Chinese New Year Stories

Happy Chinese New Year!

“Any sufficiently advanced technology is indistinguishable from magic.” Arthur C. Clarke

2021. Year of the Ox. I just made a new outgoing message for my answering machine, which reminded me of the true story about an outgoing message I made in 1983. I thought you might enjoy this story if you haven’t read it before or even if you have.


I was one of the last adults in America to get an answering machine to go with my phone, and I only got one in 1983 because my Hollywood agent said he wouldn’t represent me if I didn’t have an answering machine. That Hollywood agent went on to become a very powerful person in the entertainment world, but not before he dropped me as a client. Clearly, I was holding him back.

In those early days of owning an answering machine, I especially enjoyed making long rambling outgoing messages. Most of the people who called me seemed to enjoy hearing those messages a few times, after which they would urge me to change the message lest they go mad. Thus I got in the habit of making new outgoing messages every few days, which habit caused my regular callers to complain I was erasing good messages before their friends got to hear them.

Then one day I made an outgoing message that went viral before the phenomenon of things going viral existed. I’m speaking about a time before the ascendancy of the internet, which was not very long ago but now seems prehistoric. And I tell you, if by some miracle I could remember that message and put it on YouTube today accompanied by a movie of a neato person walking on the beach with an adorable dog, or a movie of three cute kids making cookies from scratch, or a movie of a man reading a book with a cat on his lap, I have no doubt the message would go viral again and I would become famous and wealthy from hundreds of millions of hits and links and apps and downloads and streams and the billions of pennies such prodigious sharing and streaming would bring me.

Sadly or ironically or luckily, I only remember the feeling of that once-in-a-lifetime message, not the words. The feeling was one of deep contentment, of thoroughly enjoying the moment. I recall the day I made that message was sunny and warm, my office flooded with light, and I remember being massaged from head to toe by the feeling—the knowing—that simply being alive was a profoundly fulfilling adventure.

Within a few days of recording my message, the phone was ringing off the hook. Many of my friends called multiple times so their friends could have a listen, and then I started getting calls from people I did not know, people who had heard about the message from friends of my friends. And over the next few weeks I got hundreds of calls from all over America and around the world—people calling to hear my outgoing message and leave responses.

A poet called from Germany. After listening to my message, he recited a poem by Rilke, first in German, then in English—something about the coming of spring.

People partying somewhere in England called, and when the beep sounded, those Brits applauded and shouted “Bravo!”

An elderly woman called from Seattle and said, “I see why my daughter wanted me to hear your message. I can’t stop smiling. I’m going to call again and then tell my friends to call you.”

A man from Scotland left a long friendly-sounding message ostensibly in English, but no matter how many times I listened to his enchanting spiel, I could not understand him.

 A bunch of children called, and when the beep sounded, they laughed and giggled and one kid shouted, “You a silly poo poo!”

A woman called from France and left a message my neighbor translated for me: “I adore what you say and want to have your child.”

I felt like I’d won the Pulitzer Prize, minus the prize money.

That message made people happy. Those words made people laugh and cry and rejoice; and many callers responded with impromptu continuations of the message—addenda full of love and humor and gratitude. That message was an elixir, a soothing salve, and some sort of answer to the question: why are we here?

I kept that globetrotting zinger on my answering machine for a month or so until one day I got a call from a friend who had heard the message one too many times and asked me to please make a new one. So without a thought for posterity, I hit the Record button, improvised a new greeting, and thereby erased the greatest outgoing answering-machine message I’ve ever made.

I only heard the message one time, and that was immediately after I recorded it and checked to make sure it sounded okay.

Oh I wish I could remember those remarkable words that inspired so many people to call and leave such lovely messages. I remember the tone, a tender fearlessness—but the words elude me.

Happy Birthday, Darling


Speaking of tender fearlessness, my two new books of stories Little Movies tales of love and transformation and Oasis Tales of the Conjuror and other stories are now widely available in paperback and as e-books. You can order copies of the paperbacks from your local bookstore or from various online sources, and e-books from all the various e-book sites. Your reviews are much appreciated.

Here are some viable links.

