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Yard Sale

(This article appeared in the Anderson Valley Advertiser October 2012)

We just had a big yard sale to move along the myriad things we did not wish to keep in our new life in our new house. This was my fourth such undertaking and Marcia’s first time trying to sell stuff we no longer care to possess. I keep wanting to call the event a garage sale because the things were first stored in our garage, but the category heading in the newspaper where we ran our ad was Yard Sales, and the sale did take place in our yard, so…

Because the universe is mysterious and seemingly a bit sadistic, as well as loving and miraculous, Marcia came down with a bad flu cold a week before the event and was just starting to feel better as the blessed day dawned, whereas I was just entering Zenith Flu Cold Symptom Time as the alarm clock sounded at 6 AM on the dreaded day. Oh, joy. Had we not advertised the bloody sale in the newspaper I might have stayed in bed battling exhaustion and sleep deprivation and tides of snot, but such was not the case, the hordes would soon be descending, and so I rose from my warm nest and went out into the frigid dawn to help Marcia empty the garage onto our driveway.

Oh, I forgot to mention that the aforementioned possibly sadistic and certainly ironic universe had, just two days before the event, seen fit to break our two-car garage door, a folding fiberglass contraption running on Rube Goldberg-like tracks, so that after the cacophonous death of the machine, the bottom of the door was left hovering some four feet above the ground, which necessitated our doing variations on the limbo as we brought forth weighty boxes of goodies. And as we ducked and bent and schlepped, I wondered if I would live to see the opening bell—9 AM—without collapsing from over-exertion while under the influence of the aforementioned afflictions.

But long before 9 AM (circa 8 AM) the so-called Early Birds began to arrive, though we had specifically requested in our ad No Early Birds, Please. We should have said, Early Birds Will Be Shot At With Live Ammunition or Early Birds Will Be Attacked By Slavering Hounds, but we didn’t, and so they came, the first few deflected by our stern renderings of wishful thinking such as, “We don’t open until nine. Please go away,” and “We’re not open yet.” By 8:20 there were twelve of the patient scavengers—and for some reason I thought of the Disciples—standing on the very edge of our property, impervious to our entreaties to go away.

And then we came upon several Really Heavy Things in the garage and before I could censor my addled brain, I heard myself calling out, “Could a couple of you strong people lend us a hand?” and after that, what could we do? The sale began at 8:30, with several boxes of things still to be laid out on the various tables and benches and shelves we had assembled the day before, with Marcia still hanging clothing on the fence and I continuing to pile old tools on a big sheet of plywood straddling two sawhorses.

Two of the Early Birds were a husband and wife team desirous of books and CDs. In a matter of few minutes, they had set aside sixty-five books and a dozen CDs, which massive quantity (two-thirds of our stock) prompted me to hurry away from the tool table to inform them, “Books and CDs are fifty cents each.”

“Perfect,” said the wife, watching her husband swiftly examine the selected volumes. “We’ve got that covered.”

And as I watched the husband riffle through the pages and make sure the covers were clean and the spines intact, I realized these two were not buying books to read, but to sell. Indeed, we would eventually learn (from another husband and wife book-buying team) that those early bird book buyers had an online used book business, their inventory largely furnished by early bird assaults on yard sales. Thus books we had been unable to sell to used bookstores brought us pretty pennies thanks to the new reality of buying and selling used books online.

My favorite parts of the day were those glorious moments when shoppers found objects they had been wishing fervently to find, yet hadn’t (probably) thought they would ever find for a couple bucks at a yard sale. For instance, one of the items on sale was an electric shredder mounted on a wastebasket, something Marcia hadn’t used in a decade, a perfectly fine piece of equipment for small scale shredding operations. One or two people picked the thing up and pondered how their lives might be with or without such a device, but no one bought the shiny apparatus until the very end of the sale when I was overseeing the dregs and stragglers and Marcia had abandoned me to go play her cello at a wedding and make some real money.

A woman sped up in a little sports car, jumped out and pointed at the shredder. “Oh my god,” she exclaimed, “does that work?”

“Yes,” I said wearily. “For paper, not leaves or wood.”

“Oh my god,” she repeated. “I dreamt last night about getting a shredder and shredding all the piles of papers on my desk and on the floor in my office that have just been in my way.” Then she stomped her foot. “How much do you want?”

“Two dollars,” I said, though I would have happily given it to her gratis.

“Sold!” she cried, as her dream came true.

