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Mean Mister Leo

Django

Leo had become, as it were, the telephone through which the humans spoke to one another. He was a large, lazy cat with yellow eyes and a dull gray coat. Save for a few funny tumbles as a kitten, Leo had done very little with any of his nine lives. He had never mated with anything and never killed anything larger than a moth. Yet to Alan and Elizabeth Warrington, he was the most important person in the world.

Alan was seventy. He was tall, and like a bean too long on the vine, had developed a curve in his posture so he loomed over whatever or whomever he happened to be standing near. His face was surprisingly chubby for a man so thin, and he had short white hair, though not in abundance.

Elizabeth, Alan’s junior by three years, was tall, too, with narrow shoulders, wide hips, and large breasts. She kept her gray hair short and refused to put on a dress. She wore slacks, baggy sweaters, and loafers the year round, except in July when she wore sandals; and for someone who sneered as much as she did she was remarkably pretty.

Indeed, her dreadful sneer only subsided when she was sleeping and when she spoke to Leo. Yes, when she spoke to the cat, her sneer would vanish and a melancholic smile would claim her face, staying until she turned away from her pet.

Alan called the cat You, and spoke to him like a gangster. “So it’s You, is it? We’ll see about that, wise guy,” he would say, giving Leo a quick rough massage that would send the little beast into ecstasies of purring and drooling.

Elizabeth called the cat Silly Boy or Mean Mister Leo. She usually spoke baby talk to him, but would occasionally resort to a deep rumbling voice full of mock horror at some impropriety the old cat couldn’t possibly have committed. “Oh you Mean Mister Leo,” she would say, holding the cat in her arms like a baby. “Did you rob that bank? You silliest of silly boys!” And then she would bury her face in his chest.

Then she would put the cat down and Alan would take Leo in his arms and say, “I have to go to the bank today, You. And if I find a list on the counter, I’ll go to the grocery store, too.”

And this was how the Warringtons communicated with each other for eleven years. No one else knew; and it was amazing how easily this was accomplished. Thousands of games of Bridge were played with friends, dozens of guests were entertained, and the Warrington children and grandchildren came to visit week after week, year after year, yet no one ever suspected that Elizabeth and Alan no longer spoke to each other.

Elizabeth couldn’t remember her last direct conversation with her husband. But for Alan, that long ago verbal exchange was so vivid, so charged with emotion, it might have happened yesterday.

They had just gotten home from a lingerie fashion show at a local seafood restaurant. Alan had enjoyed the show, Elizabeth had not. She had, however, enjoyed quantities of champagne and was quite drunk and amorous. Alan, aroused by the lingerie models said, “Those gals were sure cute, weren’t they, Liza?”

To which Elizabeth replied, “A lot you could do about it.”

She tossed the comment off without thinking, but her words hit Alan with the force of a train, their implication stunning him. Elizabeth moved into the kitchen to look for something sweet in the freezer. Alan collapsed on the sofa, choking with rage. Elizabeth returned with a bowl of ice cream and found Alan petting Leo. She approached her husband, put a hand on his knee and said, “Wanna have some fun, sweetie?”

To which Alan replied, “I will never speak to you again.”

“Aw come on, honey,” she cooed. She thought he was teasing. She thought he wanted her to seduce him. “Don’t be mean to mama.”

But Alan wouldn’t look at her. Instead, he glared at the cat and said, “What are you looking at, You?”

And so for eleven years they talked through Leo, transmuting messages meant for each other into things they said to their cat.

Elizabeth’s saying, “A lot you could do about it” may have precipitated the end of their speaking to each other, but those words were not the deeper cause of their rift. Something else had happened a few years before in the midst of a mutual emotional decline. Elizabeth had taken a lover for a few months, her affair barely disrupting the routine of their life. There were a few extra meetings of one auxiliary or another and Alan had never known; and he had always known.

So when Elizabeth said, “A lot you could do about it,” years after her last act of adultery, Alan felt himself being compared, the crime exposed, a punishment necessary.

And what better way to punish a person who loves to talk, lives to talk, than to take away her sounding board, her echo of forty years? What better way to punish infidelity in such a person than to become verbally unfaithful to them, and to remain so, year after year, which is what Alan chose to do, except the gun fired both ways and he was as wounded as she.