Gallery Bookshop in Mendocino


iTunes Apple Books

Barnes & Noble

Kobo Books


Todd’s New Oasis

I’m happy to announce the publication of my new book Oasis Tales of the Conjuror and other stories. Some of you may be familiar with my science-fiction novella Oasis Tales of the Conjuror because I brought out a coil-bound edition of the novella nine years ago and several readers declared it their favorite of my fictional creations.

So because I’m glad Little Movies is available as a paperback and e-book online, and the paperback can be ordered from your favorite local bookstores, I decided to bring out Oasis Tales of the Conjuror in the same way and couple the slightly revised novella with two of my longer short stories The Golden Light and Of Water and Melons and two shorter tales When Is It Done? and Clumsy Booby. The collection makes for a lovely 200-page paperback and e-books.

For those of you who like supporting your local bookstore, you may order the handsome paperback of Oasis Tales of the Conjuror and other stories from them, as well as the paperbacks of Little Movies tales of love and transformation and Buddha In A Teacup.

Here are links to book sites where the paperback of Oasis Tales of the Conjuror and other stories may be purchased. Amazon, Barnes & Noble, Gallery Bookshop in Mendocino.

The Kindle, Apple, Kobo, and Nook e-book editions of Oasis Tales of the Conjuror and other stories will be available in a few weeks. I hope you will share this announcement with your sci-fi and short story-loving friends. Your reviews on Goodreads, Amazon, and Barnes & Noble are very much appreciated.

Here are the first four chapters of Oasis Tales of the Conjuror.



In a land where the rainy season lasts four moons and drought rules nine, the tiny paradise possesses both abundant water and fertile soil. Cradled by rugged mountains to the west and north and east, with a vast desert lapping her southern fringe, the oasis and her six hundred citizens are loosely allied to the city of Tropolis, a hundred miles to the north.

 A wall of stone twenty-feet-high and four-feet-thick encloses the oasis entirely, save for a breach in the containment at the southeast corner where waters of the marsh flow into the desert. This great wall was completed fifty years ago in the aftermath of a terrible war, and though the ramparts have yet to be tested by any foe, the people of the oasis are glad for the illusion of security and the very real barrier the wall provides against the fierce desert winds.

Nearly all the land of the oasis, three square miles, is cultivated. Only the seventy-acre marsh and four massive granite outcroppings are kept free of human interference for the benefit of fish and insects and rodents and tortoises and lizards and snakes and birds.


Anza the conjuror is fifty-nine, handsome and lean, a masterful guitarist, his brown hair turning gray. He is a widower and lives alone. His daughters Serena and Luno left the oasis five years ago to seek their fortunes as singers in Tropolis. Luno has a child named Desai, a boy much loved by his grandfather. Serena has yet to give birth.

 Anza’s commodious house overlooks his three acres of ground. One acre is wild, a haven for birds and bees and tangles of wild vines and fourteen promising oak trees. One acre is given to grapes that Anza trades to Tul for the making of wine. And one acre is given to fruit and nut trees—apricots, apples, almonds, walnuts, and plums—and to a garden of vegetables and flowers and amaranth. Anza also keeps quail for eggs, rabbits for meat and pelts.

 The conjuror’s supreme wish is for Serena, Luno, and Desai to leave Tropolis and come live with him in the oasis.


One morning in the first days of the dry time, old man Chesha, short and stout and stiff-legged, mounts his skinny donkey and rides from his home at the northern end of the oasis to visit Anza in the south. Chesha intends to hire the conjuror to cure his fig trees of an invisible malady. To pay for the conjuring he will give Anza three ounces of black tea, a valuable offering. Chesha is renowned for his stinginess. Thus giving Anza three ounces of black tea will be a most painful sacrifice for the old miser.

“Stone and lumber,” mutters Chesha, frowning at Anza’s house of oak and brick. “They say his house stays cool on the hottest days, while my hovel of twigs cooks me cruelly. I might as well have no house at all. See how rich he grows from conjuring. I work from morning until night to make ends meet, while he waves his hand and gifts rain down on him.”

A black cat sits in a patch of sunlight on Anza’s threshold, gazing curiously at the old man on the donkey.

“Anza,” shouts Chesha, disdainful of those who keep pets. “I have tea for you, but I will only pay if…”

“Welcome, my friend,” says Anza, appearing in his doorway. “What brings you so far?”