Earlier in the day, as I was beginning to despair of ever ridding myself of a massive black metal four-drawer legal-sized filing cabinet that had been my catchall and servant for thirty-five years—a slowly rusting object I had decorated in the style of De Kooning with shiny red paint to cover the rust and dents and scratches—another such cosmic collision occurred. No one, I repeat, no one had given that rusting hulk a second look for the first four hours of the sale; and then, lo, it came to pass that as I turned away from selling three old Frisbees to a very tall man (for a dollar), I espied a very short man with large biceps standing before the filing cabinet and frowning the frown of one who is trying to remember where he’s seen this very object before.

So I dashed to his side and said, “I decorated her with those red flowers to cover a bit of rust, but she works splendidly and I’ve left plenty of files inside each drawer.” I then demonstrated the silky ease with which the gargantuan drawers opened and closed, and watched with pleasure as the man tried each drawer, too.

“There is superficial rust here and there,” I disclosed, “but a light sanding and a little paint and…”

“How much?” he said, his frown deepening.

“Ten dollars,” I ventured.

His eyes widened and he nodded. “I take.”

Then I dollied the old thing to the tailgate of his pickup truck, he lifted her into the bed, handed me ten dollars, nodded again, and vanished.

Another high point of the yard sale was when Marcia sold (for only five dollars) a very nice and fully functional electric keyboard to a young couple with a six-year-old son who was literally hugging and kissing the keyboard and begging his parents to buy it for him. The husband was cradling their other child, a month-old baby girl, and smiling in wonder as his son danced around the keyboard.

“What a beautiful baby,” I said to him. “And what a handsome son.”

“Oh, thank you,” he said softly. “I have my prince, and now I have my princess.” He kissed the slumbering babe. “We stop at two so my wife can go back to school and we give them good life.”

At which moment, a crusty old man approached me with a big basket brimming with things he’d found to buy. “Good yard sale, man” he said, handing me a wad of money. “Really good.”

“What, pray tell, makes it so good?” I asked, marveling at the entirely subjective nature of reality.

“Good stuff,” he said, winking. “At fantastically low prices.”

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Moving Experiences

(This article appeared in the Anderson Valley Advertiser September 2012)

Marcia and I are moving from the house we’ve rented for the past seven years into a house (five miles away) we just bought. Miracle of miracles, the little gem came to us as if in a dream, and in the dream we could afford to buy her, so we did. That’s the good news. The bad news is that the new (old) house has required a great deal of work (eight weeks every day from morning until night) to be habitable when we make the great leap to living there this coming week, and the worse news is that we have to leave this house we have become so deeply attached to, and in so moving deal with ALL OUR STUFF!

Moving Experience #1: I confront a heavy cardboard box I dragged from Santa Cruz to Sacramento in 1979, Sacramento to Berkeley in 1995, Berkeley to Mendocino in 2006, and now Mendocino to another place in Mendocino in 2012. In faint felt pen on the outside of the box are the words Todd stories, go through. And I realize that I have never followed the dictates of that bygone felt pen but have continued to schlep this fifty-pound archive around with me for thirty-some years because…

Maybe I had better things to do. Maybe I had more room, more time, more tolerance for mysterious stuff taking up space. In any case, now I open the box and spend a couple hours skimming through dozens of short stories, two plays, and two novels I have only the vaguest memories of writing, though each novel consumed a year or more of my life. I end up saving a few of the stories and the two plays because a few of the lines grab me and hint they might lead to something good and new. The rest I dump into the recycling can to be picked up tomorrow, and as I dump those thousands of pages I feel a brief twinge of sorrow followed immediately by stupendous relief.

I move to the next behemoth box inscribed in purple felt pen: Todd screenplays, 1995,  check out. And so on.

Moving Experience #2: My friend Bob calls and we talk about how work on the new house is going and how going through my accumulated stuff is going, and we share our thoughts about throwing things away. I brag that I have reduced the contents of a four-drawer legal-sized file cabinet to a half-drawer worth of stuff, and Bob asks, “So what was the stuff you got rid of?”

“Letters from friends, unpublished stories, works-in-progress that never progressed, photographs from the beginning of time to the present, cassette tapes, old book contracts, sketches for paintings I never painted…like that. The letters from friends were the hardest to let go of, though I had no interest in reading the letters again. I’m not sure why I saved them except…”

“Maybe having their letters was like having the people with you,” Bob suggests. “Their energy was present in those letters.”

“Which would explain why throwing the letters away was…is like a little death, the person no longer present.”

