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Lost To Time

Compound India ink on paper by Nolan Winkler

Compound drawing by Nolan Winkler

(This article appeared in the Anderson Valley Advertiser May 2015)

“Our soul is cast into a body, where it finds number, time, dimension. Thereupon it reasons, and calls this nature necessity, and can believe nothing else.” Blaise Pascal

We just watched the movie Wild based on a memoir by a woman, played in the movie by Reese Witherspoon, who hiked the Pacific Crest Trail through California and Oregon to overcome her anger and sorrow about her mother’s death, and to end her addiction to heroin and frequent rough sex with nasty strangers. If ever a movie was made to convince people, especially women, never to go backpacking, this is that movie. From the beginning of her hike until the finish, a terrified Witherspoon runs a gauntlet of small-brained rapist alcoholics, though before she hit the trail she couldn’t get enough of those guys. If you enjoy stilted dialogue, confusing flashbacks, uninspiring views of wilderness, and a cute woman groaning as she hikes and flees from small-brained rapist alcoholics, you’ll love this movie.

“People today are still living off the table scraps of the sixties. They are still being passed around—the music and the ideas.” Bob Dylan

In the summer of 1965, when I was fifteen, I went on a backpack trip with my fifteen-year-old pals Pierre and Nathan. Pierre’s parents drove us from Menlo Park to the end of Palo Colorado Canyon Road in Big Sur, we bid them adieu, and spent five glorious days hiking through the rugged wilderness to Pfeiffer Big Sur Sate Park.

Emerging from the wilds at the end of Day Five, we hitchhiked north from Pfeiffer about ten miles to a place named something I can find no reference to on contemporary maps or in descriptions of the Big Sur coast, all traces of the racist moniker lost to time. This rare piece of flat land on a coastline of steep slopes held a farmhouse and outbuildings inhabited by scruffy men and women, dirty children, cats, dogs, and chickens.

Why did we go there? Because Pierre was hot on the trail of Sheila, sixteen, who lived in the farmhouse with her mother Joan, the boss of the place. Joan was six-foot-five, curvaceous, muscular, and drop dead gorgeous. She had two other children on the premises, an eleven-year-old son Brian, already six-feet-tall, and a four-year-old daughter Desiree. She also had two husbands living with her, twin brothers with dreamy smiles and neatly trimmed beards, both a foot shorter than Joan.

Joan told us she was throwing a big party that night and we were welcome to partake. Shortly thereafter Pierre vanished with Sheila, many more scruffy men and women arrived, and wreaths of cannabis smoke graced the air. Sensing my unease, Joan’s very tall eleven-year-old son Brian said he would take us to an ideal camping spot far from the madding crowd.

“But first have some food,” said Brian, wise beyond his years.

So Nathan and I stayed for spaghetti and meatballs and cucumber salad, but eschewed the marijuana-infused desserts, mescaline punch, and LSD. Brian then led us up a steep track to flat ground high above the farm. Fog rolled in, darkness fell, and having hiked twenty miles that day, we crawled into our bags and slept like logs for twelve hours.

Waking to a breathtaking view of the Pacific Ocean sparkling in the morning sun, we hiked down to the farm to get Pierre and make our way north to Carmel where Nathan’s mother would meet us and take us home.

We found the place a trampled mess and Joan in the kitchen, inspiringly topless, making scrambled eggs. When we asked where Pierre was she said, “He’s with Frank in Carmel.”

She wrote Frank’s address on a scrap of paper and Nathan and I set off hiking north along Highway One where not a single car went by in either direction for what seemed like hours. Finally a badly wheezing Datsun stopped for us and the longhaired driver asked, “You at Joan’s party last night? I can’t believe I missed it.”

He then gave us a vivid secondhand account of the party at which, his source reported, a renowned LSD chemist shared his finest with famous writers and musicians and everyone else, the mescaline was mythic, everyone had sex with everyone, and mass enlightenment ensued.

Our ride ended in Carmel Highlands from where we hitched into Carmel proper and called Nathan’s mother from a pay phone, her estimated arrival time four hours.