“I think you know,” says Chesha, fearing to look at the conjuror. “My fig trees. The fruit is late. Very late. You knew I was coming, didn’t you?”

“I’m a conjuror,” says Anza, smiling at the old man. “Not a seer.”

“Will you conjure for me?” asks Chesha, whimpering. “If my trees won’t fruit I’m ruined.”

“I will come at dusk,” says Anza, gazing at the cloudless sky. “But before I arrive, you must water your orchard and leave a cup of wine under each of the trees.”

“Seventeen cups?” cries Chesha. “Are you mad? I am not rich. I live in a hovel. I work from morning until night to make…”

“A cup of wine for each tree, my friend,” says Anza, closing his eyes. “And water your trees deeply else the cure will fail.”

Chesha rides home in a fury, whipping his donkey with a bamboo stick. “Seventeen cups. Seventeen! I have but two cups in my house. Where am I to get fifteen more cups in which to pour the wine? I have the wine, but it’s meant for me, not to be wasted on trees.”

The truth, however, trumps the old man’s outrage, for Chesha is the second wealthiest citizen of the oasis, a notorious glutton and a guzzler of three and four bottles of wine every day. What’s more, his fortune is derived entirely from the sale of his fabulous figs. No other fig trees in the oasis bear so heavily or produce such delicious fruit, though Chesha has never watered or fed them. And no one knows how old his trees are, for none among the living was alive when the magnificent trees were planted.

 Chesha, who never married, inherited his house and five acres from his Aunt Bysar when he was thirty, a bequest that made him rich beyond his wildest imaginings. His figs bring buyers from near and far, and his days are filled with bargaining and selling and counting his gains.

But now the fruit is late emerging, very late, and for the first time in his life Chesha faces the prospect of poverty. So the old miser purchases fifteen clay cups from Uma the potter and irrigates his orchard, though it pains him to spend water he might otherwise sell to his neighbors.

When at last Chesha has placed a cup of wine near each of his trees, he shakes his gnarly fist at the golden horizon and grumbles, “There. I have done what the conjuror demanded. Now he must work his magic and bring me greater gains than ever before.”

Tambourines and drums announce the coming of Anza at the head of a procession of seventeen people.

“What is this?” splutters Chesha, sneering at the conjuror. “I hired you, Anza. Not these others. This is no wedding. My trees are dying.”

“I have come to conjure,” says Anza, bowing to the fig trees. “These good people are my helpers, one for each of your trees.”

And the people go into the orchard and take up the cups.

“What are they doing?” cries Chesha, stamping his feet. “How dare they drink my wine?”

Anza raises his hand to silence the old man. “If my conjuring is to succeed, your trees must all drink in the same moment.”

“If these people pour my wine into the ground and my trees do not fruit,” says Chesha, glowering at Anza, “I will give you nothing.”

“And if the fruit emerges?” asks Anza, smiling slyly. “Then what will you give?”

“Three ounces of black tea,” says Chesha, gritting his teeth. “We bargained so this morning. You agreed to come for that price and that is what I will pay, but only if….”

“I agreed to come,” says Anza, nodding slowly. “But I will require more than three ounces of tea to ease the malady of these trees.”

“How much?” cries Chesha, wringing his hands. “I am a poor man. Without my figs, I will starve.”

“But if your trees give forth their bounty, you will be rich. So I ask you, my friend, to give one of every four of your figs to these people who are not so fortunate as you, and to give them a quarter of your harvest for the rest of your life.”

“These people?” says Chesha, glancing furtively at the men and women. “Who are they that I should give them my figs?”

“Your brothers and sisters,” says Anza, raising his hands to the sky. “Now I will conjure. Are we agreed on the price?”

“Brothers and sisters? They lie! I have no brothers or sisters.”

“Then we will go,” says Anza, beckoning to his helpers. “We will leave you to your cups of wine and your barren trees.”

“Wait!” cries Chesha, terrified. “I agree. One of every four figs to these people. For the rest of my life. Now conjure and save my trees.”

Anza gestures for his helpers to give the wine to the trees, and as the precious liquid seeps into the ground, Anza falls to his knees and presses his forehead to the ground.