“Yes, death,” says Bob. “In the sense of absence. In the sense of letting go. Releasing a psychic bond. Giving something away that will never come back.”

Moving Experience #3: I recall reading interviews with several people who lost everything, as in every thing, in the great Oakland Hills fire of a couple decades ago, and how almost all those people spoke of the experience as initially devastating and soon thereafter incredibly liberating, for they were then free to re-invent themselves.

Yes. Moving gives us the opportunity to re-invent ourselves by what we choose to get rid of and what we choose to keep. I weigh several hundred pounds less than I did before we began this move, and I have come face to face with dozens of things I long ago ceased to use and certainly don’t need to carry with me so I can go on not using them. Yet if we weren’t moving, those things would continue to fill up my life and weigh me down. To get rid of things necessitates confronting those things and making decisions, and moving forces us to do that. So in a sense, moving is like a slow moving fire, sort of.

Moving Experience #4: Old photos. Good God, I was a little boy and a teenager and a young man. I had a cute high school girlfriend and I was a hippy and had nothing and then I married a woman who looked like a movie star and I owned a big house in Sacramento and there I am on the set of the movie they made of my novel and then I wasn’t married and had nothing again and…I don’t need to keep these pictures anymore. I don’t need to review my life every time I move. Enough already.

Moving experience #5: The past impinges. The past clings to things. The past imparts mojo to things and if that mojo is not sweet and inspiring, then I say jettison the thing! Yes, you’re right. That is a perfectly good chair. And someone will come to the garage sale we’re going to have at our new place and they will buy the chair and not be adversely impacted by the mojo because mojo depends on psychic interconnectedness, which garage sales tend to obliterate. What I’m saying is, it’s fine to get rid of perfectly good things because, in truth, they may not be perfectly good for me or for you because of the aforementioned psychic interconnectedness being troublesome.

Moving Experience #6: Indeed, psychic interconnectedness seems to be what is making this particular move such an ordeal. We are not just moving our bodies and our things to a new place and getting rid of things as we move, we are moving and getting rid of things encrusted with thousands of tons of memories and feelings. And it might be that we have held onto this stuff for so long because we have been afraid of losing our memories, which remind us of where we’ve been, what we’ve done, what we had. and who we were. Perhaps we are afraid that if we jettison all these artifacts we will find ourselves wandering in a void haunted by the question: Who Are We?

Moving Experience #7: So one question is: are we our stuff? No. Do we think we are our stuff? Maybe so. Oh, my. Look. There is the proof of dreams unrealized, or proof of happier, richer, better, younger times. Marcia looks at old pictures of me and invariably exclaims, “God, you had so much hair!”

Moving Experience #8: The big strong men come on Monday with their big truck to move the big heavy things, notably my piano, best left to big strong men without hernias. Thereafter, we will sleep at the new house and come back to the old house to mop up, so to speak, for the next week or so. Then we will come here no more. We will be absent to this place and this place will be absent in our lives, but for some weeks and months I will continue to know the contours of this place and the curves in the road from town to here better than I know the contours of the new house and the curves in the road from town to there. And a moment will come when my knowing of each place will be equal, and then in the next moment I will know that new place better than this place.

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Stuff

(This article appeared in the Anderson Valley Advertiser April 2012)

“A man is rich in proportion to the number of things he can afford to let alone.” Henry David Thoreau

The calendar says it is springtime, but the temperature and relentless rain say winter continues apace, this being the second year in a row that a very wet March will save Mendocino and Northern California from terrible drought. Yes, we are starved for sunlight and the woodpile is shrinking at an alarming rate, but the ongoing deluge bodes well for salmon and redwoods and huckleberries and forest frogs, so we shall not complain.

On Sunday we attended a gathering at the home of a recently deceased friend of Marcia’s, his children and grandchildren and ex-wives and friends filling his moldy old house and spilling outside to honor his memory. I was impressed by his large collection of paperback books from the 1950’s and 60’s, many of them stuck to various shelves and to each other with the mysterious glue of time. When I pulled on a volume of Kazantzakis, the book broke into several pieces, ditto a Kerouac tome, so thereafter I contented myself with reading the spines and forming an impression of the person from the books he read.

But I was most impressed by the dust that coated everything in the house and gathered in drifts in corners and indentations—dust as a measure of many years passing wherein the man left large parts of his life untouched. And I have been thinking about this dust ever since and seeing it on the surfaces of things at our house, particularly on books we will almost surely never look at again.

