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My Big Trip, Part One

(This article appeared in the Anderson Valley Advertiser January 2013)

“To accomplish great things, we must not only act, but also dream; not only plan but also believe.” Anatole France

In 1976, when I was twenty-six and working as a landscaper in southern Oregon, my big dream was go to New York and meet my literary agent Dorothy Pittman for the first time, and also say hello to the magazine editors at Cosmopolitan, Seventeen, and Gallery who had bought my short stories; and to rub shoulders, I hoped, with others of my kind. For those of you unfamiliar with Gallery, it was a low rent offshoot of Penthouse with lots of raunchy photos of naked women and quasi-pornographic letters-to-the-editor and the occasional marvelous short story by Todd Walton. I was somewhat embarrassed to have my stories therein, but thrilled to be paid for my writing.

Standing in the way of my dream was lack of cash. When I worked as a landscaper, I made six dollars an hour, which was good pay for physical labor in those days, but the work was sporadic and I often made just enough to cover my rent and groceries. Then one day my boss called to say he’d landed a contract to landscape both sides of a freeway overpass in Medford and would need me fulltime for two months, and since it was a state job he was required to pay me ten dollars an hour. So I moved out of my room in Ashland and into a bunkhouse adjacent to my boss’s house in Medford where I could live for free and only have to pay for food. I figured to clear over three thousand dollars and be able to fly to the Big Apple instead of hitchhiking. Little did I know the job would last three months and not only finance my trip to New York, but also keep me solvent for the next two years.

“All labor that uplifts humanity has dignity and importance and should be undertaken with painstaking excellence.” Martin Luther King

I remember two things most vividly about those three summer months of landscaping that gargantuan freeway overpass—the remarkable increase in my physical strength, and the heartbreaking young prostitute who worked the northbound on-ramp from early afternoon and into the night.

I dug over eighteen-hundred-feet of deep ditch by hand, and I climbed up and down steep inclines carrying heavy loads for hours on end, six days a week. I went from being a trim 165 pounds to a heavily muscled 180, and by the end of that job I could pick up a ninety-pound sack of cement as if it was a modest bag of groceries. I slept the sleep of the dead from eight every evening until my boss roused me at six every morning, except on Sundays when I would sleep into the afternoon.

And every day that beautiful young woman with long auburn hair would come walking up the hill from the Motel Six—strong and graceful—dressed as the college girl she was pretending to be, with sensible shoes and long stockings and a knee-length skirt, a well-ironed blouse, and a sweater to match her skirt, her hair in a ponytail. She carried a notebook and what looked like a textbook to complete her disguise, and she did not hold out her thumb to simulate hitchhiking, but simply stood there waiting—and she rarely waited more than half-an-hour before a car or pickup truck would stop beside her, the driver—almost always a single man—would roll down his passenger window, and the young woman would come closer to talk business. And sometimes the young woman would get in the car and drive with her client down onto the freeway and have him take the next exit and circle back to the Motel Six, and sometimes the client would drive away without her and she would walk down the hill to meet him at the motel, and sometimes the man was dissatisfied with the price or whatever limitations she imposed, and he would drive away and she would resume her waiting.

We were intrigued by her, my fellow workers and I, and when we’d take breaks for snacks or lunch, if she was waiting there, we would offer her a cookie or a drink of water or a handful of nuts (no pun intended), and sometimes she would graciously accept, and sometimes she would politely decline. And one time our boss brought us cheeseburgers and fries and shakes from the nearby MacDonald’s, and when we told our girl we had more than we could eat, she sauntered across the road and ate a quick lunch with us.

“You guys are great,” she said, revealing a slight lisp and a sweet southern accent. “I like having you nearby. Makes me feel safe.”

To which I wanted to reply, “How can you ever feel safe having sex with strangers, so many strangers, so many men you know nothing about?” But I was speechless standing close to her, marveling at her beauty and bravery, so I said nothing and spent those moments memorizing her face and figure so I might never forget her.

“What things are the poem?” D.R. Wagner

About a month into the freeway job, Dorothy Pittman called to say my editor at Seventeen wanted to commission a Christmas story for which she would pay me five hundred dollars. She needed a three-thousand-word story as soon as possible, and I almost declined because I was so tired every day from my physical labors I didn’t see how I could muster the strength to write anything good. But I didn’t want to burn that little publishing bridge, so I accepted the commission and hoped for the best.