We had no trouble finding Frank’s house, but we had trouble with Frank. A sallow fellow with lank hair, he stood defiantly in his doorway proclaiming, “Pierre is ill and going to be living with me from now.” He explained that while tripping together, he and Pierre had discovered a deep cosmic affinity spanning many past and future lives.

Returning to central Carmel sans Pierre, Nathan and I were photographed by dozens of tourists who felt certain we two filthy teenagers with backpacks must be that new kind of human they’d heard so much about: the hippy.

Nathan’s mother arrived, we drove with her to Frank’s house, and when Frank tried to stop Nathan’s usually mild-mannered mom from rescuing Pierre, she shouted, “He’s fifteen! You want to go to prison for a very long time?”

So Frank allowed us to collect Pierre and we rode home with our comrade lying comatose in the back of the station wagon. Two days later, Pierre told me he remembered having sex with Sheila, but thereafter everything was a blur, which was probably a good thing.

Seven years later, in 1972, I told this story to a hippy guy from Big Sur. He knew Joan’s place by the name of which there is no record today, and he told me that party was now legend and considered by many people to be the Beginning of Everything.

Nowadays, circa 2015, most of the inhabitants of Carmel and Big Sur are wealthy non-hippies—the politically incorrect place names from olden times erased to expunge the grunge, and oh Kerouac was it ever grungy at Joan’s place in 1965.

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Going Postal

Saroyan Envelope by Jenifer Angel

(This article appeared in the Anderson Valley Advertiser January 2012)

“I claim there ain’t


Another Saint


As great as Valentine.” Ogden Nash

The notices currently taped to both sides of the glass doors of the Mendocino Post Office proclaim that starting February 14, 2012, our post office will henceforth be closed on Saturdays, and postal business shall only be conducted Monday through Friday from 8 AM to 4 PM. That our government, otherwise known as the Council of Evil Morons, would choose Valentine’s Day to kick off this latest contraction of our terrific postal system strikes me as ironic and cruel, as well as evil and moronic.

I and most Americans over fifty first learned how the postal system worked when we were in First and Second Grade and our teachers helped us create and operate our very own in-classroom post offices for the purpose of sending and receiving Valentines to and from our classmates. At Las Lomitas Elementary School we had actual post offices (built by handy parents) that took up big chunks of classroom real estate. These one-room offices featured windows behind which stood postal workers from whom we could buy stamp facsimiles (fresh from the mimeograph machine) to affix with edible white paste to our properly addressed envelopes. These envelopes contained store bought or handmade Valentines, and we would drop these childish love missives into cardboard mailboxes located across the rooms from the post offices. Then every hour or so postal workers would open these mailboxes, empty the contents into transport bags, and carry the mail to the post offices wherein the letters would be sorted into cubbyholes bearing the names of the recipients. And we, the children, got to be the postal workers and do all these fun jobs. How cool is that? For a six-year-old, way cool.

These Valentines postal operations stimulated many other sectors of our classroom ecology. Making art took on new and urgent meaning, as did writing. Anyone could send a regular valentine, but only artists and poets could make valentines covered with glitter (affixed to that same edible paste) bearing heartfelt original (or accidentally plagiarized) rhymes. Roses are red, violets are blue, please be my Valentine, shoo bop doo wah.

Valentines were the gateway drugs that turned me into the snail mail addict I am today, which is why I am so sad and angry about the decline and impending fall of our beloved postal system. Yes, I appreciate a good email missive, one without typos or grammatical errors; but the best email pales next to a mediocre piece of real mail found in my post office box, a one-of-a-kind Easter egg of love waiting to be discovered amidst the bills and junk mail, something made just for me that took someone more than a few seconds to compose and send, something steeped in what psychologists call “quality time”—loving attention undivided.