Now the trees begin to shiver and rattle as if swept by a powerful wind as thousands of tiny green orbs emerge on the branches and the air grows sweet with the scent of divinity.

Anza weeps convulsively, for he has conjured the terrible sorrow of the ancient trees, abused by Chesha for fifty years, though they never failed to give him their fruit.


Lev is eleven, a big strong boy with brown hair and dark green eyes. Known as the boy who loves stories, he is forever asking people to tell him tales so he might write the good ones down. Lev has traveled away from the oasis twice in his life, once with his father to Tropolis to sell almonds, and once with his mother to visit her sister in the farming commune on the shores of Blue Lake, seventeen miles to the south.

Marga is ten, tall for her age, with light brown hair kept in a braid, her eyes the blue of morning sky. Known for her lovely voice, she is the youngest member of the women’s choir at Southgate. She has never traveled away from the oasis and is not greatly drawn to the outside world.

Every few days, Lev and Marga walk from their school at Eastern Plaza to Northgate to visit Lev’s godfather, Tornio, the watchman of the northern gateway and the seventh oldest citizen of the oasis.

The children stand on the threshold of the gateway, scanning the hills for dust clouds presaging a bus or truck or caravan. Seeing no sign of anyone approaching the oasis, they knock on the open door of the gatehouse and Tornio invites them into his little room.

Tornio is tall and skinny with bony fingers and a hooked nose, his gray eyes ringed with wrinkles gained from a lifetime of squinting at the bright horizon. He loves visits from the children, for they break the monotony of long days in which he has little to do.

As is his custom, Lev requests that Tornio read the day’s entries from the gatehouse log. Happy to oblige, the old gatekeeper dons spindly reading glasses, straddles the creaky stool behind his desk, and places his finger at the top of the page.

“Here we are. Late morning of the third day of the fifth moon of the dry season. I was roused from my review of yesterday’s entries by the screeching of a hawk, she who nests in the wall some sixty yards west of the gate. She is an exquisite raptor, seven years old, with splendid red tail feathers and exceptionally long legs. I have taken the liberty of naming her Twyla for I once knew a woman named Twyla, a dancer with long legs. Given there are no Twylas among the current population of the oasis I foresee no difficulties arising from my giving the hawk this name. Twyla is often away hunting, for she has two fledglings to feed and I fear her mate has fallen to feather hunters, which means she is solely responsible for the feeding of her ravenous offspring. No easy task, I’m sure.

“At the sound of her cry, I took up my telescope and espied a telltale dust cloud. By its volume and density, I surmised this mass of dust to be the creation of the bus from Tropolis. My surmise proved correct. Bus #7 (twelve seats) driven by Alix Inger, badge number 174, is sounding quite unwell these days, like a person with a raspy cough. When I mentioned the rasping to Alix, he replied, ‘This old gal needs an overhaul, but what can we do with the shortages and all?’

“I remarked to Alix that he had inadvertently made a rhyme, but he gave no indication he grasped my meaning. I discerned he was vexed from his long journey, though he reported no difficulties en route and said he expected none on the return trip if the bus did not break down.

“The conveyance disgorged seven oasis residents returning from Tropolis. They reported success in trading raisins, dates, oranges, and figs for a variety of staples, notably flour, rice, and tea. Baza came home with two young parakeets, yellow with orange breasts, lively and full of song. The parakeets, that is, not Baza, though Baza is certainly lively and a fine singer.

“As is his custom, Alix parked in the shade and slept for two hours. He then ate his breakfast and sounded his horn to announce his departure. Three people boarded the outgoing bus, each carrying sacks of oranges that are commanding excellent trade in Tropolis what with the shortages.

“Alix saluted me as he drove out the gate and drove slowly until he was clear of the oasis so as not to stir up too much dust hereabouts. Alix is a most considerate driver.”

Lev gazes out the window, the far hills displaying dramatic afternoon shadows. “Maybe I will be a bus driver. Wouldn’t it be exciting to drive across the plain and over the hills to Tropolis and back again?”

“Are there more entries?” asks Marga, smiling wistfully.

“No,” replies Tornio, taking off his glasses. “Only the morning bus.”

“Do you think anyone else will come today?” asks Lev, wishing he didn’t have to go home and milk the goats. “When the sky grows pink, caravans seek stopping places for the night. So says a poem we learned in school.”