Now one thing about ditch digging, especially the digging of very long ditches, is that the mind is largely free while the body works, and so I used that laboring time to tell myself Christmas stories until one of the stories took hold; and then I told the story over and over to myself through the hours and days of digging, refining the tale with every telling until I had each descriptive passage and every line of dialogue just as I wanted them, the story memorized. And on a Sunday afternoon I typed the whole thing up, shipped the manuscript to New York the next day, and thought no more about it.

“Though we travel the world over to find the beautiful, we must carry it with us or we find it not.” Ralph Waldo Emerson

I decided to visit family and friends in and around San Francisco before flying off to New York in mid-September. Weary of hitchhiking, and feeling flush, I took the Greyhound bus, which in those days was an inexpensive and relatively comfortable way to travel, with stations and stops in thousands of towns and cities where today the buses no longer go.

My companion for eight hours of the ten-hour journey was a roly-poly guy in desperate need of a bath. He was forty-something with a baby face and curly brown hair and crooked brown teeth. He wore shiny brown polyester slacks, a faded T-shirt featuring green parrots, and red high-top tennis shoes. After we introduced ourselves and I learned he would be getting off in Sacramento, he launched into a discourse on the origin of humans on earth, his voice gruff, his narrative punctuated by bouts of coughing and chuckling.

“So the smartest advisor to these highly civilized aliens on a planet way over there says to the emperor, ‘Sire, all these barbarians do is kill and kill, no matter what we do, your lordship, and so I ask you to let me transport them to the planet of the dinosaurs where they will be eaten.’ But then the dinosaurs got zapped by a meteor and humans bred like gerbils and…here we are.”

“Could those aliens who brought humans here,” I inquired, “travel faster than the speed of light?”

“Of course,” he said, nodding emphatically. “Through molecular reconfiguring. The military sees their ships all the time with infrared fiber optics, but they don’t want regular people to know about the aliens because the government is a front for the secret warrior clan that has ruled the world since before the Pharaohs and are at war with the aliens.” He paused for a moment to collect his thoughts. “As a matter-of-fact, the aliens gave me mathematical proof of molecular reconfiguration in my dream. The equation is X over Real Time minus the Weight to Mass ratio per pound of Nega-Gravity doubling in Reversed Space in which slow is fast and vice-versa.”

“Nega-gravity? How…”

“I went to a psychic once,” he said, interrupting me, “and she said the main obstacle to my happiness is my mind and the gateway to freedom is to tell the world my dreams.” He closed his eyes and sighed heavily. “I haven’t slept in a couple weeks because they follow me everywhere since I got back from Vietnam because they know I know about their secret operations, so I’m gonna take a little nap and talk more later. Okay?”

To my great relief, he slept the rest of the way to Sacramento, waking when the bus driver announced, “This is Sac-ra-mento. We’ll be stopping here for fifteen minutes before continuing to San Francisco.”

“Do you remember the four things I told you?” asked my odiferous companion as he got his battered suitcase down from the overhead rack.

“Tell me again,” I said, smiling up at him.

“Acceptance, forgiveness, love and logic,” he said, frowning gravely. “These must be taught through all the media to ignite a revolution of thought to repel the forces of darkness.”

“Amen,” I said. “Safe travels.”

“Won’t help,” he said grimly. “I’m destined to meet the warlocks. Any day now.”

“What does it mean to pre-board? Do you get on before you get on?” George Carlin

My United Airlines flight to Newark, New Jersey was scheduled to lift off from San Francisco at midnight, but a few minutes before takeoff we were herded off the jet and told we would have to wait for another jet to arrive from Los Angeles because our first jet was experiencing mechanical difficulties. Thus we did not take off until three in the morning, and shortly thereafter my seven-mile-high snooze was interrupted by the announcement that “we will be landing in Chicago at O’Hare Airport in fifteen minutes where this flight will terminate.”

“Excuse me,” I said, trying not to panic as I hailed a stewardess. “I thought this flight was going to Newark, New Jersey. That’s what my ticket says and I’ve got a friend waiting for me there.”

