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Slow Going

(First published in the Anderson Valley Advertiser December 2010)

“For fast-acting relief, try slowing down.” Lily Tomlin

Five years ago, a few weeks before I made my move from Berkeley to Mendocino, I came within a few inches of being killed by a young man who was driving his pickup truck very fast while simultaneously using his mobile phone. I had just stepped into the crosswalk at the intersection of San Pablo Avenue and Gilman Avenue, having been given the go ahead to cross by the illuminated symbol of a human being taking a walk. The young man who was driving his pickup very fast apparently did not see the red light or me or possibly anything as he sped through the intersection with his phone pressed to his ear. I don’t know if he was talking to someone or listening to someone else talking, or perhaps he was listening to music; I am only certain he was pressing his phone to his ear as his two-ton missile shot by within inches of my puny little flesh and blood body. And whether there is such a thing as fate or whether life is a muddle of meaningless happenstance, had I been one step further along at that moment, I would have been smashed to smithereens.

So today I’m driving our old truck into our soggy hamlet to get the mail and groceries, a cold rain falling, and because I am the unelected president of Mendocino Drivers Not In A Hurry To Get Anywhere, I’ve only gotten a few hundred yards down the Comptche-Ukiah straightaway before my rearview mirror is filled with the sight of a pickup closing fast upon me. As is my custom in these situations, I move to the outer edge of the road and slow to a crawl, timing my move so that whoever is driving that oncoming pickup will have an easy time passing me—the road ahead empty, the broken yellow line entirely on our side. But this particular pickup (going at least seventy miles per hour) zooms to within a few feet of my bumper before swerving around me and becoming a dot in the distance; and I, frightened and angry, unleash an obscenity-filled and punctuation-free description of this person’s intelligence, sexual predilection, and everything I wish to befall him in the near future.

“There is more to life than increasing its speed.” Mohandas Gandhi

Seriously, folks, the village of Mendocino is not, I repeat, not a city. I’m not even sure we qualify as a town given we only have one criminally usurious gas station and nary a Mexican restaurant. Yet on most Fridays, some Mondays, every summer weekend, and unpredictably throughout the year, people drive around the village as if they are in Santa Monica at lunch hour late for I don’t know what, surgery? and in mortal fear of not finding a parking place and therefore doomed to die in their cars.

At first I thought these lunatics had to be tourists or weekend residents bringing their urban neuroses to our hinterlands, but over time I have come to realize that such irrational behavior is contagious, that locals participate, too, and that even I, determined to honor my inner slow poke, do at times react to this transplanted insanity by momentarily joining in the madness.

“Human nature cannot be studied in cities except at a disadvantage—a village is the place.” Mark Twain

A good friend recently visited from San Francisco and accompanied me on my errands in the village. He was envious there was no line at the post office, and he was impressed that the postal employees knew me by my first name, but my gabbing with Jeff and Patty at the Mendocino Market as I lollygagged in front of their delectable fish and fowl drove my friend mad with impatience. And as Garnish struck up a conversation about opera with me as he rang up my purchases in Corners, and I having already complimented Sky on the fabulous cauliflower and blabbed at length with Deborah about the benefits of cocoanut oil, my friend began whirling like a dervish and I had to send him outside to wait for me, though he is sixty-one and should know better.

“Teach us to care and not to care.” T.S. Eliot

I first delved into Buddhism in the late 1960’s when I ran into Buddhist references in the poetry of Philip Whalen and Lew Welch, my favorite San Francisco Beat poets. For many years thereafter I read essays and books by American, Japanese, Tibetan, Chinese, Thai, and Korean Buddhist teachers discussing the ins and outs and ups and downs of Buddhist dharma.

Nowadays I’ll go a year or two at a stretch without reading any dharma, and then a book will befall me or I’ll be hunting for something in my bookshelf and pull out Zen Mind, Beginner’s Mind by Shunryu Suzuki or White Sail by Thinley Norbu, and the next thing I know I’ll be deep into a refresher course in mindfulness and the wisdom of no escape.

