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How I Came To

Todd (upper right corner)

A reader inquired about Good With Dogs Cats, “How did you come to write this book?”

Here is a long-winded answer.

I began making up and writing down short stories sixty-five years ago when I was in First Grade at Las Lomitas Elementary School in Menlo Park, California. My first successful short story was entitled Albert the Alligator and Billy Brown about a talking alligator who befriends a little boy.

I say successful because one day my First Grade teacher Mrs. Bushnell, desperate for a nap, had me up in front of the class to tell the kids my latest version of Albert the Alligator and Billy Brown. My classmates enjoyed the tale, especially my silly voices for the characters, and laughed throughout the telling. Mrs. Bushnell woke refreshed and thereafter had me tell stories to the class on several other occasions.

Word spread among the teachers and I was asked to appear as a guest performer for the other First Grade class, for both Second Grade classes, and so on up through the Fourth Grade classes. Heady stuff for little Todd, performing for giant kids who had a separate playground from us little kids lest the big kids trample us at recess.

My older sister was in one of those Third Grade classes I performed for. You may imagine her chagrin as her annoying little brother held sway over her classmates and garnered big laughs. I can still see her squirming in her seat and rolling her eyes as I babbled and cavorted.

I think it fair to say the adulation of those kids in elementary school emboldened me to continue making up stories for the rest of my life.

As a reader I have always favored short stories over novels. As a writer of fiction, several of my novels are composed of interconnected short stories. Now and then one of my stories will beget a related story that begets another related story, and so on until those related stories amount to a novella or novel.

This is what happened with Good With Dogs and Cats. Two years ago I published Why You Are Here, my first book of interconnected stories set in the mythical town of Mercy on the far north coast of California – Mercy being a mythical version of Mendocino where I live. Readers let me know they enjoyed Why You Are Here, and, having grown enamored of Mercy, I was glad when The Muse sent more stories set in the delightful little town.

Several characters who debut in Why You Are Here appear again in Good With Dogs and Cats: the adventures of Healing Weintraub as well as in the soon-to-be published sequel Raaz and Oz: the further adventures of Healing Weintraub. Those characters include the poet Helen Morningstar, her very tall husband Justin Oglethorpe, Ruben Higuera the unflappable Sheriff of Mercy, and Eliana Levine, a musician and actor.

When I penned the first of the Healing adventures, I had no idea the story would create such a frisson of appreciation in readers (a dozen encouraging emails!) nor did I imagine I would eventually write another fifty stories featuring Healing Weintraub, his family and friends, and the many fascinating dogs and cats he helps, but that’s what happened.

So that’s part of the answer to how I came to write Good With Dogs and Cats. However, I think the questioner was also curious about why I chose to write about a person who helps dogs and cats with problems they’re having with humans.

The answer to that part of the question is: I don’t know. And the reason I don’t know is that I never know what I’m going to write before I write whatever comes out on the page. I have never successfully had a conscious idea for a story and then written that story. Whenever I try to do that, the result is poo-poo. Better for me to write down what my inner storyteller has to say and then see what I’ve got.

Which is to say, I didn’t consciously choose to write about a person who helps dogs and cats with their people, but once that switch was flipped, so to speak, I kept writing until stories in that vein stopped coming.

Several people have asked me if the Healing stories are autobiographical. The answer is no, though it is true I love cats and dogs, they love me, and I do communicate clairvoyantly with animals, but that’s where the similarities end.

fin

Copies of Why You Are Here and Good With Dogs and Cats are orderable from your favorite actual bookstores and many online bookstores. E-books of both books are available from Amazon, Apple, and Barnes & Noble, and a really neato audio book of Good With Dogs and Cats is available from Apple Books and Audible. Rave reviews most appreciated.

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Work Report: January 2024

When I would ask my friend Quinton Duval how things were going, he would first report on his poetry, then update me on his wife Nancy, and lastly he might mention his job as an English professor at a community college where he toiled for thirty years.

“I got some good work done this weekend,” he would say, speaking of his writing. “Got a new poem almost ready to show.”

He considered writing poetry his work. Teaching English was his job, and he made a clear distinction between the two. I love that Quinton called crafting poems work. Knowing that most people in our society respect work and consider writing poems frivolous, he wanted to set the record straight about that.

When I had my brief commercial success as a writer in my late twenties, my life as an isolate was interrupted for a few years, during which time I met hundreds of people I would otherwise not have met. And I was surprised by how many of these people said to me, “Must be nice not to have to work anymore.” As if my success resulted from luck and not from thousands of hours of work learning to write well enough to create novels publishers would buy.

So… on the work front, I have been rewriting the sequel to my new book Good With Dogs and Cats: The Adventures of Healing Weintraub and making good progress. The title of the sequel is Raaz & Oz: The Further Adventures of Healing Weintraub. I would characterize this second volume of Healing Weintraub adventures as a deeper, richer, funnier investigation into the lives of the members of the Weintraub collective, canine and human.