“Sorry,” she said with a pleasant shrug, “they’ll fix you up with a new flight once we’re on the ground.”

O’Hare Airport is as big as a medium-sized city with myriad terminals located miles apart from each other, or so it was in 1976. When I was informed by the harried person at the United Airlines counter that if I wanted to continue to Newark I could do so on an American Airlines jet leaving in twelve hours or I could do what most of my fellow travelers were doing and change my flight to some other New York or East Coast destination. But since I was bound for New Jersey to stay with my friends Dan and Janka, and not being a savvy air traveler, I took the ticket he gave me and set out on the long trek across O’Hare with the intention of bivouacking at the appropriate American Airlines boarding gate until summoned to board.

Then a funny thing happened, and by funny I mean odd and perplexing. As I entered the vast American Airlines Terminal, I looked up at one of the many television monitors announcing flight arrivals and departures, and I noticed one of the departure announcements was blinking to indicate that flight would be departing in just a few minutes. And the number of the blinking flight was the number of the flight I had been told would be leaving in twelve hours—destination Newark, New Jersey.

So I ran as fast as I could for a good half-mile, thankful to be in such superlative condition from three months of grueling physical labor under the hot Oregon sun, and I arrived with my briefcase and knapsack at the appropriate boarding gate just as a dapper fellow in an American Airlines uniform was about to close the double doors to the ramp leading down to the soon-to-depart 747. He took my ticket, pulled off the appropriate pages, and sent me down the ramp to a smiling stewardess who ushered me into the virtually empty jumbo jet, empty save for me, four other passengers, the pilot and co-pilot, two stewards and five stewardesses.

Now that was a fun flight. Once we had attained cruising altitude above a vast sea of snowy white clouds, a stewardess invited the five passengers to move up to the First Class section—my one and only experience of such airborne luxury. We dined lavishly, were taken into the cockpit to say hello to the pilot and co-pilot, and I enjoyed a rousing game of Hearts with three of the stewardesses. Everyone was curious as to why I alone of the hundreds of United Airlines passengers had made it onto that jumbo jet that had been called up expressly to take us (and our hundreds of pieces of luggage) on the second leg of our journey to New Jersey.

And I said, “Just lucky I guess,” though in truth I felt angels were actively taking care of me.

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Apes

(This article appeared in the Anderson Valley Advertiser July 2012)

“Imagination was given to man to compensate him for what he is not; a sense of humor to console him for what he is.” Francis Bacon

Sometimes it helps me to remember we are apes. Before the advent of clothing and tools and weapons and religion and cars and nuclear power and nations and money and vast social and economic inequities, we were naked apes looking for sustenance, shelter, safety, and love. We foraged for food, made nests for sleeping, and hung out in groups large enough to dissuade leopards. We had mates and children, we changed locations when our favorite foods grew scarce, and we socialized with family and friends every day. We did not, I think, have long terms goals. We lived wholly in the moment because we didn’t have anything other than the moment to live in. We had nothing to carry, nothing to hide, nothing besides each other.

Okay, so that is a gross oversimplification of ape reality, which is not without violence and danger and sorrow and death; but thinking of myself as an ape in a group of excellent and sympathetic apes living in a jungle full of tasty leafs and fruit helps me grok why so many people are unhappy today and why our so-called advanced society is so incredibly stressful and dysfunctional and stupid and wrong. We have not only lost our collective connection to the earth, we have lost touch with what really made us happy when we were apes—each other.

“Humor is emotional chaos remembered in tranquility.” James Thurber

I remember a moment in July of 1976 when I suddenly thought, “This is the happiest day of my life.” I was not thinking about happiness at the time, nor was I aware, until that moment, of being particularly happy. I looked around, wondering what could possibly have inspired such a thought, and what I saw unseated all my previous notions of what great happiness would look like: a dozen males and females and children (in Medford, Oregon on a very hot afternoon) sitting and standing around a picnic table on a scraggly lawn in the dappled shade of a towering elm, eating watermelon and spitting seeds.

I was a landscaper and had given up writing for a time. I didn’t have a girlfriend, didn’t have much money, and I was living in a funky bunkhouse next to the house of my boss and his wife and their kids. Oh, yes, now I remember it was the birthday of one of my boss’s kids, and we were drinking beer along with eating watermelon and spitting seeds, I and a couple other landscapers and their wives and my boss and his wife and a couple of their kids, including the birthday boy who was turning fourteen.

