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We’re In It

presidio medium

We’re In It  ⓒ Copyright David Jouris (Presidio Dance Theatre)

(This article appeared in the Anderson Valley Advertiser July 2015)

“So make sure when you say you’re in it but not of it, you’re not helping to make this earth a place sometimes called Hell.” Stevie Wonder

We’re in it. Those thousands of articles about the coming consequences of global warming, over-population, and environmental pollution? Those consequences are here. Yes, things are going to get worse, but unprecedented climatic events are not coming sooner or later, they are here. Hundreds of millions of people are starving or about to starve. Insecticides, pesticides, herbicides, and chemical fertilizers will not one day wreak havoc on the world, they are wreaking havoc now, big time. The oceans are rising and acidifying. We’re in it.

There is a drought in Brazil that we know is the direct result of humans cutting down too much of the Amazon rainforest, yet the cutting down of that rainforest continues at a frightening pace. Brazil’s agricultural sector is suffering terribly from the water shortage and Brazil is building archaic fossil fuel power plants to replace the loss of electricity from hydroelectric sources because the nation’s rivers are drying up.

NASA recently released the results of their satellite assessments of the world’s aquifers. The most depleted aquifer on earth is the one beneath California’s Central Valley, and the second most depleted aquifer is the Ganges Brahmaputra aquifer. California’s drought may last decades, and the monsoon that feeds a billion people in India and Pakistan and Bangladesh was late again this year and will provide less than the minimal amount of water needed by farmers in those badly overpopulated countries.

Scientists have also proven conclusively that the collapse of honeybee populations worldwide is caused by the use of insecticides containing neonicotinoids, yet the supranational chemical-pharmaceutical companies responsible for producing these poisons refuse to remove them from the market. With the exception of a few European nations, national governments are apparently powerless to force these poison-manufacturing corporations to do the right thing.

“No water, no life. No blue, no green.” Sylvia Earle

I went to the farmers market in Mendocino last Friday and was surprised to find local egg producers asking eight, nine, and ten dollars for a dozen eggs. This seemed exorbitant to me, so I passed. But when I went to buy eggs at Corners, where last week I was shocked to find a dozen eggs selling for six dollars, the price had risen to nearly eight dollars.

Yes, the new state law requiring bigger cages for mass-produced chickens and chickens confined for the purpose of mass producing eggs has caused an increase in egg prices, but that doesn’t explain why local free range chicken eggs have nearly doubled in price in the last year. Inquiring of a few chicken owners I know, I learned that feed prices have skyrocketed due to less production of key grains due to the ongoing drought. We’re in it, and one-dollar eggs could be the new norm, and eggs, as you know, are key ingredients in myriad foodstuffs, so…

In other local climate change news, this past winter was the first in my nine years in Mendocino when we did not have a single night of freezing weather, the lowest temperature being thirty-four degrees, with only a week or two when the temperature got below forty degrees. Oh joy, sing the millions of mosquitoes and fleas and earwigs whose eggs did not freeze to death this past winter.

Speaking of Pakistan, India, and Bangladesh, thousands of people have died of heat stroke there in the last couple weeks, with temperatures topping 115 degrees for several days in a row. Crops are wilting in the fields and animals are dying along with humans. We’re in it.

 “We are in danger of destroying ourselves by our greed and stupidity. We cannot remain looking inward at ourselves on a small and increasingly polluted and overcrowded planet.” Stephen Hawking

So yesterday I’m coasting down the hill in my little old pickup on my way to the commercial sector of Mendocino, and I’m thinking about The Population Bomb by Paul Ehrlich, a book I read when it came out in 1968 and naively hoped would change the world, when a snazzy new sports car speeds up behind me and the driver starts madly revving his engine. I check my speedometer and see I’m going five miles an hour over the speed limit, this being a school zone.

I can see in my rearview mirror that this older male driver is apoplectic and wants me to pull over so he can speed by, but I’m only going a half-mile to town and I don’t want him careening recklessly through our neighborhood full of children and people walking their dogs, so I keep my speed at thirty and try to ignore the guy, but he starts swerving out into the oncoming lane as if he’s going to pass me and then zipping back in behind me and riding my bumper.