“No telling,” says Tornio, placing a tin kettle on his iron stove. “I will make for us a pot of tea to share and then you, Lev, must tend to your goats, and you, Marga, must weed your vegetables.”

Marga nudges Lev, for Tornio only serves them tea when he has a story to tell.

“I was born eighty-three years ago,” he begins, nodding to affirm the magnitude of the number. “In Tropolis. The great famine having ended four years before my birth.”

“How did the famine end?” asks Marga, never having known hunger.

“Slowly but surely the outlying communes were able to grow enough food for everyone,” says Tornio, continuing to nod. “And, of course, there were not so many people to feed, the famine having taken two of every three people.”

“Two of every three,” says Lev, awestruck by the power of death. “Imagine if two of us suddenly disappeared.”

“I can imagine,” says Tornio, dropping mint leaves into a yellow teapot. “The famine resumed when I was seven and my family ate little for two years. Many of our neighbors died. But this is not the story I wish to tell.”

“May we never know famine,” says Lev, reaching into his sack and bringing forth a small chunk of candy. He breaks the morsel in two and gives one piece to Marga, one to Tornio.

The old man grins at the boy. “Blessings and thanks for your generosity.”

“Blessings and thanks to you,” says Lev, smiling at his godfather. “And for the tea we are about to drink and the story you are about to tell.”

“Yes, yes,” says Tornio, snatching up the kettle and dousing the mint to sweeten the air with scented steam.

“Blessings and thanks,” says Marga, popping the candy into her mouth. “Which story do you wish to tell, Tornio?”

“How I came to live in the oasis,” says Tornio, adding a pinch of chamomile to the brew. “When I was not much older than you, Lev.”

The children exchange frowns of wonder, for though Tornio has spoken many times of his birth in Tropolis, they have never imagined him as anything other than the old watchman of Northgate who lives with his wife Ahdi in a stone house on the edge of Tul’s olive grove.

“When I was fourteen,” says Tornio, pouring tea into three black cups, “I was the swiftest of runners.”

Lev and Marga snicker, for oasis children are often admonished for their tardiness with the expression Slow as Tornio.

“Oh, I know,” says the old man, chuckling. “I’m an ancient tortoise now, but when I was fourteen I won the race around the outer walls of Tropolis. Thirteen miles. Against the swiftest men and women. Indeed, my victory gained the attention of the ruling council.” He nods slowly, savoring the memory of his triumph. “Remember, children, this was before the revival of engines, when everything was carried by mules and on our backs, not in buses or trucks. And the most important messages were entrusted to the fastest runners.”

“They paid you to run?” asks Lev, dazzled by the thought. “Now that would be a dream come true.”

“Hard work,” says Tornio, clearing his throat. “When the war came, I ran many miles back and forth between Tropolis and our forward army.”

“What enemy were you fighting?” asks Marga, having only recently heard about the war from her mother.

“Peoples of the north,” says Tornio, his voice falling to a whisper. “People just like you and me. Their crops failed. So they came south to take food from Tropolis and her allies.”

“Thousands of people died,” says Lev, repeating the words his father spoke but a few nights ago.

“Yes,” says Tornio, nibbling his candy. “And there came a decisive battle won by the army of Tropolis and the peoples of the north were annihilated, save for two hundred who rushed southward to this oasis.”

“They came here?” asks Lev, his heart pounding.

“They came here,” echoes Tornio, gazing out the window to the north. “You are finally of an age to hear the truth. Until now we have not wished to disturb your childhood with such fearful history.”

Marga reaches for Lev’s hand as he reaches for hers.

“So…” says Tornio, grimacing at the memory, “the rulers ordered me to outrun the invaders and rouse the people of the oasis to fight until the army of Tropolis could arrive.”

 The children hold their breaths, for as the old man speaks they seem to hear the starving people fast approaching.

“I ran those hundred miles in less than a day,” says Tornio, closing his tired eyes, “arriving just in time to warn the people of what was coming. And the battle did rage for three days and nights until the army of Tropolis came to kill the last of those poor peoples of the north.”

“Here?” says Marga, sobbing. “Those people were killed here?”