Why was I so happy? Looking back on that unexpectedly magical moment on that very hot day, I think my happiness came from our just being apes, eating fruit and spitting seeds and hanging out and talking and laughing and enjoying the moment without much thought or care for what might happen next.

I’ve had other happy days since that hot day in July in Medford in 1976, but I’ve never again been struck so forcefully by the thought, “This is the happiest day of my life,” which brings me to that unanswerable question: what is happiness?

“I urge you to please notice when you are happy, and exclaim or murmur or think at some point, ‘If this isn’t nice, I don’t know what is.’” Kurt Vonnegut

Long ago I read the transcript of a speech given by Kurt Vonnegut about the happiest day of his life. In the tradition of apes, I will relate to you what I remember Kurt told us in his speech rather than locate the transcript on the interweb and copy his words verbatim. What I remember is that Kurt began speaking about the happiest day of his life by first telling us about the happiest day of his grandfather’s life and then about the happiest day of his father’s life.

The happiest day of Kurt’s grandfather’s life was when Kurt’s grandfather was a young man. He and his best friend were walking through an Indiana cornfield on a hot summer day when a freight train came chugging along and stopped in the middle of the cornfield for no apparent reason. Seeing the train idling there, Kurt’s grandfather and his friend were filled with desire to climb onto the cowcatcher and have a ride, the cowcatcher being a big V-shaped steel bumper mounted on the front of the train’s engine. So Kurt’s grandfather and his friend ran through the corn and hopped onto the cowcatcher, the train started moving and picked up speed, and for many miles Kurt’s grandfather and his best friend sailed along through the corn, happier than they had ever been.

The happiest day of Kurt’s father’s life, if I’m remembering correctly, was his wedding day when he was in his early twenties. Kurt’s father had a friend who worked at the Indianapolis Motor Speedway (the gigantic track where they hold the famous Indianapolis 500) and as a wedding gift to Kurt’s father and mother, this friend let them onto the speedway in their regular car to zoom around and around the track, which zooming filled the newlyweds with joy.

And the happiest day of Kurt’s life was the day he was discharged from the Army.

“If you want to be happy, be.” Leo Tolstoy


Happiness (a short story from Buddha In A Teacup)

Gerald is turning the soil in the narrow bed of earth that runs the length of the south-facing side of the old house he rents—October more than half over. He intends to plant snow peas where the sun and white walls conspire to keep the ground relatively warm throughout the winter months.

He is not conscious that it has been seven years to the day since he learned of his wife’s unfaithfulness to him for all of their eighteen years of marriage. He is divorced now and has grown accustomed to living alone. The discovery of his wife’s secret life shattered his confidence in himself and in his closest friends—two of them being his wife’s lovers. He sold his law practice after finalizing the divorce and has been unemployed ever since.

His days are spent reading, taking long walks, listening to music, writing letters to friends, and sitting still. His money is nearly gone. He has no intention of practicing law again, though he has yet to decide how he will earn his living.

His shovel sinks into the dry ground, and as he turns the soil it crumbles into tiny fragments, leaving only the smallest of clods. Six years ago the soil here was dense clay, but hundred of buckets of kitchen compost and the labor of ten thousand worms have made the soil rich and pliable.

Recalling how difficult this task was a few years ago, Gerald smiles at the ease with which he now readies the bed. He rakes the ground until it is essentially level, and creates a little dam at the slightly downhill end of the bed. Now he kneels, and using his index finger, draws an inch-deep channel in the dirt some ten inches out from the wall of the house.

He reaches into his pocket and brings forth a packet of snow pea seeds. The planting instructions promise bushes thirty inches tall—self-supporting. But Gerald knows the vines will be much taller than thirty inches and will require support to keep from sprawling. He wonders why the seed sellers boast that the bushes will stand on their own when they never do, and he smiles again, happy to know the gangly plants will need his bamboo poles and string.

He drops the pale green pearls into the rough channel—one pearl every three or four inches along the way—and covers them with the rich soil. Now he stands and treads on the row, pressing the dirt down upon the seeds.

