{"id":2061,"date":"2016-08-29T08:15:08","date_gmt":"2016-08-29T15:15:08","guid":{"rendered":"https:\/\/underthetablebooks.com\/blog\/?p=2061"},"modified":"2016-08-29T08:17:33","modified_gmt":"2016-08-29T15:17:33","slug":"actual-abstract","status":"publish","type":"post","link":"https:\/\/underthetablebooks.com\/blog\/archives\/2061","title":{"rendered":"Actual Abstract"},"content":{"rendered":"<p style=\"text-align: left;\"><a href=\"https:\/\/underthetablebooks.com\/blog\/wp-content\/uploads\/2011\/09\/shallwedance.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-560\" alt=\"shallwedance\" src=\"https:\/\/underthetablebooks.com\/blog\/wp-content\/uploads\/2011\/09\/shallwedance.jpg\" width=\"484\" height=\"700\" \/><\/a><\/p>\n<p><a href=\"http:\/\/underthetablebooks.com\/drawings\/index.php\"><em>Shall We Dance?<\/em> painting by Todd<\/a><\/p>\n<p><i>\u201cThe sending of a letter constitutes a magical grasp upon the future.\u201d Iris Murdoch<\/i><\/p>\n<p>An announcement came in the mail, and by mail I mean those actual paper things we find in our mailboxes. The announcement was from an old friend, <a href=\"http:\/\/www.laartcore.org\/New_Website\/Webzine_Articles\/Nadaner\/nadaner.html\">Dan Nadaner<\/a>, who is having a show of his paintings at an art gallery in Los Angeles, the <a href=\"http:\/\/www.laartcore.org\/New_Website\/locations.html\">LA Artcore Brewery Annex<\/a>. Happily, I am still on Dan\u2019s mailing list.<\/p>\n<p>I\u2019ve known Dan since we were in junior high school together at La Entrada in Menlo Park fifty-five years ago and at Woodside High thereafter. And though we have had little contact for many years, I consider him a present-tense friend. I was thrilled to get this actual announcement from him in the actual mail so I could hold it in my hands and carry it outside and sit in the garden and look at the little picture of his painting, turning it this way and that while thinking of Dan and remembering some of our shared experiences.<\/p>\n<p>Thinking about Dan reminded me of my friend Mark Russell who lives in Nova Scotia. He and I became friends at La Entrada at the same time I got to know Dan, and because I am still in touch with Mark, I thought he might like to see the announcement of Dan\u2019s show in Los Angeles. He would remember Dan and enjoy knowing our old friend grew up to be a successful artist.<\/p>\n<p>For a moment I thought about asking Marcia to take a photograph of the announcement to send via email to Mark, but then I considered the richness of my experience of thinking about Dan with the actual announcement in my hand, so I decided to send the actual announcement in an envelope to Mark in Canada.<\/p>\n<p><i>\u201cWe live in the present, but the future is inside us at every moment. Maybe that\u2019s what writing is all about\u2026not recording events from the past, but making things happen in the future.\u201d Paul Auster<\/i><\/p>\n<p>Then I decided to write a letter to accompany Dan\u2019s announcement and bring Mark up to date on the little I know about Dan\u2019s life. So I found a card I like\u2014a fanciful bird flirting with a flower\u2014and handwrote a letter to Mark.<\/p>\n<p>Writing longhand activates our brains in much different ways than does writing on a keyboard and watching letters and words appear on a screen. As I wrote to Mark about Dan, I was reminded of how very important Dan was to me at several crucial points in my life. I had forgotten many of our shared experiences, but writing to Mark awoke dozens of vivid memories of Dan.<\/p>\n<p>When I finished writing the letter to Mark, I placed it in an envelope, got out my address book, and hunted for Mark\u2019s address. And while writing his address on the envelope, an address that includes the descriptor \u201cHead of St. Margaret\u2019s Bay\u201d, I had a vision of Mark driving a tractor on his farm overlooking that gorgeous bay; and the vision dissolved into memories of shooting hoops and throwing a football and going on bicycling adventures with Mark when we were boys.<\/p>\n<p><i>\u201cThe stories that you tell about your past shape your future.