Note: Though not advertised as such, my collection of stories Why You Are Here and other stories is the prequel to Good With Dogs and Cats, all but one of the stories taking place in the town of Mercy and introducing the characters Helen Morningstar, Justin Oglethorpe, Ruben Higuera, and Eliana Levine, all of whom appear in the subsequent volumes of Weintraub adventures.

On the music work front, Marcia and I have been working at home and in Peter Temple’s studio with Peter at the helm making a new album of piano/cello tunes and piano solos entitled Ahora Entras Tu. The work has been exciting and surprising and inspiring.

We hope to have a new book and a new album of songs to share in 2024.

Here is a poem by Quinton Duval from his collection Like Hay, the volume of his final works published the year after Quinton died.

LUCK

Lucky I am to have crossed

the ocean in a liner, watched

yellow dozers cover a beached

whale with sand. I chant

the mantra of the coral

snake, whistle the uncertain

song of the meadowlark,

sing the call of local geese

that won’t leave their cushy pond.

Lucky to have loved, in my way,

women who loved me back.

The golden age of love was back there

and we didn’t even know it.

To read poems to a dying friend,

something, with luck, a friend will do

for me—poetry, anything stormy

and vibrating on the tongue:

a tornado washed a sky green

in Indiana;

a hurricane tore the steeple off

the church with God’s howling wind;

an earthquake turned the swimming pool

into a small, wave-tossed sea.

Still, I come back to this harbor,

a room with table, lamp, window.

That river could be the Loire.

That sky could be the gray underside

of heaven. That rain, well,

that could be the world collecting

itself, a silver bullet in each drop.

Quinton Duval (1948-2010)

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Author Interview

Interviewer: Aren’t you afraid the title of your new collection of stories Why Are You Here? might be a bit overwhelming to prospective readers? The magnitude of the question?

Todd: The title is not Why Are You Here? The title is Why You Are Here, and it is not a question.

Interviewer: Oh. Wow. Somehow my brain flipped those two words around and made it a question. Ah. Now I see. So… Why You Are Here. Doesn’t that strike you as a bit presumptuous suggesting you know why we are here?

Todd: Why You Are Here is the title of one of the stories in the collection, and the title of that story comes from something one of the characters in the story says.

Interviewer: What does the character say?

Todd: He says to another character, “How marvelous it must be to know why you are here.”

Interviewer: Why does he say that? Because the other character claims to know why he’s here?

Todd: The short answer is Yes.

Interviewer: What’s the long answer?

Todd: The long answer is… why not read the story?

Interviewer: How can I get a copy?

Todd: Handsome paperbacks can be ordered from any bookstore in the world, including your favorite actual bookstore. And there are many online booksellers offering the handsome paperback and nifty E-book editions. I will append some handy links.

Interviewer: Excellent.

Todd: If you enjoy the stories, I hope you will rate Why You Are Here and other stories and consider posting a review, even just a line or two.

Interviewer: For instance?

Todd: For instance, five stars would be good, and something like… These enchanting tales will change your life in the best of ways.

Interviewer: Can that be true?

Todd: The short answer is Yes.

Handsome Paperback Links

Alibris (14.55)

Bookshop (16.95, supports actual bookstores)

Barnes & Noble (16.95)

Amazon (16.95)

Nifty E-Book links (5.99 from all sellers)

Apple Books

Google Play

Amazon Kindle

Nook Book

Kobo Books

Post a Review at Goodreads

Thanks Muchisimo!

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Todd’s New Book

Dear Friends

I am pleased to announce the publication of my new book Why You Are Here and other stories — fifteen tales of self-discovery, love, survival, friendship, creativity, and the quest for meaningful ways to spend this precious life. Set in the town of Mercy on the north coast of California, these stories may be read as stand-alone creations or as interconnected tales. The stories in Why You Are Here and other stories first appeared on my blog and were refined for this collection.

Reader reviews and readers telling friends about the book constitute the entirety of my sophisticated sales strategy. So if you do get a copy of Why You Are Here and other stories and enjoy the collection, it would be fabuloso if you would write a rave review, even just a line or two, and/or rate the book, and tell your friends. If you order the collection from a bookstore or a site that doesn’t post reviews, Goodreads would be a great place to rate the book and post a review.

Handsome paperbacks with a gorgeous cover featuring a photograph I took of a crashing wave may be ordered through Your Favorite Local Bookstore or purchased online. Below are links to online stores selling the paperback and E-book editions.

Links for Handsome Paperbacks

Alibris ($14.55 and accepts reviews)

Bookshop ($16.95 and gives portion of sales to support actual bookstores)

Barnes & Noble ($16.95 and accepts reviews)

Amazon (price varies, accepts reviews)

­Links for E-book editions

Apple Books ($5.99 accepts reviews)

Barnes & Noble Nook Book ($5.99 accepts reviews)

Amazon Kindle ($5.99 accepts reviews)

Google Play ($5.99 accepts reviews)

Kobo Books ($5.99 accepts reviews)

Many Thanks!

Todd