The bright blue hose is nearby, the water running noiselessly onto rust red chrysanthemums—wild children of a housewarming gift from a thoughtful friend.

As he takes up the hose from the mums—survivors of a dry summer and his occasional neglect—he remembers his wife and the sorrow of their parting. Now he presses his thumb into the mouth of the hose and sprays the water onto the new bed of peas—the grayish soil turning black—and he remembers his wife’s ecstatic face as they mated on sun-dappled sheets.

The bed becomes a pool with spray dappling the surface—a rainbow appearing in the mist near Gerald’s hand.

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Poets and Artists

(This article appeared originally in the Anderson Valley Advertiser, March 2011)

“The poet’s only responsibility is to write fresh lines.” Charles Olson

With all due respect to the organization known as Poets & Writers, I have always felt that if there’s no poetry in the writing, who needs it? Oh, I suppose a Chemistry textbook needn’t be rife with lovely language, but in the best of worlds all writing would be touched by the writer’s experience of having read and appreciated great poetry and beautifully crafted prose.

I sold my first short story for actual dollars when I was twenty-five. The year was 1974 and the buyer was Cosmopolitan magazine. This was at the very end of the era when that historic magazine along with a few dozen other large-circulation magazines in America still published fiction. Eventually I would sell stories to teen magazines and men’s magazines, along with several more to Cosmo, as my agent called that trashy mag, but I assure you I wrote all my stories with The New Yorker and Esquire in mind. Alas, those lofty literary realms were off limits to the unwashed likes of me. But I’m getting ahead of myself, as I am wont to do.

That first story I sold was about a black female prizefighter who, through a series of bizarre events, gets a shot at fighting a top-ranked male welterweight boxer. Entitled Willow, the sale of this highly improbable tale allowed me to live for more than a year without having to resort to other means of employment. (They paid me a thousand dollars and my monthly nut for food and shelter was sixty bucks.) Freed from physical labor, I managed to complete two novels, a play, and a dozen short stories before my money ran out.

The rough pattern of my life since dropping out of college in 1969 had been to work for a time, save a few hundred dollars, take a few months off to write, go back to work, take a few months off to write, and so forth. I rented rooms in houses inhabited by several other people, or I would rent cheap garrets, and I ate hippie gruel and never dined out, so my overhead was extremely low. I did make my living as a gigging guitarist singer for a couple years, but that lifestyle left me with little energy or inspiration to write, so I went back to digging ditches. I persevered in this way until I was twenty-seven and came to a defining junction in my life: I decided to stop writing.

Why? My sale of a story to Cosmopolitan had failed to spawn further sales, and I knew if I worked full-time as a landscaper for a year I could make a down payment on a little house in Medford, Oregon, learn to operate a backhoe, get hitched, go fishing, and liberate my marvelous literary agent—the likes of whom will never be seen again on this planet—from trying to sell my unsaleable stuff. I had been writing my heart out since I was a young teen, and that writer’s heart was by then so badly bruised by continuous rejection that I simply couldn’t take it anymore.

For those first few weeks of not writing, I felt so deeply relieved I mistook my relief for happiness. When I came home from a hard day of planting trees and digging ditches, I would luxuriate in a hot bath and sigh with what I imagined was contentment that I was finally over my obsession. Why had I been so driven to share my stories with the world? What difference did it make? The world was full of books and stories. I didn’t need to add to the pile. The money was piling up in my savings account, I had time to socialize, date, goof around, live!

Then my boss got a state contract to landscape a freeway overpass, which meant my wage for the next two months would leap from five to ten dollars an hour! I would make what amounted to, in my world, a fortune! I contacted a realtor. Houses in Medford were dirt cheap in those days. Honey! Life was opening up. I was playing music again. I’d get a house, start a band, have fun on weekends, and keep making those steady dollars.

Then one Saturday morning, a few months after I’d hung up my writing spurs, I woke to a story telling just enough of itself to entice me to start writing the story down and… “No way,” I said to the unseen muse. “I’m over you, babe. I’m going fishing with Fred and then I’m going dancing with Lola and if I know Lola, and I do, then…”

But the story wouldn’t leave me alone. The fish weren’t biting, so I came home, got out paper and pen and…the phone rang.