\u201d Eric Ransdell<\/i><\/p>\n<p>Now we are all sixty-seven, Mark and Dan and I. I haven\u2019t seen Mark in forty years and I haven\u2019t seen Dan in twenty. But this experience of spending time with Dan\u2019s announcement and then writing a letter to Mark about Dan made me feel connected to both of them again. What wonderful creations are the brain and the mind and our relationships, and how mysteriously and fantastically they collaborate to create our reality.<\/p>\n<p>When I was twenty-seven, I took a break from being a landscaper in Oregon and flew to New Jersey where I stayed for a night with Dan and his wife Janka in their little apartment before moving my base of operations into Manhattan. Dan was doing an internship at the Metropolitan Museum and making short films, while Janka was launching her career as a psychologist.<\/p>\n<p>The purpose of my trip was to meet my literary agent Dorothy Pittman for the first time, she who had miraculously sold a handful of <a href=\"http:\/\/underthetablebooks.com\/words\/index.php\">my short stories<\/a>, and to lunch with those magazine editors who had bought and published my stories and thereby made me a professional writer. During my two weeks of exploring Manhattan, I visited Dan at the Met a couple times, and one day we went to the Museum of Modern Art to take in the vast Andrew Wyeth retrospective.<\/p>\n<p>I was not a big Wyeth fan, nor was Dan, but the show was fascinating because alongside the finished Wyeth oil paintings were the artist\u2019s preliminary charcoal sketches and watercolor studies for each of the famous paintings. After we had looked at several of these paintings and the accompanying sketches and watercolors, I said to Dan, \u201cI prefer his watercolors to the finished pieces. They feel so much more fluid and alive and exciting.\u201d<\/p>\n<p>\u201cMuch more exciting,\u201d said Dan, nodding in agreement. \u201cAnd surprisingly abstract.\u201d<\/p>\n<p>We then made a quick tour of MOMA\u2019s permanent collection, a tour that made Dan angry. When I asked what was so upsetting to him, he said that this most influential collection in the world had been assembled by a small clique of elitist academics and art curators and wealthy collectors to impose on the culture their extremely limited and already outdated notions of what should be considered important modern art\u2014an art mafia severely constricting the free-flowing evolution of contemporary art.<\/p>\n<p>Dan went on to become a professor of Art at Cal State Fresno and a prolific studio artist. One of the things I enjoyed about Dan\u2019s painting on his announcement was seeing how gorgeously abstract his work has become. Long ago, in the days when I had more regular contact with him, he painted exquisite impressionist landscapes and unpeopled exteriors of beach houses\u2014exciting and simply beautiful.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Shall We Dance? painting by Todd \u201cThe sending of a letter constitutes a magical grasp upon the future.\u201d Iris Murdoch An announcement came in the mail, and by mail I mean those actual paper things we find in our mailboxes. The announcement was from an old friend, Dan Nadaner, who is having a show of [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[3838,3836,3839,3840,3253,3834,1076,3830,3831,3832,311,3572,1752,3835,3582,1213,3036,3833,3035,3829,254,9,33,3837,109,2531],"_links":{"self":[{"href":"https:\/\/underthetablebooks.com\/blog\/wp-json\/wp\/v2\/posts\/2061"}],"collection":[{"href":"https:\/\/underthetablebooks.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/underthetablebooks.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/underthetablebooks.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/underthetablebooks.com\/blog\/wp-json\/wp\/v2\/comments?post=2061"}],"version-history":[{"count":2,"href":"https:\/\/underthetablebooks.com\/blog\/wp-json\/wp\/v2\/posts\/2061\/revisions"}],"predecessor-version":[{"id":2064,"href":"https:\/\/underthetablebooks.com\/blog\/wp-json\/wp\/v2\/posts\/2061\/revisions\/2064"}],"wp:attachment":[{"href":"https:\/\/underthetablebooks.com\/blog\/wp-json\/wp\/v2\/media?parent=2061"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/underthetablebooks.com\/blog\/wp-json\/wp\/v2\/categories?post=2061"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/underthetablebooks.com\/blog\/wp-json\/wp\/v2\/tags?post=2061"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}