Then one morning Leo died. They came upon the body simultaneously, Alan entering the living room from the kitchen, Elizabeth coming from the bedroom. Leo lay on the orange plaid sofa, taut with death, his eyes crossed, his tongue protruding slightly.

Alan grimaced and went to the corpse. Elizabeth clutched her throat, closed her eyes and turned away. Alan confirmed the obvious by placing his hand on the cat’s chest. Elizabeth crossed the room and sat in her blue plaid armchair. Alan remained looming over the corpse, unsure of what to do. His impulse was to put Leo’s body in a plastic bag and put the bag in the garbage can. But maybe Elizabeth would prefer a backyard burial?

“Oh you Mean Mister Leo,” said Elizabeth, pouting. “What a silly thing to do, you silly boy. Now we’ll have to put you in a plastic bag and send you off to the sanitary landfill.”

And so the body was disposed of, but so, as it were, was the telephone. The Warringtons sat in silent terror, overwhelmed by the desperate loneliness their hapless cat had kept at bay for so many years.

Then the actual telephone rang.

Elizabeth snatched it off the table beside her, grimaced at Alan, and cried, “Oh Sandra, oh you dear, you must be psychic. The worst, the very worst thing has happened. Dear Leo just died. Yes, just now. Oh, I know. He was so precious, so good, so… yes, yes, Alan is very sad, too. We just don’t know what to do.”

The phone call over, Elizabeth did battle with her sneer while Alan crossed and uncrossed his legs and picked at his cuticles. Elizabeth cleared her throat several times. Alan coughed. And then, inspired by the same impulse, they began to speak.

“You…” said Alan, but that was all he could manage. The word hung in the air, a questionable thing. Was he speaking to Elizabeth or intoning the dead animal’s nickname?

“I…” said Elizabeth, gripping her knees. “I… I don’t…”

“You…” he said again.

“We have been…” she began.

“A long time,” he said wistfully.

“Yes,” she said, relaxing a little.

“I think you should be sorry,” he said, fighting his tears.

“I am,” she replied, unable to overcome her sneer. “I am. I am. But a man should…”

“Should what?” asked Alan, squinting fiercely at his wife.

“Well… I waited for you to touch me,” she said, her eyes wide with fright. “You were the one who stopped everything.”

Alan smiled demonically and lurched to his feet. “So you did mean it,” he growled. “All these years, you meant it.”

“Meant what?” she cried, shrinking into her chair.

“We’ll see about that, you,” he said, turning away from her.

And then he was gone, the house reverberating with his slam.

“Oh God,” said Elizabeth, covering her mouth with both hands. “Oh God.”

She sat completely still for several minutes, caught in the grip of a memory of when she was a teenager and caught the curtains in the living room on fire while she was smoking pot with a friend, and how her mother would never forgive her. Never.

Finally she roused herself and went into the kitchen to put the kettle on for tea. Then she called her daughter and told her the news of Leo’s death.

“Your father is very upset,” she said, clutching the phone with both hands. “Maybe you could come over. It would be wonderful if you could.”

Her daughter said she couldn’t possibly get over there until tomorrow.

Elizabeth tried to think of who else to call, and while flipping through the address book, she imagined Alan at a pawn shop, buying a gun. Then she imagined her daughter arriving the next day and finding their bodies—Alan having killed himself after he killed her.

But after she played this double death scenario in her mind a few times, she began to think he might not kill himself after he killed her, and that made her furious. To think that he would murder her and then go on living!

“What a self-righteous bastard,” she said, turning off the flame under the whistling kettle and going in search of a weapon.

Three hours passed. Elizabeth waited in the living room. She played a record she hadn’t listened to in twenty years. Ella Fitzgerald singing Cole Porter. A butcher knife lay on the arm of her chair. In the middle of ’S Wonderful, she heard the familiar jangling of Alan’s keys in the lock. She grasped the knife and prepared to lunge.

The door swung open, and there, toddling over the threshold, was a tiny tabby kitten with piercingly blue eyes. Then Alan came in holding another kitten, a luxurious brown.

“I couldn’t decide which,” he said quietly. “So I got both.”

Elizabeth dropped the knife and swooped down on the tabby. “Oh you silliest of silly little kittens,” she said, nuzzling the baby cat.

“You,” said Alan, nuzzling the brown.