Thirty seconds later, we reach the stop light at Little Lake Road and Highway One. I am first in line at the red light with Insane Man right on my tail hysterically revving his several hundred horsepower engine. When the light turns green, Insane Man hits his horn and keeps honking as we cross Highway One and cruise into town. Now Insane Man rolls down his window, sticks his arm out and shakes his fist at me, flips the bird, and by reading his lips I determine he is saying many unkind things about me.

As fate would have it, when I turn left, Insane Man turns left. When I turn right, Insane Man turns right, and now I’m getting mad because Insane Man keeps almost crashing into me and shaking his fist at me, when all I’ve done is drive to town a little faster than usual.

I park in front of Zo, the best and only copy shop in Mendocino, and as Insane Man speeds by he screams, “Die you motherfucking scumbag!”

And by a remarkable coincidence, his words echo my wish for him.

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Pomp & Circumstance

 

sextant

Sextant drawing by Todd

(This article appeared in the Anderson Valley Advertiser February 2014)

“Everything in life matters and ultimately has a place, an impact and a meaning.” Laurens Van Der Post

Been one of those weeks where every conversation with all kinds of different kinds of people began with talk of the drought and the state of our personal water supplies, and from there we spun off into discussions of the swiftly changing reality of what it is to be human on this little planet that used to seem so vast.

“The highest reward for a person’s toil is not what they get for it, but what they become by it.” John Ruskin

You might have missed the news, or simply not given a hoot, that Stephen Hawking recently announced there are no black holes. Thus thousands of astronomers, physicists, science teachers, and graduate students are in various stages of shock that the foundation of their careers has been decreed by Mr. Black Hole himself to be a misconception, and that their decades of work have been about what isn’t there, and that billions of dollars spent on black hole-related research was essentially a big waste of money, not to mention time and space. Oops.

What made Hawking’s proclamation especially interesting to me was that the widespread foundational scientific belief in the existence of black holes was apparently not scientific at all, but mere conjecture. Hawking and his influential colleagues have abruptly changed their minds, so everyone else (including millions of people who ponied up the cash to buy Hawking’s A Brief History of Time) better change their minds, too, or risk…what? Not agreeing with the emperor who now blithely admits he wasn’t wearing any clothes, though he kind of thought he was, sort of? This is science? You betcha. Remember: medical doctors all over our scientific nation used to prescribe cigarettes to ameliorate symptoms of anxiety. Oops.

I hunted up Hawking’s explanation for why he and the entire scientific community were wrong about black holes, and I present his explanation here for your enjoyment. For extra fun, I suggest you imagine John Cleese and Eric Idle of Monty Python impersonating balding scientists taking turns presenting this blatantly self-contradictory proclamation—also pure conjecture if not outright balderdash.

“The absence of event horizons means that there are no black holes, in the sense of regimes from which light can’t escape to infinity. There are however apparent horizons that persist for a period of time. This suggests that black holes should be redefined as metastable bound states of the gravitational field. It will also mean that the CFT on the boundary of anti de Sitter space will be dual to the whole anti de Sitter space, and not merely the region outside the horizon.

“The no hair theorems imply that in a gravitational collapse the space outside the event horizon will approach the metric of a Kerr solution. However inside the event horizon, the metric and matter fields will be classically chaotic. It is the approximation of this chaotic metric by a smooth Kerr metric that is responsible for the information loss in gravitational collapse. The chaotic collapsed object will radiate deterministically but chaotically. It will be like weather forecasting on Earth. That is unitary, but chaotic, so there is effective information loss. One can’t predict the weather more than a few days in advance.”

“There are two ways of seeing objects, one being simply to see them, and the other to consider them attentively.” Nicolas Poussin

Songs nowadays are no longer songs as I used to think of songs being songs. That is to say, the things I still call songs can be listened to with my eyes closed. But the popular songs of today, the Grammy winners and the songs on all the charts of today’s music must be seen in order to be properly heard? Songs today, not the ones we oldsters think of as songs, but the new ones the youngsters live by, are inextricably bound to little movies for which music is soundtrack, and most of these soundtracks are composed of many layers of synthesized sonic noise underpinned by mechanically generated rhythm tracks designed to support the visuals comprising the little movies.