“Love is metaphysical gravity.” Buckminster Fuller

Get over it, Todd. No. I take Marshall McLuhan’s observation “the medium is the message” as a warning that what we think we’re doing may not be what we’re actually doing. McLuhan was speaking about mass media, television in particular, a medium through which I thought I was watching shows I wanted to watch, when in actuality I was allowing myself to be seduced by processes designed to entrain me to think and feel the way our corporate overlords want everyone to think and feel. Television is a medium of conquest and control. The message of that medium is “Do and be and buy what we tell you to do and be and buy or you will never be safe and happy. Ever.”

So it came to pass that I and many other people figured out the real message of mass media and television and broke free from that enslavement and stayed free long enough to help engender and partake of a brief renaissance of creative freedom known as the Sixties, a cultural revolution largely defined by its independence from mass media and corporate control. Some say the Sixties lasted into the 1970’s, and some say reverberations of that renaissance continued into the 1980’s, but for however long the groovy vibes of the Sixties kept on vibing, the important thing to know is that the innovative energy and expressions of that renaissance were eventually captured and drained of their power by the corporate media apparatus; and the next iteration of television was the computer and the internet and all the attendant satellite devices that define this digital age.

When I quit watching television in 1969, very little else changed in my life. My arts of writing and music were independent of television, and communications for personal and business matters were fast and effective by telephone and through the post office. But a couple years ago when I came out of a trance to find myself watching a basketball game on my computer, having sat down with the specific intention of rewriting a story, it suddenly dawned on me that computers are nothing more than interactive televisions, and now, oops, virtually all my personal and business dealings are inextricably bound to the use of the computer. Today I send my essays to the Anderson Valley Advertiser and other prescient publishers via email, I offer my music and books and art for sale through the internet, and to abstain from using my computer in the same way I abstained from using television would render me immediately and entirely removed from all but the most local of cultures, counter or otherwise.

Yet to stay hooked up to my computer is to be an active and addicted user of a medium that is the message, “Do and be and buy what we tell you to do and be and buy or you will never be safe and happy. Ever.” Except just as there are more layers to the computer/internet interface with our lives than there were with that earlier version of television, so are there more layers to the new medium’s message. Now, along with being told a million times a year what to do and be and buy, we are also compelled through the brutal elimination of alternatives to spend most of our time peering at our computer screens if we wish to feel connected to what we think is most important and meaningful, i.e. what is happening right now in those fields of endeavor we are most interested in.

Post offices, in my view, are among the last few vibrant vestiges of the non-computer way of doing and being, which is the real reason the Council of Evil Morons wants to strangle that marvelous system; so there will be no alternative, none at all, to computers and the internet as a means of doing and being, except on a local basis—very local. Which brings me to my latest idea for kindling the next cultural and social and political renaissance that will save the world and usher in the long awaited age of global enlightenment, which then may or may not precipitate contact with brilliant aliens who have been waiting for us to make the evolutionary leap from stupid selfish poopheads to smart generous sweetie pies.

My idea is that we start our own local post offices, without the aid of computers. We can use telephones to get the ball rolling, but not cell phones. These extremely local post offices will be adult versions of the post offices we had in First and Second Grade, manned by fun loving volunteers. Stamps created by a wide range of local artists will cost a nickel. You will need one stamp for every ounce of mail you send. Post office boxes (cubbyholes) will rent for ten dollars per year. The money collected from selling stamps and renting cubbyholes will go into maintaining the postal buildings with their clean and commodious adjoining public restrooms and teahouses.

Among the many cool things about these local post offices will be that they will be open seven days a week from morning until night, they will have tables and chairs where people can sit and write letters and decorate envelopes and gossip, of course, and they will have multiple gigantic well-maintained bulletin boards whereon anyone may post anything. Neato one-of-a-kind rainproof mailboxes created by local artisans will be scattered throughout the local watershed—and mail will be collected from these neato mailboxes several times a day and transported to the post office in colorful burlap bags. Then the letters will be sorted into our cubbyholes throughout every long day, thus making everyone feel safe and happy.

Yes, it would be easy to set up this kind of local post office using computers, but making something easy doesn’t necessarily make it good.

Todd’s snail mail address is P.O. Box 366 Mendocino CA 95460