Most recently I couldn’t resist buying a brand new hardback copy of Jack Kornfield’s The Wise Heart, his four-hundred-page treatise on Buddhist psychology for only a few dollars from the Daedalus Books catalogue. Such a deal! One of my all-time favorite Buddhist texts is Mark Epstein’s Thoughts Without a Thinker, a brilliant illumination of both Buddhist psychology and western (derived from Freud) psychology in which Epstein compares and contrasts these two very different yet complimentary views of human emotionality and behavior. So far, I have only read sixty pages of Kornfield’s The Wise Heart, but the text has already proven to be a good kick in my mental ass, so to speak, to slow down and smell the moments.

So this morning I decided to walk very slowly on my way to pick up the morning paper at the mouth of our driveway. As I took my slow and mindful steps, I focused on what I was stepping on. Lost in fascination with the conglomerations of pebbles and soil and dead leaves and tiny green shoots of new life composing my path to the highway, I arrived at my destination in no time at all. The newspaper in its plastic sheath seemed enormous and prophetic, and my hand as it entered the frame of my vision to pick up the paper seemed incredibly complex and beautiful—everything shaped by the quality of my focus.

“It is important to practice at the speed of no mistakes.” Lucinda Mackworth-Young

I have been practicing the piano every day for forty-five years. Of late, I have been playing tunes as slowly as I can without entirely abandoning their rhythmic forms, and in so doing I have discovered tunes within tunes I would otherwise have never guessed were there.

“People ought to listen more slowly.” Jean Sparks Ducey

In 1972 I attended a single meeting of a group practicing Therapeutic Conversation. Had I been a bit more emotionally evolved, I probably would have attended several more of their meetings, but one of the members so repulsed me I never went back. However, I learned such valuable lessons from that one meeting, I was changed forever as a conversationalist.

The first process of the evening was Circle Talk, in which we took our turn speaking after the person to our right had finished saying whatever he or she wanted to say. However, we couldn’t just jump right in the moment the person finished speaking. We had to wait a full minute before we spoke, the time being kept by the leader. And I discovered, in the silence of that incredibly long minute, that what I initially thought I wanted to say was almost never a real response to what the previous speaker had said, but something only tangentially related. Yet if I could be patient, a true response would rise from the depths of that short infinity.

Todd’s web site is UnderTheTableBooks.com

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Travels With Frisbee

Fredrick Morrison, the inventor of the Frisbee, died at the age of ninety on February 11, 2010. I still carry a Frisbee in my knapsack as I have since 1965 when I bought my first one at Woolworth’s for 69 cents, a flimsy little thing much smaller than the smallest Frisbees sold today.

Though it may seem a preposterous boast, I am very likely the first person to introduce Frisbee to the University of California Santa Cruz in 1967. If perchance someone came before me, I was certainly one of the pioneer users there, and took it upon myself to teach dozens of young men and women the fundamentals of tossing the holy disc. I used to joke that I majored in Anthropology and minored in Frisbee, but the reverse is true. The happiest hours of my two years in college were spent running over hill and dale in pursuit of far-flung Frisbees, my college buddy Dick Mead capable of prodigious tosses across the Elysian Fields of that cattle ranch turned university.

In 1970, a year after I dropped out, I traveled through Mexico and Central America as a translator for a marine biologist and his family. I brought along a dozen Frisbees because they were easy to lose and I thought it would be fun to introduce new friends to the delights of the floating disc. Little did I anticipate the sensation we would cause whenever and wherever we started flinging our Frisbees.

Perhaps our most memorable demonstration of the art took place in the central park of San Salvador, the capitol of El Salvador. We happened to arrive at the height of a massive protest we later learned was the beginning of the horrific civil war instigated by the CIA that would lead to the deaths of tens of thousands of Salvadorans and the subsequent ruination of that tiny country.