Then he set the kitten down and embraced Elizabeth; and she initiated the first kiss.

            ∆

The kittens explored the house, searching for the cat whose scent was everywhere.

     fin

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Young Pot Moms

(This article first appeared in the Anderson Valley Advertiser April 2011)

“Youth is wasted on the young.” George Bernard Shaw

When I and my middle-aged and elderly Mendocino Elk Albion Fort Bragg peers convene, talk often turns to the paucity of younger people coming along to fill the local ranks of actors and musicians and writers and artists and activists. The excellent Symphony of the Redwoods plays to audiences of mostly white-haired elders and is itself fast becoming an ensemble of elders, ditto the local theater companies, ditto the legions of Mendocino artists and social activists. People under fifty in audiences and at art openings hereabouts stand out as rare youngsters; and the question is frequently asked with touching plaintiveness, “Will it all end with us?”

“The supply of good women far exceeds that of the men who deserve them.” Robert Graves

A few days ago I was waiting my turn at the one and only cash dispensing machine in the picturesque and economically distressed village of Mendocino, my home town, and I couldn’t help noticing that the woman using the machine was young (under forty), expensively dressed, and pushing the appropriate buttons with an ambitious energy that made me tired.

When it was my turn to stand before the cash dispensary, I noticed that the young woman had declined to take her receipt, which hung like a punch line from the slot of the robot. Being a hopeless snoop, I took possession of the little piece of paper, affixed my reading glasses, and imbibed the data. Did my eyes deceive me? No. This young woman had a cash balance in her Savings Bank of Mendocino checking account of…are you sitting down?…377,789 dollars.

In a panic—dollar amounts over four figures terrify me—I turned to see if her highness was still in sight, and there she was climbing into a brand new midnight blue six-wheel pickup truck the size of a small house, her seven-year-old companion, a movie-star pretty girl, strapped into the passenger seat.

“Did you want this?” I cried, wildly waving the receipt.

She of great wealth slowly shook her head and smiled slyly as if to say, “That’s nothing. You should see the diamonds in my safety deposit box.”

Staggered by my encounter with this local femme Croesus, I wandered toward Corners of the Mouth hoping to find my eensy teensy rusty old pickup parked there, and further hoping a little overpriced chocolate would calm me down. My truck was not there, but I didn’t panic. I only park in one of four places when I drive into the village, so I was confident I would eventually find my truck: somewhere near the Presbyterian church or adjacent to the vacant lot with the towering eucalypti where I gather kindling or in front of Zo, the greatest little copy shop in town (the only one, actually, and not open on weekends.)

In Corners, the cozy former church, I came upon three young (under forty) women, each in jeans and sweatshirt, each possessed of one to three exuberant latter day hippie children. These lovely gals were gathered near the shelves of fabulous fruit comparing notes on diet, marriage, motherhood, and who knows what. Beyond this trio of young moms, and partially blocking my access to the chocolate bars, were two of the aforementioned latter day hippie children, a very cute snot-nosed four-year-old redheaded girl wearing a bright blue dress, and an equally cute roly-poly snot-nosed five-year-old blond boy wearing black coveralls and red running shoes.

The boy, I couldn’t help but overhear, was trying to convince the girl to secure some candy for him because his mother wouldn’t buy candy for him, but the girl’s mother would buy the candy because, according to the boy, “Your mom let’s you have anything you want, and my mom won’t,” which, the boy indignantly pointed out, was not fair.

“But my mom will know it’s for you,” said the girl so loudly that everyone in the store could hear her, “because I don’t like that kind.”

I reached over their innocent little heads and secured a chunk of 85% pure chocolate bliss flown around the globe from England, and feeling only slightly immoral to be supporting the highly unecological international trafficking of a gateway drug (chocolate is definitely a gateway drug, don’t you think?) I headed for the checkout counter where two of the aforementioned young moms were purchasing great mounds of nutritious goodies.

Remember, I was still reeling from my encounter with she of the massive blue truck who had enough money in her checking account for my wife and I to live luxuriously (by our Spartan standards) for the rest of our lives, should we live so long, when Young Mom #1 took from the front pocket of her form-fitting fashionably faded blue jeans a wad of hundred-dollar bills that would have made a mafia chieftain proud, and peeled off three bills to pay for six bulging bags of vittles.

