny bamboo flooring, the darkness of the high-ceilinged room no longer dispelled by fluorescent lights, but by seven large skylights and tasteful track lighting.
And the wall between Gig Music and what used to be Sylvia’s Hair Salon is now gone, the guitar shop merging seamlessly with an elegant art gallery with large paintings and photographs, landscapes and portraits, adorning the walls.
“Wow,” says Gig, awestruck. “Incredible.”
The two dilapidated sofas have been replaced by three handsome armless chairs with cushioned seats, and the wall where Gig used to display banjos and mandolins and fiddles is now a wall of guitars, each guitar spot-lit, suggesting These are works of art, too. And the big ever-cluttered counter has been replaced by a beautiful oak worktable, the cash register out of sight.
“May I help you?” asks someone calling from the art gallery; and Gig turns to behold an attractive woman wearing delicate red-framed glasses and blue jeans and sandals and a scarlet dress shirt, her long brown hair in a ponytail.
“Hello,” says Gig, waving to her. “Does Beckman still own this place?”
“Yes, he does,” she says, crossing the room to him, her accent thickly Spanish. “I recognize you. You are Gig. I’ve seen pictures of you with Julian.”
“Julian?” says Gig, half-smiling and half-frowning. “Oh, yeah. Julian. Sure. Beckman. Who are you?”
“I’m Portia,” she says, studying his face. “Julian’s wife.” She laughs. “Beckman’s wife. We invited you to our wedding three years ago, but we never heard from you, so then we sent you pictures of the wedding and our honeymoon in Spain. You didn’t get them?”
“No,” says Gig, knowing with absolute certainty that of all the things he might have forgotten in the last five years, he never would have forgotten an invitation to Beckman’s wedding and photos of the ceremony he missed. “I would have had to be in a hospital on life support not to come to Beckman’s wedding if I’d known about it.”
“You didn’t get the letters Julian wrote to you?”
“No,” says Gig, grimacing. “I don’t know why, but I didn’t.”
“I’m so sorry,” says Portia, placing a hand on her heart. “But you are here now, so we can celebrate. I’ll go get Julian. He’s just finishing up a lesson. Please, have a seat.”
So Gig sits down on one of the comfortable armless chairs and gazes around the big room at the many guitars, and he is filled with joy by the splendid transformation of this place he gave birth to.
fin