As a result of my tireless tutelage, the eight-year-old son of my employer was by then capable of flinging a Frisbee an accurate thirty yards, and so we positioned ourselves on a spacious greensward and commenced to fling the disc back and forth. As usual, we first attracted children, then adults; and on this day, moments after we began, we were surrounded by hundred of onlookers roaring their approval of our every toss and catch. Cheap thrills, but so what? Darwin, it is chronicled, traveled about South America on his famous Beagle expedition blowing minds wherever he went by using a magical thing called a match to start fires.

So we brought out a few more Frisbees and proceeded to run a clinic for the countless folks who wanted to try their hands at throwing and catching the discs. I will always remember the laughter and gaiety and enthusiasm of those people. We were rewarded for our labors with an invitation to join a group of schoolteachers for a picnic.

At the picnic, we asked about the many placards showing the faces of two handsome young men, and were told that these were the medical student martyrs whose deaths had inspired the protest. We had heard nothing about the political situation in El Salvador except that El Salvador was at war with Honduras—the so-called Soccer War. To reach El Salvador, we had to traverse the war zone between the two countries, and I had negotiated our way past several roadblocks manned by scary soldiers armed with scarier guns, wartime profiteers extorting extra-legal money from tourists and truck drivers willing to pay.

Meanwhile, the CIA-backed despots of El Salvador had ordered the killing of these two medical students for leading a protest of their fellows against the bogus public health clinics that were closed more often than open and lacked adequate medicine and supplies. For their impudence, these young medicos were assassinated by a paramilitary death squad, and their bullet-ridden bodies left on the steps of the university as a warning to other would-be dissidents.

This protest was a spontaneous and wholly peaceful uprising of working and middle-class folks decrying the violent response of the government to the reasonable complaints of the murdered medical students. Tragically, most of the people at this event were themselves murdered or forced into exile during the decades-long CIA-funded genocide that followed.

I eventually returned to the United States. Years went by. Larger Frisbees eclipsed the original Frisbee. Ultimate Frisbee was born. Frisbee Golf came into being. The Aerobie was invented, a plastic ring that can be thrown like a Frisbee and travels hundreds of yards with ease. Frisbees with LED night-lights embedded in their rims appeared. Frisbee competitions proliferated. Frisbee-catching dogs now star at halftimes and during the seventh inning stretch at ballgames everywhere. Over 200 million Frisbees have been sold. So far.

And I, at sixty, stand on Big River Beach and fling my disc into the teeth of a steady incoming breeze, the disc banking off that strong flow of air and returning to me as if on a long and invisible yo-yo string. Adult passersby rarely stop to watch my mastery of disc and wind, but children do, wanting to try their hands at the magical thing, and I am reminded of those bygone days when the world seemed a safer and happier place than it is today, but only because of what I didn’t know.

Todd’s web site is UnderTheTableBooks.com

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Restoration and Redemption

Before

During

After

With Under the Table Books

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Writing the Sequel to Under the Table Books

I’ve been madly writing the sequel to my just-published novel Under the Table Books. Given that only a handful of people have read Under the Table Books, and confronted by barely discernible sales of the mighty tome, my rational mind warns me that my current literary labor is folly, that years spent on a sequel to an unknown novel will amount to yet another wasted effort, and we’ve already got piles of those gathering dust.

What my rational mind fails to comprehend (no matter how many times I explain this to her and because logic only takes us so far) is that I do not think these things up, these stories and plays and novels, and then decide to write them down. I do not plan what I create. Nor do I consider anything I’ve ever done wasted effort. What happens for me, and has been happening since I was a little boy, is that I hear a story being told to me and I see a movie unfurling as I hear the words, and my mission, if I choose to accept it, is to transcribe what I’m experiencing as vividly and musically as I can. I say musically because my taste runs to prose that swings to consistent and compelling rhythms.