The clerk didn’t bat an eye, ceremoniously held each bill up to some sort of validating light, and made small change.

Meanwhile, Young Mom #2 had stepped up to the other checkout counter and proceeded to pay for her several sacks of groceries from a vast collection of fifty-dollar bills which she pulled from her pockets like a comedic magician pulling so many handkerchiefs from her coat that it seemed impossible she could have crammed so much stuff into such a small space.

“Whoever said money can’t buy happiness simply didn’t know where to go shopping.” Bo Derek

Further frazzled by the sight of so much filthy lucre, I stumbled to the post office to buy stamps and see if Sheila wanted to talk a little Giants baseball. Ahead of me at the counter stood a beautiful young (under forty) mom with one of her cute little kids sitting on the counter picking his nose, her other slightly larger cute little kid standing on the floor, embracing his mother’s leg while sucking his thumb. The beautiful young mom placed a pile of brand new hundred-dollar bills on the counter, a pile as thick as a five-hundred-page novel, and proceeded to buy a dozen money orders, each order (I couldn’t help but overhear) for many thousands of dollars, and each order duly noted in a leather-bound notebook.

The thumb-sucking lad clinging to his mother’s leg looked up at me and I made a funny face at him. He removed his thumb and half-imitated my funny face. So I made another funny face. He laughed and patted his mother’s leg. “Mama,” he gurgled. “He funny.”

“Not now Jacarandaji,” she said, keeping her focus on money matters. “We’ll go to Frankie’s in just a little while.”

Jacarandaji smiled at me, daring me to make another funny face, which I did. Jacarandaji laughed uproariously, which caused his nose-picking brother to stop picking and ask, “Why you laughing?”

“He funny,” said Jacarandaji, pointing at me.

At which moment, the beautiful young mom turned to me, smiled sweetly (ironically?) and said, “You want’em? You can have’em.” And then she gave each of her boys a hug, saying, “Just kidding. Mama’s only kidding.”

“Hope is independent of the apparatus of logic.” Norman Cousins

Who are these young (under forty) moms? They are pot moms, their wealth accrued from the quasi-legal and/or illegal growing of marijuana and the almost surely illegal sale of their crop to feed the insatiable appetite for dope that defines a robust sector of the collective American psyche. Many of these moms have husbands. Many of these moms have college degrees. And all of these moms have decided that it makes much more emotional and economic sense to grow and sell pot than to work at some meaningless low-paying job.

And let them grow pot, say I, so long as they don’t carry guns and shoot at people, and so long as they don’t have dangerous crop-guarding dogs that might escape and attack me or my friends as we’re riding by on our bicycles or walking by minding our own business. What I care about is this: will their children grow up to fill the ranks of the aging musicians and actors and artists and writers and activists who define the culture of our far-flung enclave? Or will those snot-nosed cuties grow up spoiled and arrogant and not much good for anything except growing dope, which will almost surely be legal by the time they’re old enough to join those aforementioned ranks, so then what will they do to make easy money?

Hear me, ye young pot moms. The lives you are leading and this place where you are leading those lives are rare and precious beyond measure. Thus it is your sacred duty to strictly limit the garbage your children watch on television and on computers. It is your sacred duty to give your children plenty of Mendelssohn and Stevie Wonder and Mozart and Joni Mitchell and Brahms and Cole Porter and Eva Cassidy and Richard Rogers and Ella Fitzgerald and Ray Charles and Nina Simone and Gershwin, to name a few. And beyond Harry Potter and the corporate guck that passes for children’s literature, at least give them Twain and Steinbeck and Kipling. Beyond today’s execrable animated movie propaganda, give them O’Keefe and Chagall and Picasso and Ver Meer and Monet and Van Gogh. Use your pot money to give your children not what the corporate monsters want to force them to want, but great art that will engender in them the feeling and the knowing that they were born into this life and into their bodies to do something wonderful and special and good.

Yay verily, I say unto you young pot moms, every last one of you beautiful and smart and good women, your children, and you, too, have come unto this bucolic place far from the madding crowd so they and you will have the chance to fully blossom. Feed your family well. Yes. Excellent organic food is good for their bodies, but do not neglect their precious minds and their generous hearts, for we oldsters desperately need them to fill our ranks when we are gone.

Todd’s web site is UnderTheTableBooks.com