So on Tuesday, housebound by the pouring rain, I emerged from my den to find Marcia confronting several shelves of CDs and books in the living room, shelves of things we still love and things we once loved and things we never loved but kept because someone gave them to us or because we couldn’t think where else to put them. Now, however, inspired by the dead man’s dust and the coming of spring, we emptied the shelves, mopped up the dust, and put back only those books and recordings we wanted to keep for the next leg of our journey. The rest we will give away and never think about again.

“Delusions of grandeur make me feel a lot better about myself.” Lily Tomlin

In 1971, having only recently learned to play the guitar, I felt certain that if I could convince a record producer at Columbia or Warner Brothers to listen to me sing my jazzy folk songs I would be the next big thing—James Taylor meets Bob Dylan meets Carlos Jobim—or so I fantasized. A highly impressionable teen growing up in the San Francisco Folk Rock scene of the 1960’s, I watched dozens of obscure musicians vault from garage bands and cafés onto the world stage and saw no reason why I couldn’t achieve the same kind of success. Yes, I was delusional, but without delusions I never would have done most of the things I tried to do.

I found, however, that my ears and psyche could not tolerate Really Loud Music, so Acoustic Folk Rock became my genre. The record companies were in Los Angeles, so that’s where I went, my Aunt Dolly providing a base of operations for me in the living room of her cluttered home. For money I sought work as a gardener, papering Dolly’s neighborhood with flyers and receiving an unexpected response that created a whole new career trajectory for me.

“I don’t need a gardener,” said a woman most definitely from New York and certainly Jewish. “But I’ve got a garage full of stuff I need to sort through and my back is not so good, so…”

Elaine had a two-car garage packed to the rafters with boxes of books, clothing, barbells, golf clubs, photographs, paintings, suitcases, furniture—tons of stuff she and her deceased husband had been stacking in there and forgetting about for thirty years. Now she wanted to go through everything and see if there was anything she wanted to keep. I would carry her things out into the light of day and she would decide what would stay and what would go and what would come into the house to live with her. She paid me two-fifty-an-hour plus lunch, and I could keep anything she didn’t want.

On my second day of working for Elaine, an elderly British fellow stopped by, chatted with Elaine, and then asked me if I might do the same kind of work for him, only in his case it was an attic he wanted to explore. “More of a crawl space, actually,” he said, bowing politely. “Accessible by ladder. What’s wanted is a strong back and good balance. To bring things down and take them back up. Boxes of books mostly. Rugs. And I’m not sure what else.”

So began two months of helping elderly people sort through piles of stuff in their garages and attics and spare bedrooms, with my evenings devoted to recording songs on a neighbor’s reel-to-reel tape recorder pursuant to my becoming a rich and famous troubadour. My most profitable find in those two months of excavation was a mint condition Danny Kaye album, a massive book-like thing containing eight 78-rpm records, each in a separate sleeve. I made a trip to a famous used record store in downtown Los Angeles and sold Danny for sixty dollars! I probably could have gotten more, but sixty was a fortune to me.

The work was one part schlepping and five parts listening to the oldsters tell stories about their various things. Some people wanted to throw everything away, others were more interested in discovering what they had kept. Everyone I worked for was a unique individual, yet to me there was a sameness to everybody’s stuff, and a sameness to their feelings about the stuff—regret and annoyance larded with nostalgia. So I vowed never to accumulate more than I could carry with me on a train, even when I became famous and wealthy. So much for vows we make at twenty-two.

Miracle of miracles, I did actually talk my way into a meeting with a record producer at Columbia, a kindly longhaired guy with gold records on the walls of his office who listened patiently to three of my songs before stopping the tape player and saying, “You’ve got a beautiful voice. What say we stay in touch and see how you’re doing a couple years from now? I wish I could sign you, but you’re just learning, you know? No offense, but you need time to develop your talent. Maybe start a group. Imagine some guy with a really rough voice harmonizing with your sweet tenor. Could be great. Think about it. You’ve got potential. And I’m not just saying that.”

“It is by going down into the abyss that we recover the treasures of life. Where you stumble, there lies your treasure.” Joseph Campbell

Fast-forward forty years to Todd and Marcia creating stuff we hope people will buy from us—CDs, books, and note cards—Marcia vastly more successful than I, and with far fewer products. Her Cello Drones for Tuning and Improvisation sells like hotcakes, whereas my creations…well, let us just say that as I peruse the many boxes in my office full of my creations that hardly sell, I, too, experience regret and annoyance, but not larded with nostalgia. No, my regret and annoyance are larded with amazement at the audacity (delusion?) of hope.