I have written other sequels to other books I’ve published, though I have yet to publish a sequel, so I certainly understand the concern of the pragmatic sector of my brain as it worries about the aging corpus laboring over a saga that may never be published and may never bring us money or something we can trade for food and shelter. And if that’s the case, why bother? In all honesty, I bother because despite the latest data from my personal commerce department, I find the thickening plot and the seductive characters irresistible and I can’t wait to read what I write down next. I’m hooked.

When I lived in Berkeley some years ago I was in range of three or four radio stations that presented bestselling and/or academically anointed fiction writers talking about their latest books and their lives and how they went about writing. Some of these writers spoke at length about what their books meant, which always made me uneasy. Even more disturbing to me was that the vast majority of these writers claimed to know what they were going to write before they started writing. They actually thought things out ahead of time and got their ducks in a row in a barrel before they started shooting. They said things like, “I thought I’d like to write a book about…” Or “I knew I could sell this if I set it in Venice and opened with a scene in which…” Or “Gardening and cooking and infidelity are all the rage right now, so I decided…” All of which were ways of thinking I considered antithetical to originality and intuitive creativity.

But as depressing as all that intellectual hoo ha was to me, the thing almost all of them did that made me want to smack them with a bamboo pole, was to claim they were speaking for other writers. They would employ phrases such as “every serious writer eventually discovers…” or “of course any good writer will tell you…” or “the best writers always…” or “one should never…” and many other repulsive and stupid things; thus I surmised their books would be poo poo.

So what does that have to do with me writing a sequel to my virtually unknown novel? Everything! And should I ever be asked to speak about my writing process, I will say essentially what I’ve just written here, though I will do my best to let my characters speak for themselves.

A Brief Excerpt From the Sequel to Under the Table Books

Natasha—tall, brown, graceful, and vastly pregnant—stands behind the bookstore counter reciting the lyrics of the Under the Table Books anthem to Hansel and Gretel Hosenhoffer of Stuttgart, a middle-aged couple in heavy gray tweeds blowing through California on a whirlwind tour of esoteric bookstores of the western hemisphere—Hansel sporting an ebony monocle, Gretel wearing a necklace of tortoise shell reading glasses.

“All books are free,” intones Natasha, her voice deep and sonorous. “If you want to leave something you value as much as the book you’re taking, cool. Have a book you don’t want? Drop it on by. And don’t get us wrong. We enjoy receiving stacks of quarters and piles of dollar bills. We delight in all forms of currency, including tasty comestibles. Yes, and keep those potted plants coming. May all beings be well read.”

Hansel Hosenhoffer frowns quizzically. “From zis you make a living?”

“Amazing but true,” says Natasha, resting her hands on the drum of her belly, her soon-to-be-born baby kicking gently in 4/4 time. “The kindness of book lovers knows no bounds.”

Gretel Hosenhoffer smiles in mild horror at the foundational implications of the anarchist bookstore. “But how does anyone determine the worth of anything?”

“Your guess is as good as mine,” says Natasha, moving out from behind the counter to join Bobo in the Reading Circle where he has been waiting patiently for her to read to him from his current favorite book The Adventures of a Naughty Boy Named Knocker and His Trusty Sidekick Poo Poo Head.

The bell above the door jangles and Iris Spinelli dashes in out of the rain. A spry ninety-four, her curly white hair sprinkled with gold glitter, her leotard blue, her slender frame draped with seven purple scarves, Iris is wending her way home from the weekly gathering of the Society of Impersonators of Famous People (formerly the East Side Philatelists Association.) Iris is currently impersonating the interpretive dancer Isadora Duncan (1878-1927). Last week she was the movie star Claudette Colbert (1905-1996).

“Z around?” asks Iris, going up on her toes to kiss Natasha’s cheek. “How’s baby today?”

“She’s a busy girl,” says Natasha, smiling down at her swollen belly. “Z gets home tomorrow from the Frankfurt book fair. Having way too much fun, if you ask me.”