“Where are you, boyfriend?”

“Lola?”

“You did say dinner and dancing, didn’t you? Well, Lola’s stomach is growling, and Lola’s clock says seven-fifteen.”

I’d been writing for seven hours without having the slightest sense of time passing. The table was piled with pages covered with writing. My writing.

I showered and shaved and spent some sort of an evening with Lola, but the sad truth was that all I could think about was that story. For though I only had a vague idea of what I’d written down, I knew it was, if you will forgive the cliché, why I was alive.

I came home the next morning (thank you, Lola, wherever you are), gathered up the pages and settled down to read them. And as I read, I realized that I couldn’t give up writing, and that I wasn’t going to buy a house and learn to operate a backhoe. No. I was going to take my fortune and go to New York and finally meet my literary agent who had worked her butt off for me for six years with only one story sold to show for her Herculean effort; and I would meet writers and artists and editors and directors and…see what I could see.

“A person often meets his destiny on the road he took to avoid it.” Jean de La Fontaine

I subscribe to Buckminster Fuller’s belief that the universe is a mind-bogglingly intelligent and comprehensively and instantaneously reactive entity, and that she constantly and exquisitely responds with some sort of action to any and every action we take or don’t take.

So…on the Monday following my decision not to give up writing, my agent calls for the first time in six months to say she’s sold another of my stories, this one to Seventeen magazine (a whimsical tale entitled The Swami and the Surfer) and that the purchasing editor also wanted to commission me to write a Christmas story for them. I then described to my agent the story that had come to me on Saturday and she said with her delectable Georgia accent, “Dahlin’, I think Cosmo will snap that one right up.” And they did.

So I finished my two months of high-paying freeway landscaping and went off to the Big Apple to schmooze with my agent and, most importantly, to meet other writers as gone to their art as I. An old friend who was working as a Broadway rehearsal pianist put me up in his tiny apartment in an iffy part of Manhattan, and I spent a month there questing for others of my kind. And though I managed to meet dozens of writers, I didn’t meet a single one who was much interested in writing. They were all totally obsessed with money and trying to connect with people in power; everything else was irrelevant to them.

My friend the rehearsal pianist was also vocal coach to several working actors and so could get us into any play on or off Broadway absolutely free. Thus the main upshot of my stay in Manhattan was that I was badly bitten by the theater bug. Upon my return to Oregon, I felt I had to live in a city brimming with theater companies, so I moved to Seattle and spent the last of my fortune (eleven months) writing plays and trying to get someone, anyone, interested in them. Failing there, and down to my last few dollars, I contacted my former employer in Oregon and asked if he would take me back on his landscaping crew. He said he would be glad to.

And the very next day my agent called to say she had sold my first novel, Inside Moves, to Doubleday, for an advance of…drum roll, please…1500 dollars, minus her 10% commission. To make a very long story short, that novel eventually brought me a good deal of money from a big paperback sale and a movie sale that opened up a bloody Hollywood chapter of my life. But I digress.

So…in 1980 I moved to Sacramento and bought the only house I’ve ever owned and plowed through the Inside Moves money in a few short years of profligate waste and bad judgment. But here’s where I’m going with this. In Sacramento, I met the late great poet Quinton Duval, and through Q I met the visionary poet D.R.Wagner, and through D.R. I met the quietly awesome poet Ann Menebroker. Now aside from being unique and wonderfully eccentric artists, these three are what Kerouac called totally gone cats—gone to their poetry in the same way I get gone to my stories and plays—not for money, because there is no money in poetry, but because their poems come to them and won’t leave them alone until they write those poems down. Why do the poems come to them? Because the poems know that these people have surrendered entirely to why they were born.

A note to those who stuck up your noses and sniffed at my mention of Cosmopolitan magazine: Thirty years ago, at the height of the hullabaloo about my novel being made into a movie, I’m being interviewed on the radio and I mention I sold my first story to Cosmopolitan. The host snickers and says something like, “More and more cleavage every week. Yuck yuck.” Then he takes calls from listeners, and this gal with a fabulous Boston accent calls in and says, “I noted your contempt for Cosmopolitan, but let us never forget that Ernest Hemmingway published his first story therein as well.”

I’m guessing she was a poet.