Tornio nods gravely. “I was badly wounded and lingered on the edge of death for many days. But the people of the oasis would not allow me to die. When I recovered, I helped build the walls that protect us now. When the walls were complete, I was given work in the vineyards, and when I married Ahdi we were given our house and two acres on the edge of Tul’s olive grove. And when I grew too old to labor in the vineyards, I was given this job, for I saved the people of the oasis by running those terrible hundred miles.”

Walking home from the gatehouse, Marga says to Lev, “I wonder why our people didn’t share their food with the peoples of the north?”

“Perhaps there were too many of them,” says Lev, wondering the same. “Even now there are people here in the oasis who don’t have enough food. Think of Nori and how we share our school snacks with him to quell his hunger. Imagine two hundred more without food. There would surely be famine.”

“And two of every three of us would perish,” whispers Marga, stunned by the thought of such enormous loss.

“There are six hundred acres within the walls of the oasis,” says Lev, stopping at the entrance to Marga’s yard where a dozen citrus trees shade the garden of vegetables and herbs. “With three hundred acres under cultivation and nearly six hundred people to feed. My father says we are too many by at least a hundred.”

“That’s why Anza’s daughters moved away,” says Marga, nodding, “because the council decreed no new children may be born here until at least fifty people die.”

“Who do you think will die next?” asks Lev, taking Marga’s hand.

“I don’t want to think about death,” says Marga, wrinkling her nose and shaking her head. “I’ll see you tomorrow.”

“Tomorrow,” says Lev, kissing Marga’s hand. “May your dreams be full of wonder.”


Little Movies Goes eee

Several weeks ago I announced the publication of Little Movies, my new book of fourteen short stories, refined versions of stories I posted on my blog a couple years ago. I said I would let you know when the e-books were online, and now they are. So…

I am happy to announce again the publication of my new book Little Movies: tales of love and transformation. I began the publishing process before the current crisis overtook us and now the book has come into being. Dramatic and often funny, these stories illuminate the transformative power of kindness, generosity, honesty, and love.

If you prefer your books in three-dimensions, handsome paperback copies of Little Movies may be ordered from your favorite bookstore or purchased from Amazon or Barnes & Noble for $16.95. 


Barnes & Noble

If you prefer e-books, the debut e-book versions are just $4.99. 





For those of you in England, the book is available in paperback or kindle from Amazon UK or from Waterstones.

And for those of you in Australia and New Zealand, the book is available in paperback and kindle from Amazon Australia.

Word-of-mouth is my sole means of promoting the book, so I hope you’ll consider sharing this announcement with your friends who love fiction and short stories. And if you do purchase Little Movies and enjoy the collection, I would be grateful for a review on the site where you purchased the book. 

Big thanks to those of you who have already ordered the book! Looking forward to hearing what you think of the stories.



Little Movies

Dear Readers,

I’m pleased to announce the birth of my new book Little Movies: tales of love and transformationa collection of fourteen contemporary short stories. Dramatic and often funny, these compelling stories illuminate the transformative power of kindness, generosity, honesty, and love. Regular readers of my blog may recognize some of these stories as refined versions of stories I first posted on my blog a couple years ago.

I realize this may seem like a strange time to be bringing out a new book. It certainly strikes me as an unusual time for anything other than hunkering down and being good to each other. However, I began this publishing process long before the pandemic was anticipated. As it happens, the short stories in the collection celebrate our resiliency and resourcefulness and the power of love, so maybe the timing of this birth will be helpful and inspiring.

Several readers have urged me to make my self-published works available as e-books. Little Movies is my first attempt to do so. The e-book versions—Kindle, Apple, Nook, etc.—will debut a few weeks hence. In the meantime, the handsome paperback edition is available from Amazon or Barnes & Noble or you can order copies from your favorite bookstore. The paperback price is $16.95. The e-books will be considerably less.

I would be delighted if you would share this announcement with your friends who enjoy reading short stories. And if you do purchase a copy of Little Movies and enjoy the stories, I would be grateful if you would write a review for Amazon and/or the site where you purchased the book. Word-of-mouth is my sole means of promoting the book and I think it would be wonderful if lots of people knew about Little Movies.

I hope you are staying safe and sane as we weather this challenging time.

I’ll post another notice when the e-book versions of Little Movies are available.

My Best To You,