“Work is of two kinds: first, altering the position of matter at or near the earth’s surface relatively to other such matter: second, telling other people to do so.” Bertrand Russell

I like that definition of work: altering the position of matter. I would add that for some position altering of matter one earns money, and for some position altering of matter one does not earn money; and there are two kinds of money: regular money and gig money.

Gig money is worth much more than regular money. I used to think the added buying power of gig money had something to do with black holes, but now that black holes no longer exist, perhaps the extra buying power is attributable to anti de Sitter space, but I wouldn’t bet on it. I think the extraordinary nature of gig money is alchemical. Now before you climb on your scientific high horse and declare alchemy a pile of mystical infantile wishful thinking black hole rabbit poop, feast your eyes on the following from Smithsonian Magazine: “There is growing evidence that alchemists seem to have performed legitimate experiments, manipulated and analyzed the world in interesting ways and reported genuine results. And many of the great names in the canon of modern science took note, including Sir Isaac Newton and Lavoisier.”

What do I mean by gig money? The word gig has come to mean job in today’s world. “I have a regular nine-to-five gig for a software company, but my main thing is recording random street sounds and turning them into rhythm tracks,” is common parlance today, but a gig used to mean a performance, usually of jazz or poetry, made with the hope of possibly making some money from the performance, but maybe not making any money. It is this maybe/maybe not making money aspect of a gig that endows gig money with its alchemical mystical extra-potent power. Why? Because nature abhors a vacuum or nature doesn’t abhor a vacuum. You choose.

For instance, one night I made forty bucks for reading my short stories and telling jokes in a used bookstore in Sacramento, the audience unexpectedly large, the donations jar overflowing. With that gig money I bought groceries for the entire week, went out for Mexican food twice, bought new guitar strings and three pairs of pants at the Salvation Army, and still had money left over. So I bought a pile of Russell Hoban novels at the used bookstore, gave ten bucks to a friend, bought my sweetheart some flowers, and splurged on three goldfish for the backyard pond, and I still had money left over. And if I hadn’t gone and cultivated negative thoughts about an annoying person who was just doing the best he could, I might still have that gig money because thoughts are actions and the karmic wheel rolls on ceaselessly. Which is why we should always endeavor to be kind and generous even when we’re just sitting still with our eyes closed listening to songs.

 “There are two kinds of fools: one says, ‘This is old, therefore it is good’; the other says, ‘This is new, therefore it is better.’” W.R. Inge

Currently in the throes of rewriting my new novel, I am carving up my printed-out pages with red ink flowing from a pen held in my hand attached to my arm and directed by my brain far from the madding computer and text on a screen. Writing longhand and editing longhand are considered by most writers under the age of fifty, and even by many writers over fifty, to be antiquated practices inferior to doing everything on the screen from start to finish. I beg to differ, but who cares if I can tell by reading a few paragraphs of a novel or short story whether the author composed his or her words longhand or on a computer? That doesn’t mean one way of writing is better than the other, but it does prove (to my satisfaction) that there is a qualitative difference between those two ways of writing, and I find the quality of one of those ways vastly superior to the other. But that’s just me. And speaking of black holes, here is a recently crafted paragraph from my new novel.

In the near distance Donald sees the sign known to every alcoholic and pool player for a hundred miles around, a gigantic square of blinking neon, pink and green and blue, spelling Hotsy Totsy, a misleading moniker if there ever was one. Home to three pool tables, a long bar, seventeen bar stools, six warped plywood booths, two hideous bathrooms, and a juke box full of rock music from the 1960’s and 70’s—nothing after 1975—Hotsy Totsy is a low-ceilinged beer-soaked bunker presided over by the bald and portly Hell’s Angel Calvin Jensen, owner, bartender, bouncer and popcorn maker, popcorn and peanuts the primary foodstuffs available at Hotsy Totsy.