“All morning,” says Iris, gazing into Natasha’s eyes, “I’ve been hearing a fabulous three-part harmony for The Look of Love. You and me and Z.”

“Let’s do our parts now,” says Natasha, lowering herself into a big armchair. “So when Z gets home, we’ll have it down.”

Iris smiles sublimely and hums a warbling note to set the key. Natasha breathes deeply of the trembling tone and eases into harmony with Iris—every molecule of the old building vibrating in sympathy with Iris’s quavering alto and Natasha’s superlative soprano, the blend of their voices unspeakably sweet.

Hansel and Gretel look up from their respective books—he leafing through Goethe, she inhaling Rilke—each moved to tears by the unfettered magnificence of the choir of two.

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Under the Table Books

The Awesome Potential of Word-Of-Mouth

I have just published my magnum opus Under the Table Books. Were I a member of the cultural elite of this or any other nation, Under the Table Books would now be the talk of the international literary scene, translation rights would be selling like hotcakes, A-list movie stars and directors would be vying to collaborate with me on screenplays for a trilogy of record-breaking films based on the novel, and downloads of the audio book would be shattering records and straining the capacity of the internet.

But I’m not a member of the cultural elite. Within the framework of the linear logic of the human realm, the probability of Under the Table Books garnering even a single review in a lunatic fringe alternative weekly is close to zero. Indeed, within the framework of the linear logic of the human realm the probability of any recognition for Under the Table Books beyond a small circle of friends and fans is virtually zero. And yet…

The book exists and is well wrought and heartily touted by authors of credibility and renown. Dozens of copies have gone out into the world. People have read and are reading the book. The tiny consensus so far is that the book is a marvel, a treasure, a page-turning gem of remarkable originality. So I ask you, why shouldn’t word spread from one human being to another that Under the Table Books (with beguiling illustrations by the author) is a work of genius, a harbinger of a sexy humorous thrilling future for material minimalists and the mystically inclined, a phoenix rising from the ashes (compost?) of a literary scene that started rotting the day the multinationals bought up all the New York publishers, a monumental work of creative tenderness destined to change the course of art and love and human society, a singular achievement of wholly original visionary Yes!?

No reason at all. And here’s the most beautiful part of all. You can be at the forefront of this seminal shift in the cosmic flux. Yes, you. Imagine getting a copy of Under the Table Books, reading it cover-to-cover, relishing every word, every turn of phrase, every nuance, every dizzying run of words, and being joyfully overwhelmed and excited and positively transformed. Imagine yourself calling or writing to not one but all your friends and relatives and telling them that you have just had an experience akin to seeing God, flirting with Him, bedding Her, and experiencing the literary equivalent of an amazingly long and totally groovy orgasm or multiple orgasms that leave(s) you refreshed and inspired and happy, deeply happy, for the first time since, well…ever!

Now imagine that all your friends and family members, including people who haven’t read an actual book in eons, imagine all of them reading the book, loving it, and telling all their friends and family members that they, too, have just had a juicy and mysterious and transcendent experience every bit as thrilling and life-affirming and life-changing as any experience they have ever had.

You see where I’m going with this? In a matter of no time (in geologic time anyway) Under the Table Books could very well become the literary sensation of the century! And you could be one of the founding mothers or fathers or sisters or brothers of that sensation. You. Wow.

Or not. For within the framework of the totality of all universal principles (most of these natural laws unknown to us) and the instantaneously reactive and impeccably comprehensively wise universe, Under the Table Books may not be in line for such enormous public notoriety. There’s truly no telling what may happen with anything, let alone my latest novel.

But we do know that Universe Nature God wanted Under the Table Books to be birthed, and birthed she is—a beautiful baby, indeed. And I, as proud parent, say sincerely, “It is my extreme pleasure to introduce Under the Table Books to you.”

Myriad Blessings and Thanks,

Todd

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Todd reads “The News”

Here’s another story MP3: “The News“. This story is part of both Under the Table Books and the audio CD I Remember You.