{"id":281,"date":"2010-09-16T22:20:40","date_gmt":"2010-09-17T05:20:40","guid":{"rendered":"https:\/\/underthetablebooks.com\/blog\/?p=281"},"modified":"2010-09-16T22:20:40","modified_gmt":"2010-09-17T05:20:40","slug":"waltons-favorite-films","status":"publish","type":"post","link":"https:\/\/underthetablebooks.com\/blog\/archives\/281","title":{"rendered":"Walton’s Favorite Films"},"content":{"rendered":"

\"\"<\/a><\/p>\n

(not including all<\/em> the Marx Brothers movies, a Buster Keaton or two, a few Capra films, The Maltese Falcon<\/em> and several other great oldies, and a few inexplicably appealing teen flicks; and I\u2019m sure there are others evading my memory at the moment)<\/p>\n

AMARCORD (Italian)<\/p>\n

AMELIE (French)<\/p>\n

ANTONIA’S LINE (Netherlands)<\/p>\n

APPRENTICESHIP OF DUDDY KRAVITZ (Canadian)<\/p>\n

BABETTE’S FEAST (Danish)<\/p>\n

BAGDAD CAFE<\/p>\n

BEDAZZLED (the original with Peter Cooke and Dudley Moore)<\/p>\n

BETWEEN THE LINES<\/p>\n

BIG NIGHT<\/p>\n

BIG PICTURE, THE<\/p>\n

BILLY ELLIOT (British)<\/p>\n

BLAME IT ON FIDEL (French)<\/p>\n

BRAZIL (British)<\/p>\n

BREAD & TULIPS (ITALIAN)<\/p>\n

BROADWAY DANNY ROSE<\/p>\n

CALCUTTA: THE BLACK HOLE (French)<\/p>\n

CAREFUL HE MIGHT HEAR YOU (Australian)<\/p>\n

CENTRAL STATION (Brazilian)<\/p>\n

CHOCOLAT (CAMEROON)<\/p>\n

COLD COMFORT FARM (British)<\/p>\n

COLOR OF PARADISE, THE (Iranian)<\/p>\n

DAY FOR NIGHT (French)<\/p>\n

DEFENDING YOUR LIFE<\/p>\n

DEPARTURES (Japanese)<\/p>\n

DIVA (French)<\/p>\n

DOMINIC AND EUGENE<\/p>\n

DREAMKEEPER<\/p>\n

DREAMS (Japanese)<\/p>\n

EXOTICA (Canadian)<\/p>\n

FAST RUNNER, THE (Inuit)<\/p>\n

FLIRTING (Australian)<\/p>\n

FRENCH TWIST (French)<\/p>\n

GADJO DILO (Gypsy)<\/p>\n

GIRL, INTERRUPTED<\/p>\n

GODS MUST BE CRAZY, THE (South AFrican)<\/p>\n

GREEN RAY, THE (FRENCH)<\/p>\n

HAIL HAIL ROCK\u2019N ROLL<\/p>\n

HEARTS AND MINDS<\/p>\n

HORSE’S MOUTH, THE (British)<\/p>\n

HOWARD\u2019S END (British)<\/p>\n

I HAVE HEARD THE MERMAIDS SINGING (Canadian)<\/p>\n

I NEVER SANG FOR MY FATHER<\/p>\n

IF (British)<\/p>\n

IL POSTINO (Italian)<\/p>\n

INSIGNIFICANCE<\/p>\n

JACKNIFE<\/p>\n

KING OF HEARTS<\/p>\n

KING OF MARVIN GARDENS<\/p>\n

KING OF MASKS (CHINA)<\/p>\n

LANDLORD, THE<\/p>\n

LATCHO DROM (Gypsy)<\/p>\n

LIFE IS BEAUTIFUL (Italian)<\/p>\n

LIFE IS SWEET (British)<\/p>\n

LIVING IN OBLIVION<\/p>\n

LONELY HEARTS (AUSTRALIA)<\/p>\n

MAN FACING SOUTHEAST (Argentina)<\/p>\n

MISSISSIPPI MASALA<\/p>\n

MOSTLY MARTHA (German)<\/p>\n

PLAYBOYS, THE (British)<\/p>\n

ROOM WITH A VIEW (British)<\/p>\n

SALAAM BOMBAY<\/p>\n

SEARCHING FOR BOBBY FISCHER<\/p>\n

SECRETS & LIES (British)<\/p>\n

sex, lies and videotape<\/p>\n

SHINE (Australian)<\/p>\n

SMOKE<\/p>\n

SPINAL TAP<\/p>\n

STARDUST MEMORIES<\/p>\n

STRAIGHT STORY, THE<\/p>\n

STUNT MAN<\/p>\n

TALK TO HER (Spanish)<\/p>\n

TANGO LESSON, THE (British)<\/p>\n

THE BAND’S VISIT (Israeli)<\/p>\n

THELMA AND LOUISE<\/p>\n

THIEF, THE (Russian)<\/p>\n

THIEVES (French)<\/p>\n

32 SHORT FILMS ABOUT GLENN GOULD<\/p>\n

TOTO LE HERO (French)<\/p>\n

TRULY, MADLY, DEEPLY (British)<\/p>\n

12 MONKEYS<\/p>\n

TWO OF US, THE (FRENCH)<\/p>\n

UN COER EN HIVER (French)<\/p>\n

VINCENT AND THEO<\/p>\n

VOLVER (Spanish)<\/p>\n

WALKING AND TALKING<\/p>\n

WHAT’S LOVE GOT TO DO WITH IT?<\/p>\n

WINGS OF DESIRE (German)<\/p>\n

YEAR OF LIVING DANGEROUSLY (Australian)<\/p>\n

YOUNG FRANKENSTEIN<\/p>\n

ZORBA THE GREEK<\/p>\n","protected":false},"excerpt":{"rendered":"

(not including all the Marx Brothers movies, a Buster Keaton or two, a few Capra films, The Maltese Falcon and several other great oldies, and a few inexplicably appealing teen flicks; and I\u2019m sure there are others evading my memory at the moment) AMARCORD (Italian) AMELIE (French) ANTONIA’S LINE (Netherlands) APPRENTICESHIP OF DUDDY KRAVITZ (Canadian) […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[452],"_links":{"self":[{"href":"https:\/\/underthetablebooks.com\/blog\/wp-json\/wp\/v2\/posts\/281"}],"collection":[{"href":"https:\/\/underthetablebooks.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/underthetablebooks.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/underthetablebooks.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/underthetablebooks.com\/blog\/wp-json\/wp\/v2\/comments?post=281"}],"version-history":[{"count":5,"href":"https:\/\/underthetablebooks.com\/blog\/wp-json\/wp\/v2\/posts\/281\/revisions"}],"predecessor-version":[{"id":287,"href":"https:\/\/underthetablebooks.com\/blog\/wp-json\/wp\/v2\/posts\/281\/revisions\/287"}],"wp:attachment":[{"href":"https:\/\/underthetablebooks.com\/blog\/wp-json\/wp\/v2\/media?parent=281"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/underthetablebooks.com\/blog\/wp-json\/wp\/v2\/categories?post=281"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/underthetablebooks.com\/blog\/wp-json\/wp\/v2\/tags?post=281"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}